Halloween 5: The Revenge of Michael Myers - crew, film crew
The entire team, the film crew of the film "Halloween 5: The Revenge of Michael Myers"
Halloween 5: The Revenge of Michael Myers (1989)
Timing:
1:38 (98 min)
5.3/10
1339
1339
5.11/10
5512
5512
4.9/10
46293
46293
Film crew
Director
Producer
Ramsey Thomas
Producer
Executive Producer
Casting
Deedee Bradley
Casting
Dawn Steinberg
Casting
Editor
Jerry Brady
Editor
Charles Tetoni
Editor
Special Effects Supervisor
Art Direction
Richard Honigman
Art Direction
Costume Design
Simon Tuke
Costume Design
Stunts
Laura Dash
Stunts
Hal Burton
Stunts
Tracy Evans
Stunts
Lee Alan McConnell
Stunts
Gary Pike
Stunts
Production Design
Brenton Swift
Production Design
Stunt Coordinator
Don Pike
Stunt Coordinator
Second Unit Director
Arthur Speer
Second Unit Director
Set Decoration
Steven A. Lee
Set Decoration
Chava Danielson
Set Decoration
Makeup Artist
Mark Maitre
Makeup Artist
Sound Re-Recording Mixer
Dan Wallin
Sound Re-Recording Mixer
Robert W. Glass Jr.
Sound Re-Recording Mixer
Ken S. Polk
Sound Re-Recording Mixer
Robert Thirlwell
Sound Re-Recording Mixer
Original Music Composer
Alan Howarth
Original Music Composer
Set Dresser
Kip Wilson
Set Dresser
Diane Millett
Set Dresser
Brian Lives
Set Dresser
Ian Roylance
Set Dresser
Second Assistant Director
Lee Alan McConnell
Second Assistant Director
Director of Photography
Robert Draper
Director of Photography
Camera Operator
Robert Draper
Camera Operator
Steadicam Operator
Ted Churchill
Steadicam Operator
Key Costumer
Victoria J. Auth
Key Costumer
Property Master
Sean Everett
Property Master
Supervising Sound Editor
David Lewis Yewdall
Supervising Sound Editor
Patrick Bietz
Supervising Sound Editor
Script Supervisor
Alessandra Mazzola
Script Supervisor
Electrician
Craig A. Brink
Electrician
Brian Berlin
Electrician
R.T. “Tom” Wharton
Electrician
Chris Reiter
Electrician
Special Effects Coordinator
Greg Landerer
Special Effects Coordinator
Still Photographer
Alan Markfield
Still Photographer
First Assistant Director
Kelly Schroeder
First Assistant Director
Production Manager
Rick Nathanson
Production Manager
Boom Operator
Michael Perry
Boom Operator
Screenplay
Shem Bitterman
Screenplay
Michael Jacobs
Screenplay
Set Designer
Kim Hix
Set Designer
Foley Artist
John Post
Foley Artist
Bess Hopper
Foley Artist
Construction Coordinator
Kim Hix
Construction Coordinator
Location Scout
Al Locatelli
Location Scout
Art Department Coordinator
Kelly Lookinland
Art Department Coordinator
Dialogue Editor
Dan Hegeman
Dialogue Editor
Greg Jacobs
Dialogue Editor
Donlee Jorgensen
Dialogue Editor
Assistant Editor
Michael Westmore II
Assistant Editor
Robin Toor
Assistant Editor
Additional Director of Photography
Patrick Reddish
Additional Director of Photography
Transportation Coordinator
Paul Thomas
Transportation Coordinator
Key Grip
John Gabriele
Key Grip
Location Manager
Les Godwin
Location Manager
Grip
Jack Johnson
Grip
Mike 'Chewie' Pappas
Grip
Matt Broten
Grip
Elisabeth Carney
Grip
Assistant Property Master
Marco Lopez
Assistant Property Master
Leadman
Bruce Wing
Leadman
Additional First Assistant Camera
Guy Skinner
Additional First Assistant Camera
Mike Lookinland
Additional First Assistant Camera
Location Assistant
Denise B. Earle
Location Assistant
Second Second Assistant Director
Troy Rohovit
Second Second Assistant Director
Construction Foreman
Steven Tanner
Construction Foreman
Painter
Robert D. Vaughan
Painter
Characters
Music Supervisor
Barry Levine
Music Supervisor
Makeup Supervisor
Moni Mansano
Makeup Supervisor
Hair Supervisor
Moni Mansano
Hair Supervisor
Special Effects Makeup Artist
Howard Berger
Special Effects Makeup Artist
Scott Oshita
Special Effects Makeup Artist
Mark Maitre
Special Effects Makeup Artist
Production Accountant
Jack Knight
Production Accountant
Gaffer
Azusa Ohno
Gaffer
Production Sound Mixer
Mark Sheret
Production Sound Mixer
First Assistant Camera
Rex Nicholson
First Assistant Camera
Post Production Supervisor
Paul Hellerman
Post Production Supervisor
On Set Dresser
Bryan Shelley
On Set Dresser
Sound Engineer
Allan Bond
Sound Engineer
Stand In
Mary Greenwood
Stand In
Jonel Jones
Stand In
Don Linden
Stand In
Assistant Hairstylist
Rhoda Shadlo
