Crimes and Misdemeanors - crew, film crew
The entire team, the film crew of the film "Crimes and Misdemeanors"
Crimes and Misdemeanors (1989)
Timing:
1:44 (104 min)
7.463/10
837
837
7.204/10
5329
5329
7.8/10
63000
63000
Film crew
Director
Producer
Robert Greenhut
Producer
Executive Producer
Casting
Juliet Taylor
Casting
Editor
Susan E. Morse
Editor
Art Direction
Speed Hopkins
Art Direction
Costume Design
Production Design
Santo Loquasto
Production Design
Set Decoration
Susan Bode Tyson
Set Decoration
Makeup Artist
Fern Buchner
Makeup Artist
Frances Kolar
Makeup Artist
Craig Lyman
Makeup Artist
Sound Re-Recording Mixer
Lee Dichter
Sound Re-Recording Mixer
Associate Producer
Helen Robin
Associate Producer
Set Dresser
Dave Weinman
Set Dresser
Second Assistant Director
Richard Patrick
Second Assistant Director
Director of Photography
Camera Operator
Dick Mingalone
Camera Operator
Property Master
James Mazzola
Property Master
Script Supervisor
Kay Chapin
Script Supervisor
Hairstylist
Romaine Greene
Hairstylist
Anthony Cortino
Hairstylist
Still Photographer
Brian Hamill
Still Photographer
First Assistant Director
Assistant Costume Designer
Donna Zakowska
Assistant Costume Designer
Driver
Patrick Hogan
Driver
Production Manager
Joseph Hartwick
Production Manager
Boom Operator
Louis Sabat
Boom Operator
Screenplay
Construction Coordinator
Ron Petagna
Construction Coordinator
Location Scout
Dana Robin
Location Scout
Barbara Heller
Location Scout
Art Department Coordinator
Glenn Lloyd
Art Department Coordinator
Assistant Editor
Mark Livolsi
Assistant Editor
William Kruzykowski
Assistant Editor
Key Grip
Robert Ward
Key Grip
Location Manager
Jonathan Filley
Location Manager
Dolly Grip
Ronald Burke
Dolly Grip
Casting Assistant
Laura Rosenthal
Casting Assistant
Victoria Kress
Casting Assistant
Casting Associate
Ellen Lewis
Casting Associate
Gaffer
Ray Quinlan
Gaffer
Production Sound Mixer
James Sabat
Production Sound Mixer
Camera Trainee
Chris Noor
Camera Trainee
Music Coordinator
Joe Malin
Music Coordinator
Production Coordinator
Helen Robin
Production Coordinator
Scenic Artist
Cosmo Sorice
Scenic Artist
Best Boy Electric
Jim Manzione
Best Boy Electric
Assistant Production Coordinator
Jerry Caron
Assistant Production Coordinator
Sound Recordist
Frank Graziadei
Sound Recordist
Wardrobe Supervisor
Patricia Eiben
Wardrobe Supervisor
Bill Christians
Wardrobe Supervisor
Second Assistant Camera
Michael Caracciolo
Second Assistant Camera
Assistant Sound Editor
Lori Kornspun
Assistant Sound Editor
Costume Assistant
Lauren Gibson
Costume Assistant
Standby Carpenter
Transportation Captain
Harold 'Whitey' McEvoy
Transportation Captain
Sound Editor
Robert Hein
Sound Editor
Craft Service
Scott Schaffer
Craft Service
Assistant Camera
Michael Green
Assistant Camera
Additional Casting
Todd M. Thaler
Additional Casting
Judie Fixler
Additional Casting
Apprentice Sound Editor
Jeanne Atkin
Apprentice Sound Editor
Projection
Carl Turnquest
Projection
Transportation Co-Captain
Peter Tavis
Transportation Co-Captain
Key Construction Grip
Vincent Guarriello
Key Construction Grip
Key Scenic Artist
James Sorice
Key Scenic Artist
What's left behind the scenes
- For one-third of the film, Woody Allen shoots a documentary, directed by Mia Farrow. Allen disliked these scenes in the final version of the film. During post-production, he cut a third of the film and then rewrote and reshot those scenes from scratch. As a result, Sean Young's scenes were completely cut, and Daryl Hannah's role was reduced to a cameo.
