Shutter Island - crew, film crew
The entire team, the film crew of the film "Shutter Island"
Shutter Island (2010)
Timing:
2:18 (138 min)
8.198/10
25649
25649
8.522/10
893017
893017
8.2/10
1414117
1414117
Film crew
Director
Producer
Arnold Messer
Producer
Executive Producer
Louis Phillips
Executive Producer
Casting
Ellen Lewis
Casting
Editor
Art Direction
Christina Ann Wilson
Art Direction
Max Biscoe
Art Direction
Supervising Art Director
Robert Guerra
Supervising Art Director
Costume Design
Stunts
Jeffrey Lee Gibson
Stunts
Ian Mclaughlin
Stunts
Chris Barnes
Stunts
Production Design
Stunt Coordinator
G. A. Aguilar
Stunt Coordinator
Second Unit Director
Robert Legato
Second Unit Director
Set Decoration
Francesca Lo Schiavo
Set Decoration
Makeup Artist
Sian Grigg
Makeup Artist
Key Makeup Artist
Patricia Regan
Key Makeup Artist
Sound Re-Recording Mixer
Tom Fleischman
Sound Re-Recording Mixer
Set Dresser
Wayne Brackett
Set Dresser
Joseph DeLuca
Set Dresser
Gabor Medveczky
Set Dresser
Julio Daniel Rodriguez
Set Dresser
Paul Alexander Larkin
Set Dresser
Second Assistant Director
Amy Lauritsen
Second Assistant Director
John Silvestri
Second Assistant Director
Stunt Double
George B. Colucci Jr.
Stunt Double
Paul Marini
Stunt Double
Mark Fichera
Stunt Double
Stephen Mann
Stunt Double
Matthew C Dumond
Stunt Double
Stephen Leavins
Stunt Double
Director of Photography
Pilot
Steadicam Operator
Larry McConkey
Steadicam Operator
Costume Supervisor
David Davenport
Costume Supervisor
Denise Andres
Costume Supervisor
Makeup Department Head
Manlio Rocchetti
Makeup Department Head
Key Costumer
Debbie Holbrook
Key Costumer
Assistant Art Director
Barbra Matis
Assistant Art Director
Patricia Woodbridge
Assistant Art Director
Hinju Kim
Assistant Art Director
Marion Kolsby
Assistant Art Director
Property Master
Scott Getzinger
Property Master
Visual Effects Supervisor
Matthew Gratzner
Visual Effects Supervisor
Ben Grossmann
Visual Effects Supervisor
Paul Graff
Visual Effects Supervisor
Robert Legato
Visual Effects Supervisor
Supervising Sound Editor
Eugene Gearty
Supervising Sound Editor
Script Supervisor
Hair Department Head
Jerry Popolis
Hair Department Head
Electrician
Jack McPhee
Electrician
Simone Perusse
Electrician
Kim Kono
Electrician
Robert Cuddy
Electrician
Dave Provenzano
Electrician
Jose 'Flecha' Hernandez
Electrician
Supervising ADR Editor
Marissa Littlefield
Supervising ADR Editor
Hairstylist
Alan D'Angerio
Hairstylist
Kathryn Blondell
Hairstylist
Special Effects Coordinator
R. Bruce Steinheimer
Special Effects Coordinator
Still Photographer
Andrew Cooper
Still Photographer
Digital Effects Supervisor
Robert Chapin
Digital Effects Supervisor
Sound Mixer
Petur Hliddal
Sound Mixer
Visual Effects Producer
Ron Ames
Visual Effects Producer
Christina Graff
Visual Effects Producer
Magdalena Wolf
Visual Effects Producer
David Sanger
Visual Effects Producer
Shannon Blake Gans
Visual Effects Producer
Jonathan Stone
Visual Effects Producer
Armorer
Guillaume DeLouche
Armorer
David Fencl
Armorer
James P. Meehan
Armorer
First Assistant Director
Joseph P. Reidy
First Assistant Director
Amy Herman
First Assistant Director
Assistant Costume Designer
Lisa Padovani
Assistant Costume Designer
Chief Lighting Technician
Ian Kincaid
Chief Lighting Technician
Screenplay
Novel
First Assistant Editor
Scott Brock
First Assistant Editor
Construction Coordinator
Dialogue Editor
Fred Rosenberg
Dialogue Editor
Foley Editor
Kam Chan
Foley Editor
Jamie Baker
Foley Editor
Rigging Grip
Andrew Bell
Rigging Grip
R. Scott Forster
Rigging Grip
Tobias Haller
Rigging Grip
Michael S. Roberts
Rigging Grip
Ager/Dyer
John Cowell
Ager/Dyer
Dianna Reardon
Ager/Dyer
Location Manager
Robin Citrin
Location Manager
Grip
William L. Flanagan
Grip
Michael Duarte
Grip
David C. Romano
Grip
Hugh McCallum
Grip
Wilfredo Usuga
Grip
Ed Searles
Grip
Sean Hadley
Grip
Dolly Grip
Daniel Pershing
Dolly Grip
Assistant Property Master
Michael Jortner
Assistant Property Master
Cathy Scorsese
Assistant Property Master
Key Hair Stylist
Christine Fennell
Key Hair Stylist
Second Second Assistant Director
Freida Orange
Second Second Assistant Director
Music Supervisor
Casting Associate
Meghan Rafferty
Casting Associate
Music Editor
Jennifer Dunnington
Music Editor
Second Unit Director of Photography
Robert Legato
Second Unit Director of Photography
Researcher
Marianne Bower
Researcher
Stand In
