Presumed Innocent - crew, film crew

The entire team, the film crew of the film "Presumed Innocent"
Presumed Innocent (1990)
Timing: 2:7 (127 min)
Presumed Innocent - TMDB rating
6.814/10
817
Presumed Innocent - Kinopoisk rating
7.042/10
8621
Presumed Innocent - IMDB rating
6.9/10
52000

Film crew

Director

Producer

Executive Producer

Susan Solt
Executive Producer

Casting

Alixe Gordin
Casting

Editor

Evan A. Lottman
Editor

Art Direction

Robert Guerra
Art Direction

Costume Design

John Boxer
Costume Design

Production Design

George Jenkins
Production Design

Set Decoration

Carol Joffe
Set Decoration

Makeup Artist

Fern Buchner
Makeup Artist
Craig Lyman
Makeup Artist

Sound Re-Recording Mixer

Richard Portman
Sound Re-Recording Mixer

Original Music Composer

Photo John Williams #1889Photo John Williams #1890

John Williams

John Williams
Original Music Composer

Unit Production Manager

David Starke
Unit Production Manager

Set Dresser

Dick Tice
Set Dresser

Second Assistant Director

Tony Adler
Second Assistant Director

Director of Photography

Photo Gordon Willis #11809

Gordon Willis

Gordon Willis
Director of Photography

Camera Operator

Craig DiBona
Camera Operator

Assistant Art Director

Beth Kuhn
Assistant Art Director
Teresa Carriker-Thayer
Assistant Art Director

Property Master

Janet Shaw
Property Master

Supervising Sound Editor

Photo Ron Bochar #25158
Ron Bochar
Supervising Sound Editor

Script Supervisor

Karen Hale Wookey
Script Supervisor

Hairstylist

Photo Colleen Callaghan #71786
Colleen Callaghan
Hairstylist

Still Photographer

John Seakwood
Still Photographer

First Assistant Director

Alex Hapsas
First Assistant Director

Assistant Costume Designer

Suzanne Schwarzer
Assistant Costume Designer

Chief Lighting Technician

James Fitzpatrick
Chief Lighting Technician

Boom Operator

Louis Sabat
Boom Operator

Screenplay

Novel

Scott Turow
Novel

First Assistant Editor

Lee Fonvielle
First Assistant Editor

Construction Coordinator

Gilbert Gertsen
Construction Coordinator
Anthony Zappia
Construction Coordinator

Dialogue Editor

Laura Civiello
Dialogue Editor
Jeffrey Stern
Dialogue Editor

Assistant Editor

Gregory D'Agostino
Assistant Editor

Foley Editor

Bruce Pross
Foley Editor
Steven Visscher
Foley Editor

Key Grip

George Patsos
Key Grip

Location Manager

Peter Pastorelli
Location Manager

Dolly Grip

James Pollard
Dolly Grip

Second Second Assistant Director

Randy N. Barbee
Second Second Assistant Director

Construction Foreman

Don Zappia
Construction Foreman

Assistant Set Decoration

Steven Gamiello
Assistant Set Decoration

Casting Assistant

Lisa M. Marfleet
Casting Assistant

Music Editor

Kenneth Wannberg
Music Editor

Production Sound Mixer

James Sabat
Production Sound Mixer

ADR Mixer

Paul J. Zydel
ADR Mixer

First Assistant Camera

Douglas C. Hart
First Assistant Camera

Assistant Hairstylist

Judi Goodman
Assistant Hairstylist

Assistant Makeup Artist

Vincent Callaghan
Assistant Makeup Artist

ADR Editor

Darrell Hanzalik
ADR Editor

Extras Casting

Joy Todd
Extras Casting

Location Coordinator

Richard Dooley
Location Coordinator

Sound Recordist

Frank Graziadei
Sound Recordist
Gail Carroll-Coe
Sound Recordist

Second Assistant Camera

Richard Crudo
Second Assistant Camera
Val Sklar
Second Assistant Camera

Assistant Sound Editor

Kam Chan
Assistant Sound Editor
Chris Fielder
Assistant Sound Editor
Yvette Nabel
Assistant Sound Editor
Joan Franklin
Assistant Sound Editor

Assistant Chief Lighting Technician

Kevin Fitzpatrick
Assistant Chief Lighting Technician
Robert Hayward
Assistant Chief Lighting Technician

What's left behind the scenes

  • At the beginning of the film, Harrison Ford's character reviews files on a computer screen containing the names of people involved in a court case. Most of the names on the list are those of the film crew.
  • Harrison Ford's hairstyle was made to make him appear less masculine and self-assured than his characters in other films.
  • Paul Winfield (1939-2004) read the novel that served as the literary source for the film in the late 1980s and told his agent that if it were ever adapted for the screen, he would like to play the judge. Several years later, when work on the film actually began, Winfield launched a full-scale campaign to land the coveted role. Director Alan J. Pakula (1928-1998) invited him to audition and ultimately cast him as the judge.
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