The Salt Path - crew, film crew
The entire team, the film crew of the film "The Salt Path"
The Salt Path (2025)
Timing:
1:55 (115 min)
6.753/10
77
77
7.591/10
41564
41564
6.6/10
6700
6700
Film crew
Director
Marianne Elliott
Director
Producer
Lloyd Levin
Producer
Elizabeth Karlsen
Producer
Beatriz Levin
Producer
Stephen Woolley
Producer
Executive Producer
Nicholas Sidi
Executive Producer
Norman Merry
Executive Producer
Marianne Elliott
Executive Producer
Peter Hampden
Executive Producer
Kristin Irving
Executive Producer
Thorsten Schumacher
Executive Producer
Chris Harper
Executive Producer
Caroline Levy
Executive Producer
Jonathan Lynch Staunton
Executive Producer
Writer
Editor
Gareth C. Scales
Editor
Lucia Zucchetti
Editor
Art Direction
Philip Barber
Art Direction
Philip Barber
Art Direction
Costume Design
Matthew Price
Costume Design
Production Design
Christina Moore
Production Design
Stunt Coordinator
Jamie Edgell
Stunt Coordinator
Set Decoration
Shonagh Smith
Set Decoration
Makeup Artist
Alice Hopkins
Makeup Artist
Sophie Moore
Makeup Artist
Original Music Composer
Chris Roe
Original Music Composer
Co-Producer
Raynor Winn
Co-Producer
Director of Photography
Foley Artist
Joe Morley
Foley Artist
Book
Raynor Winn
Book
Special Effects Makeup Artist
Makeup & Hair
Emily Bilverstone
Makeup & Hair
Other
Enric Ortuno
Other
Casting Director
Choreographer
Sarah Perry
Choreographer
What's left behind the scenes
- Ralph Fiennes was initially considered for the role of Mot. He was also keen to work with Marianne Elliott, but this did not come to fruition, as the actor was offered a role in Edward Berger's detective drama "Conclave" (2024) and left the cast of "Salt Path." Gillian Anderson, who was to play Reynold Winn, suggested her husband Jason Isaacs for the role. Isaacs arrived at a meeting with Elliott, where his participation in the project as a replacement for Fiennes was to be discussed, with a blue bandana tied around his neck, which was a distinctive feature of Mot's appearance. Isaacs was very eager to get the role because he liked the memoir book – the literary source for the screenplay – and dreamed of working on a project with Gillian Anderson.
- The scene at the beginning of the film where Mott accidentally bumps into Raynor while taking off his backpack at the gate was not in the script. It happened by chance, but the actors stayed in character, and Marianne Elliott liked it so much that she preferred to leave everything as it was and not reshoot the scene.
- Shortly before the start of filming, Gillian Anderson and Jason Isaacs met Raynor Winn and her husband Mott, whom they were to play. Winn didn't believe until the last moment that such a striking woman as Anderson could play her convincingly.
- Marianne Elliott decided to make this film during one of her walks during the Covid restrictions. Four years later, work on the film was already behind her.
- Preparing for filming, Marianne Elliott herself walked some of the trail that the film's characters were to follow. Later, Elliott, an experienced hiker, said that it turned out to be not easy.
- In July 2025, shortly after the film's premiere, The Observer newspaper published an article questioning the two premises that led to the characters' hike – Mott's diagnosis and the circumstances of the Winns' eviction from their home. The article suggested that Winn had misappropriated someone else's money (whereas the film spoke of an unsuccessful investment). In response to the article, Winn made a statement refuting its claims.
- Ralph Fiennes was initially considered for the role of Mott. He was also keen to work with Marianne Elliott, but it wasn't meant to be, as the actor was offered a role in Edward Berger's detective drama “Conclave” (2024) and left the cast of “Saltburn.” Gillian Anderson, who was to play Reynold Wynn, suggested her husband, Jason Isaacs, for the role. For the meeting with Elliott, where his participation in the project as a replacement for Fiennes was to be discussed, Isaacs arrived with a blue bandana tied around his neck, a characteristic feature of Mott's appearance. Isaacs really wanted to get the role because he liked the memoir – the literary source of the screenplay – and dreamed of working on a project with Gillian Anderson.
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Castingi w Polsce
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