The Mummy Returns - crew, film crew

The entire team, the film crew of the film "The Mummy Returns"
The Mummy Returns (2001)
Timing: 2:10 (130 min)
The Mummy Returns - TMDB rating
6.396/10
7590
The Mummy Returns - Kinopoisk rating
7.422/10
206967
The Mummy Returns - IMDB rating
6.4/10
366000

Film crew

Director

Producer

Photo Sean Daniel #11128
Sean Daniel
Producer
James Jacks
Producer

Executive Producer

Photo Bob Ducsay #13023
Bob Ducsay
Executive Producer
Don Zepfel
Executive Producer

Writer

Casting

Joanna Colbert
Casting
Kate Dowd
Casting

Editor

Photo Bob Ducsay #13023
Bob Ducsay
Editor
Ray Bushey III
Editor

Special Effects Supervisor

Photo Neil Corbould #350

Neil Corbould

Neil Corbould
Special Effects Supervisor

Additional Second Assistant Director

Dan John
Additional Second Assistant Director

Art Direction

Tony Reading
Art Direction
Giles Masters
Art Direction
Ahmed Abounouom
Art Direction

Costume Design

John Bloomfield
Costume Design

Stunts

Krystal Archer
Stunts
Photo Amanda Foster #11437
Amanda Foster
Stunts
Stephanie Lelievre
Stunts
Eugenio Alonso Yenes
Stunts
Kelly Dent
Stunts
Lynda Van Den Berg
Stunts
Rowley Irlam
Stunts

Production Design

Allan Cameron
Production Design

Stunt Coordinator

Photo Steve Dent #16019
Steve Dent
Stunt Coordinator

Second Unit Director

Greg Michael
Second Unit Director

Set Decoration

Peter Young
Set Decoration

Makeup Artist

Sonia Akouz
Makeup Artist

Key Makeup Artist

Aileen Seaton
Key Makeup Artist

Sound Re-Recording Mixer

Rick Ash

Rick Ash
Sound Re-Recording Mixer

Original Music Composer

Photo Alan Silvestri #1715Photo Alan Silvestri #1716

Alan Silvestri

Alan Silvestri
Original Music Composer

Unit Production Manager

Hamid Araissi
Unit Production Manager

Production Supervisor

Jo Burn
Production Supervisor

Associate Producer

Megan Moran
Associate Producer

Orchestrator

Second Assistant Director

Jamie Christopher

Jamie Christopher
Second Assistant Director
Matthew Sharp
Second Assistant Director

Stunt Double

Kelly Dent
Stunt Double
Lynda Van Den Berg
Stunt Double
Photo Mark Southworth #15278
Mark Southworth
Stunt Double

