Night Swim - crew, film crew

The entire team, the film crew of the film "Night Swim"
Night Swim (2024)
Timing: 1:38 (98 min)
Night Swim - TMDB rating
5.5/10
830
Night Swim - Kinopoisk rating
4.918/10
3961
Night Swim - IMDB rating
4.7/10
32000

Film crew

Director

Photo Bryce McGuire #69134
Bryce McGuire
Director

Producer

Executive Producer

Photo Rod Blackhurst #69133
Rod Blackhurst
Executive Producer
Photo Ryan Turek #3217
Ryan Turek
Executive Producer
Photo Michael Clear #5253
Michael Clear
Executive Producer
Judson Scott
Executive Producer

Casting

Sarah Domeier Lindo
Casting

Editor

Jeff McEvoy
Editor

Additional Second Assistant Director

Danny Giles
Additional Second Assistant Director

Costume Design

Christie Wittenborn
Costume Design

Stunts

Photo Jess King #7611
Jess King
Stunts

Production Design

Hillary Gurtler
Production Design

Set Decoration

Elsbeth Mumm
Set Decoration

Makeup Artist

Mara Rouse
Makeup Artist

Sound Re-Recording Mixer

Photo Joel Dougherty #3215

Joel Dougherty

Joel Dougherty
Sound Re-Recording Mixer

Original Music Composer

Photo Mark Korven #69128

Mark Korven

Mark Korven
Original Music Composer

Unit Production Manager

Scott Putman
Unit Production Manager

Co-Producer

James Moran
Co-Producer
Jennifer Scudder Trent
Co-Producer

Production Supervisor

Katrina Elder
Production Supervisor

Set Dresser

Brock Komon
Set Dresser
Eric Snyder
Set Dresser
Mercedez Higgins
Set Dresser
Alonzo Beas
Set Dresser
Nicolas D'Agostino
Set Dresser
Sun Hashmi
Set Dresser
Lauchland Lake III
Set Dresser
Kristoffer Luna
Set Dresser
Erik MacRay
Set Dresser
Jim Mapile
Set Dresser
Gio Mooring
Set Dresser
Nicole Park
Set Dresser

Second Assistant Director

Phil DeSanti
Second Assistant Director

Stunt Double

Photo Jade Quon #16864
Jade Quon
Stunt Double
Allison Caetano
Stunt Double
Photo Jacqueline Lee Geurts #49569
Jacqueline Lee Geurts
Stunt Double
Reuben J. Lee
Stunt Double
Sierra Hawkins
Stunt Double
Photo Sierra Hawkins #336029
Sierra Huermann
Stunt Double
Photo Marissa Labog #65285
Marissa Labog
Stunt Double

Utility Stunts

Director of Photography

Charlie Sarroff

Charlie Sarroff
Director of Photography

Costume Supervisor

Sarah Wachel
Costume Supervisor

Makeup Department Head

Eleanor Sabaduquia
Makeup Department Head

Sound Effects Editor

Russell Topal
Sound Effects Editor
Photo Ryan A. Sullivan #3231

Ryan A. Sullivan

Ryan A. Sullivan
Sound Effects Editor

Visual Effects Supervisor

Jeffrey Kalmus
Visual Effects Supervisor
Christopher Lance
Visual Effects Supervisor

Supervising Sound Editor

P.K. Hooker
Supervising Sound Editor

Hair Department Head

Prescilla Jean Olay
Hair Department Head

Special Effects Coordinator

Zak Knight
Special Effects Coordinator

Visual Effects Producer

Bryan Binder
Visual Effects Producer

First Assistant Director

James Moran
First Assistant Director

Boom Operator

Photo Rob Cunningham #28282
Rob Cunningham
Boom Operator

Screenplay

Photo Bryce McGuire #69134
Bryce McGuire
Screenplay

Foley Artist

Ruslan Shebystyi
Foley Artist

Sound Designer

P.K. Hooker
Sound Designer

Art Department Coordinator

Hannah Clifton
Art Department Coordinator

Best Boy Grip

Jeremy Noggles
Best Boy Grip

Art Department Assistant

Tyler Doty
Art Department Assistant

Key Grip

Alessandro Picasso
Key Grip

Second Second Assistant Director

Esraa Darwish
Second Second Assistant Director

Foley Mixer

Andrii Starykovskyi
Foley Mixer

Casting Associate

Matthew Nelson
Casting Associate

Gaffer

Charles Wibert
Gaffer

Production Sound Mixer

Robert Sharman
Production Sound Mixer

Digital Compositor

Photo Kollen Wasylean #13130
Kollen Wasylean
Digital Compositor

Post Production Coordinator

Brittany Fottrell
Post Production Coordinator

On Set Dresser

Kevin Bici
On Set Dresser

Production Assistant

Nicholas Barragan
Production Assistant

VFX Artist

Andrew Lewitin
VFX Artist
Michael Sarkis
VFX Artist

Visual Effects Coordinator

Natasha Tscharanyan
Visual Effects Coordinator

Line Producer

Scott Putman
Line Producer

Screenstory

Photo Rod Blackhurst #69133
Rod Blackhurst
Screenstory
Photo Bryce McGuire #69134
Bryce McGuire
Screenstory

Studio Teacher

Daniel Benjamin
Studio Teacher

Executive Producer's Assistant

Photo Annie Smith #359240

Annie Smith

Annie Smith
Executive Producer's Assistant
Photo Sarah Paek #359239

Sarah Paek

Sarah Paek
Executive Producer's Assistant
Cynthia Francillon
Executive Producer's Assistant

Title Designer

Photo Matt Curtis #20609
Matt Curtis
Title Designer

Producer's Assistant

Taylor Berry
Producer's Assistant

Makeup Effects Designer

Justin Raleigh
Makeup Effects Designer

Original Film Writer

Photo Bryce McGuire #69134
Bryce McGuire
Original Film Writer

Underwater Director of Photography

Ian S. Takahashi
Underwater Director of Photography

What's left behind the scenes

  • In reality, there is no access from the house where the on-location shooting took place to the garage, and the pool is visible from the lawn in front of the house. The facade was constructed to make the pool invisible from the lawn.
  • Children attend Harold Holt School (1908-1967), the seventeenth Prime Minister of Australia, who disappeared while swimming in the ocean.
  • The entire mythology was invented and developed by director and screenwriter Bryce McGuire, although some of its aspects actually exist. The word “Temagami” sounds Japanese, but in reality it comes from the Ojibwe language (Ojibwe are a Native American people). It roughly means deep water, as Lucy, played by Jodie Long, explains in the film, but there are no Ojibwe legends about healing waters. McGuire drew on legends and tales of wells that grant wishes and keys that bestow healing. It is widely believed that if you throw a coin into a well or even into a fountain basin (in other words, make an offering or sacrifice), a wish may come true. While preparing for the film, McGuire studied various cultures in terms of their people's attitude towards water – for example, Celtic mythology and the legends of the natural well (cenote) of Chichen Itza in Mexico, where the Mayan god of rain was said to reside. Among other things, McGuire drew inspiration from the Bible – specifically the references to the healing properties of the Jordan River. He wanted to explore the aspect of the relationship with water based on sacrifice and receiving something in return, hence the premise that the pool will require something in exchange for a blessing.
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