Assistant Hairstylist
Sound Assistant
Ann L. Thornberg
Sound Assistant
Monique LeBleu
Sound Assistant
Assistant Makeup Artist
Rhoda Shadlo
Assistant Makeup Artist
Production Coordinator
Paul Hellerman
Production Coordinator
Scenic Artist
David Clark
Scenic Artist
Additional Second Assistant Camera
Johnny Karls
Additional Second Assistant Camera
Post Production Accountant
Nour Dardari
Post Production Accountant
Line Producer
Rick Nathanson
Line Producer
ADR Supervisor
Barbara J. Boguski
ADR Supervisor
Extras Casting
Catrine McGregor
Extras Casting
Best Boy Electric
Jason Fife
Best Boy Electric
Sound Mix Technician
Mark Sheret
Sound Mix Technician
Post Production Assistant
Taric Akkad
Post Production Assistant
Assistant Accountant
Nour Dardari
Assistant Accountant
Second Assistant Camera
Thomas Yatsko
Second Assistant Camera
Transportation Captain
Bryan “Skipper” Delaney
Transportation Captain
Property Buyer
Frank Kanig
Property Buyer
Clara Smith
Property Buyer
Swing
Amy Lives
Swing
Sound Editor
Martin J. Bram
Sound Editor
Ed Fassl
Sound Editor
David Bartlett
Sound Editor
Victor Iorillo
Sound Editor
Chris Ingram
Sound Editor
Third Assistant Camera
Robert 'Dobber' Price
Third Assistant Camera
Color Timer
Dan Muscarella
Color Timer
Assistant Music Supervisor
Antony Lettieri
Assistant Music Supervisor
Negative Cutter
June Gilham
Negative Cutter
Wardrobe Assistant
Lawane Cole
Wardrobe Assistant
Additional Camera
Dean Lyras
Additional Camera
Main Title Theme Composer
Makeup Effects Designer
Howard Berger
Makeup Effects Designer
Scott Oshita
Makeup Effects Designer
Second Company Grip
Kim Gigilia
Second Company Grip
Executive in Charge of Finance
Oscar Zoghbi
Executive in Charge of Finance
Mechanical Designer
F. Lee Stone
Mechanical Designer
Additional Key Grip
Flash Deros
Additional Key Grip
Assistant Set Designer
Robert D. Vaughan
Assistant Set Designer
What's left behind the scenes
- The film was shot in Salt Lake City, Utah, just like the previous installment.
- The start date of filming was May 1, 1989.
- Often, all editions are titled “Halloween 5: The Revenge of Michael Myers,” but the credits simply state “Halloween 5.”
- The store across from where the Man in Black gets out is the same store where Rachel and Jamie go to get a costume in the previous film.
- The scene where Michael Myers rides in a car with Tina was originally planned to have him wearing a Ronald Reagan mask, but this idea was rejected to avoid any political subtext.
- This was the only part of 'Halloween' that was not released theatrically in Italy.
- The reasons why the producers decided to use one of the abandoned houses in Utah as the Myers house, rather than return to the original house in South Pasadena, are unknown.
- Several shots featuring the Man in Black were reshot in the UK for unknown reasons, and the name of the British extra who appeared in those shots remains unknown.
- The Man in Black was played by Don Shanks (Michael Myers) in many scenes. Shanks admitted that none of the writers were sure at the time about the origin of this character, and Shanks played him because the belief was that this man was some kind of relative of the Myers family.
- It was supposed to be that Rachel would die from a scissor stab to the throat, but Ellie Cornell decided that was too horrific an end for her character, so the scene was altered slightly.
- The producers tasked KNB Effects with devising grotesque disfigurement makeup for the scene where Michael removes his mask, or simply casting a shadow over his face. They opted for the latter.
- A shot of Michael wounding Jamie's ankle with a knife during the scene where Jamie crawls through the laundry chute was cut from the film to avoid a harsh rating. You can even see that when Jamie emerges from the chute, one of her ankles is bleeding and Jamie herself is limping.
- Approximately 30 different sections of the laundry chute were built for the scene where Jamie crawls through it. Some were horizontal, others vertical, and some had only three walls (for side-angle shots). Although this scene was very complex both mechanically and physically, it was filmed in just one night.
Did you like the film?
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