Utility Stunts

Ben Dimmock

Ben Dimmock
Utility Stunts

Director of Photography

Photo Adrian Biddle #26030

Adrian Biddle

Adrian Biddle
Director of Photography

Musician

John Barclay
Musician

Camera Operator

Roderick Barron
Camera Operator

Steadicam Operator

Alf Tramontin
Steadicam Operator

Costumer

Margaret Pescott
Costumer

Key Costumer

Neil Murphy
Key Costumer

Sound Effects Editor

Malcolm Fife
Sound Effects Editor

Assistant Art Director

Gary Tomkins
Assistant Art Director

Property Master

David Balfour
Property Master

Visual Effects Supervisor

Photo Craig Barron #12386
Craig Barron
Visual Effects Supervisor

Script Supervisor

Sylvie Chesneau
Script Supervisor

Electrician

Steve Casey
Electrician

Set Costumer

Steve O'Sullivan
Set Costumer

Supervising Dialogue Editor

Michael Magill
Supervising Dialogue Editor

Hairstylist

Beatrice De Alba
Hairstylist

Special Effects Coordinator

Carol McAulay
Special Effects Coordinator

Still Photographer

Keith Hamshere
Still Photographer

Lead Animator

Marjolaine Tremblay
Lead Animator

Animation Supervisor

Daniel Jeannette
Animation Supervisor

Sound Mixer

Ronald Bailey
Sound Mixer

Visual Effects Producer

Jennifer C. Bell
Visual Effects Producer

Armorer

Charles Bodycomb
Armorer

First Assistant Director

Photo Cliff Lanning #4111
Cliff Lanning
First Assistant Director

Driver

Mark Russell
Driver

Production Manager

Philip Kohler
Production Manager

Boom Operator

Shaun Mills
Boom Operator

Graphic Designer

Danny Rogers
Graphic Designer

Danny Rogers

Danny Rogers
Graphic Designer

Screenplay

Set Designer

Aric Cheng
Set Designer

First Assistant Editor

Tzarina V. Edillon
First Assistant Editor

Foley Artist

Alyson Dee Moore
Foley Artist

Sound Designer

Photo Leslie Shatz #16857

Leslie Shatz

Leslie Shatz
Sound Designer

Propmaker

Jakub Durkoth
Propmaker

Art Department Coordinator

Chloé Barbier
Art Department Coordinator

Assistant Editor

Michael Gay
Assistant Editor

Art Department Assistant

Sarah Bicknell
Art Department Assistant
Sarah Stuart
Art Department Assistant

Props

Marlon Cole
Props

Transportation Coordinator

Photo Hicham Regragui #71460
Hicham Regragui
Transportation Coordinator

Compositing Supervisor

Thomas Rosseter
Compositing Supervisor

Key Grip

John Flemming
Key Grip

Location Manager

Simon McNair Scott
Location Manager

Grip

Philip Murphy
Grip

Key Hair Stylist

Tricia Cameron
Key Hair Stylist

Leadman

Erik Krumrey
Leadman

Assistant Location Manager

Simon Crook
Assistant Location Manager

Location Assistant

Mustapha Adidou
Location Assistant

Compositor

Michael Conte
Compositor

Carpenter

Lee Biggs
Carpenter

Painter

Stephanie Conrad
Painter

Special Effects

Jason McCameron
Special Effects

3D Artist

Glenn Cotter
3D Artist

Casting Assistant

Leor Mendel
Casting Assistant

Special Effects Technician

Alistair Anderson
Special Effects Technician
David Poole
Special Effects Technician

Third Assistant Director

William Dodds
Third Assistant Director

Special Effects Makeup Artist

Chris Lyons

Chris Lyons
Special Effects Makeup Artist

Production Accountant

Alistair Thompson
Production Accountant

Accountant

Sana El Kilali
Accountant

Sculptor

Paul Spateri
Sculptor

Gaffer

Michael Chambers
Gaffer

Assistant Director

Adil Abdelwahab
Assistant Director
Matthew Sharp
Assistant Director

Music Editor

John Finklea
Music Editor

Focus Puller

Mik Allen
Focus Puller

Production Sound Mixer

Photo Peter Glossop #71461
Peter Glossop
Production Sound Mixer

ADR Mixer

Greg Steele
ADR Mixer

ADR Recordist

Martin Schloemer
ADR Recordist

Storyboard Artist

Dean Clegg
Storyboard Artist

Camera Trainee

David Mackie
Camera Trainee

First Assistant Camera

Glyn Williams
First Assistant Camera

Special Effects Assistant

Christopher Brennan
Special Effects Assistant

Digital Compositor

Julie Adrianson-Neary
Digital Compositor

Post Production Coordinator

Hunter S. Ellis
Post Production Coordinator

Standby Painter

Paul Couch
Standby Painter

Conductor

Colorist

Michael Healey
Colorist

Post Production Supervisor

Sean T. Stratton
Post Production Supervisor

Stand In

Joanna Hamer
Stand In

Assistant Makeup Artist

Laura McIntosh
Assistant Makeup Artist

VFX Artist

Pat Conran
VFX Artist

Contact Lens Technician

Jemma Scott-Knox-Gore
Contact Lens Technician

Unit Publicist

Geoff Freeman
Unit Publicist

Production Coordinator

Bi Benton
Production Coordinator

Visual Effects Coordinator

Lucy Killick
Visual Effects Coordinator
Jeanie King
Visual Effects Coordinator

Key Set Production Assistant

Rob Burgess
Key Set Production Assistant
Rob Burgess
Key Set Production Assistant

