Far and Away - crew, film crew
The entire team, the film crew of the film "Far and Away"
Far and Away (1992)
Timing:
2:20 (140 min)
6.775/10
1304
1304
7.765/10
25340
25340
6.6/10
72000
72000
Film crew
Director
Producer
Executive Producer
Casting
Karen Rea
Casting
John Hubbard
Casting
Ros Hubbard
Casting
Editor
Daniel P. Hanley
Editor
Art Direction
Jack Senter
Art Direction
Costume Design
Joanna Johnston
Costume Design
Stunts
Tony Brubaker
Stunts
Gary Powell
Stunts
Daniel K. Moore
Stunts
Zeljko Negovetic
Stunts
Johnny Hock
Stunts
Clifford Happy
Stunts
Marguerite Happy
Stunts
Nick Gillard
Stunts
Tom Elliott
Stunts
Danny Costa
Stunts
Graeme Crowther
Stunts
Ben Scott
Stunts
Mike Watson
Stunts
Russell Solberg
Stunts
Production Design
Allan Cameron
Production Design
Jack T. Collis
Production Design
Stunt Coordinator
Second Unit Director
Set Decoration
Richard C. Goddard
Set Decoration
Josie MacAvin
Set Decoration
Makeup Artist
Edouard F. Henriques
Makeup Artist
Michael Laudati
Makeup Artist
Sound Re-Recording Mixer
Lee Dichter
Sound Re-Recording Mixer
Dominick Tavella
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Larry DeWaay
Co-Producer
Bob Dolman
Co-Producer
Set Dresser
Mark Boucher
Set Dresser
Charles R. Lipscomb
Set Dresser
Bruce D. Streetman
Set Dresser
Director of Photography
Pilot
Robert 'Bobby Z' Zajonc
Pilot
Camera Operator
Gregory Lundsgaard
Camera Operator
Steadicam Operator
Gregory Lundsgaard
Steadicam Operator
Costume Supervisor
Rhona McGuirke
Costume Supervisor
James W. Tyson
Costume Supervisor
Sound Effects Editor
Richard Q. King
Sound Effects Editor
Assistant Art Director
Conor Devlin
Assistant Art Director
Frank Hallinan-Flood
Assistant Art Director
Property Master
C.J. Maguire
Property Master
Supervising Sound Editor
Anthony J. Ciccolini III
Supervising Sound Editor
Script Supervisor
Sioux Richards
Script Supervisor
Supervising ADR Editor
Michael Jacobi
Supervising ADR Editor
Special Effects Coordinator
Lawrence J. Cavanaugh
Special Effects Coordinator
Still Photographer
Phillip V. Caruso
Still Photographer
Assistant Costume Designer
Sally Turner
Assistant Costume Designer
June Nevin
Assistant Costume Designer
Barcie Waite
Assistant Costume Designer
Chief Lighting Technician
Dwight Campbell
Chief Lighting Technician
Production Manager
Seamus Byrne
Production Manager
Boom Operator
Earl Sampson
Boom Operator
Screenplay
Bob Dolman
Screenplay
Set Designer
Joseph E. Hubbard
Set Designer
Robert M. Beall
Set Designer
First Assistant Editor
Roger Tweten
First Assistant Editor
Foley Artist
Elisha Birnbaum
Foley Artist
Brian Vancho
Foley Artist
Sound Designer
Anthony J. Ciccolini III
Sound Designer
Louis Cerborino
Sound Designer
Construction Coordinator
Dennis DeWaay
Construction Coordinator
Dialogue Editor
Stan Bochner
Dialogue Editor
Thomas A. Gulino
Dialogue Editor
Robert Hein
Dialogue Editor
Assistant Editor
Guy Barresi
Assistant Editor
David Siegel
Assistant Editor
Ofe Yi
Assistant Editor
Foley Editor
Dan Edelstein
Foley Editor
Anthony J. Ciccolini III
Foley Editor
Pam DeMetruis-Thomas
Foley Editor
Eytan Mirsky
Foley Editor
Props
Cos Egan
Props
Key Grip
Bobby Huber
Key Grip
Location Manager
Michael J. Malone
Location Manager
Martha O'Neill
Location Manager
Dolly Grip
Jimmy Leavens
Dolly Grip
Key Hair Stylist
Lyndell Quiyou
Key Hair Stylist
Second Second Assistant Director
Dana J. Kuznetzkoff
Second Second Assistant Director
Story
Bob Dolman
Story
Special Effects Technician
Chris Corbould
Special Effects Technician
Production Controller
Kathleen McGill
Production Controller
Casting Associate
Donna Ekholdt
Casting Associate
Production Sound Mixer
Ivan Sharrock
Production Sound Mixer
First Assistant Camera
Ian Fox
First Assistant Camera
Post Production Supervisor
Andrew Golov
Post Production Supervisor
Unit Publicist
Andrew Lipschultz
Unit Publicist
Scenic Artist
Brian Bishop
Scenic Artist
ADR Editor
Jeffrey Stern
ADR Editor
Lisa J. Levine
ADR Editor
Second Assistant Camera
David Luckenbach
Second Assistant Camera
Assistant Sound Editor
Lois Bellucci
Assistant Sound Editor
Yvette Nabel
Assistant Sound Editor
Dialect Coach
Tim Monich
Dialect Coach
Second Unit First Assistant Director
Ronald M. Bozman
Second Unit First Assistant Director
Animal Coordinator
Color Timer
David Orr
Color Timer
Negative Cutter
James Sheridan
Negative Cutter
Animal Wrangler
Bruce Randall
Animal Wrangler
Production Illustrator
What's left behind the scenes
- The main theme for the film was performed by Enya.
- The film was shot on a 65mm Panavision Super 70 camera, using the latest equipment from Panavision. The format in which the film was shot was widely advertised even in the accompanying materials to the film, but did not contribute to a revival of interest in shooting films on 65mm cameras.
- Director Ron Howard did not like Nicole Kidman’s performance in the scene where her character lifts the basin covering Tom Cruise’s groin (they were married at the time). Without saying anything to the actress, he told Cruise to take off his underwear, and then the scene was reshot. The reshoot of this scene was included in the final film.
- The race scene to claim land plots involved 800 extras, 400 horses, and 200 wagons.
- Three of Ron Howard’s ancestors actually participated in the 1893 land rush race, as depicted in the film.
- The actors had to learn to speak with an Irish accent. It should be noted that Nicole Kidman has an incorrect pronunciation. As the daughter of a wealthy Irish landowner, she should have spoken with an English accent, but this would have confused foreign audiences, and the actress was taught to speak with a Dublin accent. In Ireland, this film is considered a classic of the comedy genre due to the terrible, supposedly Irish pronunciation of the actors.
- In the window of a clothing store in Boston, Kidman's character looks at a dress worn by Mary Steenbergen's character in Robert Zemeckis's sci-fi comedy "Back to the Future Part III" (1990).
- At the end of the credits, the filmmakers express their gratitude to a dolphin. This was not an animal trained in captivity. This bottlenose dolphin lived in the waters of the Atlantic near Ireland, since at least 1983. He often played with swimmers and people on boats and even became a local celebrity.
- The scenes in the ring were filmed at a partially converted railway station in Billings, Montana.
- To build the set for the brothel in central Dublin, 'Temple Bar' was closed for three months. Local shops and firms with offices located there were paid a substantial penalty for being closed during filming. Despite all these difficulties and inconveniences, the street where all this took place was only shown briefly in the film.
- Filming took place from May 28 to September 26, 1991.
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