Tailor
Ann Powderly
Tailor
Joni M. Huth
Tailor
Bettina Hastie
Tailor
Visual Effects Coordinator
Llyr Tobias Johansen
Visual Effects Coordinator
Paula Diane Lopez
Visual Effects Coordinator
Ariane Rosier
Visual Effects Coordinator
Visual Effects Editor
Wenden K. Baldwin
Visual Effects Editor
CG Supervisor
Luke McDonald
CG Supervisor
Adam Watkins
CG Supervisor
Title Designer
Randall Balsmeyer
Title Designer
Digital Intermediate
Curtis Lindersmith
Digital Intermediate
Chris Taft
Digital Intermediate
Tom Reiser
Digital Intermediate
Marine Coordinator
Matthew H. O'Connor
Marine Coordinator
What's left behind the scenes
- The film is based on Dennis Lehane's novel "Shutter Island" (2003).
- Initially, Columbia Pictures acquired the rights from Dennis Lehane to adapt the book in 2003, but after numerous postponements of the project's start date, the adaptation rights reverted to the author.
- Initially, producers wanted Wolfgang Petersen to direct the film, but later preferred Martin Scorsese.
- David Fincher was considered for the director's position.
- Peddocks Island, Acadia National Park in Maine, Medfield State Hospital in Medfield, Massachusetts, and the Rice Estate nursing home located near Turner Hill Country Club in Ipswich, Massachusetts, served as the basis. All of these locations were combined using computer graphics to create "Shutter Island." Large mountains were added during post-production.
- One of the paintings that Dr. Cawley shows as examples of mistreatment of the insane is "Nebuchadnezzar," an illustration to the Bible by the poet William Blake.
- Robert Downey Jr. and Josh Brolin were considered for the role of Chuck.
- The film's release was moved from October 2009 to February 2010. Initially, Paramount Pictures considered the film a possible contender for the "Oscar." However, towards the end of the year, it became clear that the studio would promote "Up in the Air" (2009) and "The Lovely Bones" (2009) for the "Oscar." The studio could not find the $50-60 million needed for an Oscar-focused advertising campaign. In addition, Leonardo DiCaprio was unable to promote the film at the end of 2009 due to commitments to other projects. As a result, the studio moved the premiere to February.
- The film earned $41 million in its opening weekend, which is the best result for films directed by Martin Scorsese.
- This is the fourth joint project of Martin Scorsese and Leonardo DiCaprio. Previous films include "Gangs of New York" (2002), "The Aviator" (2004), and "The Departed" (2006).
- In the film, Teddy uses a Parker Jotter ballpoint pen, which was released in 1954 (the same year the film is set). This pen was a huge success on the market (over 3.5 million units were sold in the first year of sales) and significantly challenged ink pens. After a successful start in the second half of the fifties, Parker Jotter pens dominated the market.
- To create the atmosphere of the film, Martin Scorsese sought inspiration from the zombie films of Val Lewton.
- To give the actors an idea of the film's stylistic look, Martin Scorsese showed them "Out of the Past" (1947) and "Vertigo" (1958).
- Originally, it was planned that Teddy's dream sequences would be filmed using a 65mm camera.
- The idea behind both the book and the film is based on a real place in Italy – Poveglia.
- The original title can also be translated as “Trap Island”.
- The execution of German prisoners by American soldiers did indeed take place in Dachau on April 29, 1945.
- In complex 'C', one can hear a patient whispering: “Stop me before I kill more people,” which is likely a reference to serial killer William Heirens.
- Shutter Island is an anagram of “Truths and Lies” and “Truths / Denials”.
- When American soldiers enter the gates of Dachau, an archway from Auschwitz is shown. This is an error, as the gate at Dachau had the same inscription, but it looked different.
- When Ted and Chuck went to Building C, the lights in the building flickered, even though all the generators were burned out.
- The pistol used by the Dachau commandant to shoot himself is a nickel-plated Walther PP. The filmmakers specifically chose the nickel-plated version to create a sharp contrast with the dark floor. However, the nickel-plated version of the Walther did not exist during World War II.
Did you like the film?
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