- The role of Professor Louis Levy was not played by an actor, but by Woody Allen's acquaintance and therapist, world-renowned Martin S. Bergman – a clinical professor of psychology teaching a postdoctoral program at New York University.
- Alan Alda was initially only supposed to appear in the opening scene with Daryl Hannah. Woody Allen asked Alan to improvise in that scene. He liked the result and ultimately decided to leave it in the final version of the film.
- Woody Allen felt he had been too "nice" to the other characters at the end of the film *Hannah and Her Sisters* (1986), and he made this film as a response to those feelings.
- Lester (Alan Alda) was modeled after Larry Gelbart, with whom both Woody Allen and Alan Alda worked. Both harbored resentment towards him due to his despotic methods. Various comments attributed to Lester, such as "Comedy is tragedy plus time" and "If it bends, it’s funny, if it breaks, it’s not funny," are quotes by Larry Gelbart. Despite his well-known dislike of Gelbart, Allen called him "the best comedy writer I ever knew and just a wonderful human being" in a statement shortly after Gelbart's death. And Alda said: "Larry’s genius as a writer changed my life, because I got to say his lines, which are so good they’ll live on. But his other genius was his enormous talent for companionship, and that ‘light’ went with him, and we’re left sitting in the dark" (from the Los Angeles Times obituary).
- Martin Landau originally auditioned for the role of Jack Rosenthal.
- The woman who says, "Hello Lester… Thank you so much for the invitation… This is a wonderful party" at 10 minutes and 10 seconds into the film is Wanda Toscanini-Horowitz, the wife of the great pianist Vladimir Horowitz.
- During his argument with Cliff, Lester states he has a closet full of Emmys. In real life, Alan Alda had won four Emmys before appearing in this film.
- Clifford’s sarcastic remark, directed towards Haley Reed (Mia Farrow), that she loves Lester like a brother, is a reference to David Greenglass, who was the brother of executed "atomic spy" Ethel Rosenberg, and whose testimony in court helped convict her and her husband Julius Rosenberg of espionage.
- During the wedding celebration, a jazz orchestra plays Crazy Rhythm, with muted trumpet sounds audible, even though the trumpeter isn't playing at that moment.
- When Jude decides to kill Dolores, he dials only 7 digits when calling his brother, Jack. Jude lives in Connecticut, and Jack lives in New York, so he would have needed to dial at least 10 digits to reach him.
- Woody Allen felt he was too "nice" to the other characters at the end of "Hannah and Her Sisters" (1986), and he made this film as a response to those feelings.
- Lester (Alan Alda) was created in the image of Larry Gelbart, with whom both Woody Allen and Alan Alda worked. Both felt animosity towards him due to his despotic methods. Various remarks by Lester, such as: “Comedy is tragedy plus time” and “If it bends – it’s funny, if it breaks – it’s not funny” – are quotes by Larry Gelbart. Despite his well-known dislike for Gelbart, Allen called him “the best comedy writer of anyone I’ve ever known and just a wonderful human being” in a statement shortly after Gelbart’s death. And Alda said: “Larry’s genius as a writer changed my life because I got to say his lines, which are so good they will live on. But his other genius was his enormous talent for companionship, and that ‘light’ went with him, and we are left sitting in the dark” (from the Los Angeles Times obituary).
- The woman who says “Hello Lester… Thank you so much for the invitation… It’s a lovely party” at 10 minutes and 10 seconds into the film is Wanda Toscanini-Horowitz, the wife of the greatest pianist Vladimir Horowitz.
- Clifford's sarcastic remark, directed at Hayley Reed (Mia Farrow), that she loves Lester like a brother, is a reference to David Greenglass, who was the brother of convicted “atomic spy” Ethel Rosenberg, and whose testimony in court helped convict her and her husband Julius Rosenberg of espionage.
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