Scenic Artist

James Gemmill
Scenic Artist

Visual Effects Editor

Tabitha Dean
Visual Effects Editor

Visual Effects Compositor

Grady Cofer
Visual Effects Compositor

ADR Editor

David A. Cohen
ADR Editor

ADR Voice Casting

Vanessa Baker
ADR Voice Casting

Extras Casting

Hamid Ait Timaghrit
Extras Casting

Rigging Gaffer

Simon Lucas
Rigging Gaffer

Best Boy Electric

Andrew Watson
Best Boy Electric

Sound Mix Technician

Phillip Blackford
Sound Mix Technician

Assistant Accountant

Tina Falcone
Assistant Accountant

Costume Coordinator

Dulcie Scott
Costume Coordinator

Assistant Production Coordinator

Kate Garbett
Assistant Production Coordinator

Construction Buyer

Robert Allen
Construction Buyer

Sound Recordist

Eddie Bydalek
Sound Recordist

Assistant Sound Editor

Andrew Bock
Assistant Sound Editor

Sequence Supervisor

Ed Kramer
Sequence Supervisor

Unit Manager

Piers Dunn
Unit Manager

Executive In Charge Of Production

Ron Lynch
Executive In Charge Of Production

Matte Painter

Ivo Horvat
Matte Painter

Costume Assistant

Lahcen Abbana
Costume Assistant

Construction Manager

Andy Evans
Construction Manager

Transportation Captain

Phil Allchin
Transportation Captain

Production Executive

Ty Warren
Production Executive

Production Runner

Luke Boyle
Production Runner

Title Designer

Photo Kyle Cooper #22147
Kyle Cooper
Title Designer

Sound Editor

Valerie Davidson
Sound Editor

Draughtsman

Alex Cameron
Draughtsman

Clapper Loader

Marc Atherfold
Clapper Loader

Music Producer

Photo Glen Ballard #19255
Glen Ballard
Music Producer

Foley Recordist

Carolyn Tapp
Foley Recordist

Aerial Camera

Adam Dale
Aerial Camera

Visual Effects Production Assistant

Leigh Ann Fan
Visual Effects Production Assistant

Creature Design

Color Timer

Jim Passon
Color Timer

Finance

Michele Tandy
Finance

Visual Effects Assistant Editor

Carey Burens
Visual Effects Assistant Editor

Wardrobe Assistant

Philip Goldsworthy
Wardrobe Assistant

Dressing Prop

Paul Cheesman
Dressing Prop

Assistant Camera

Brad Larner
Assistant Camera

Executive Visual Effects Producer

Drew Jones
Executive Visual Effects Producer

Senior Animator

Rudi Bloss
Senior Animator

Compositing Artist

Matt Kasmir
Compositing Artist

CG Animator

Louis Dunlevy
CG Animator

Floor Runner

Photo Ben Lanning #3371
Ben Lanning
Floor Runner

Production Illustrator

Jacques Rey
Production Illustrator

Animatronic and Prosthetic Effects

Chris Barton
Animatronic and Prosthetic Effects

Supervising Armorer

Richard Hooper
Supervising Armorer

What's left behind the scenes

  • The confrontation at the O'Connell mansion was originally intended to take place in a casino owned by Jonathan, but this idea was abandoned due to budgetary constraints.
  • For the first time in history, London's Tower Bridge was closed to traffic for film shooting. Local authorities only allowed traffic to be stopped for 20 minutes, but even during that short period, traffic jams on nearby streets became so huge that they caused numerous complaints and threats of arrest from the police. As a result, the time allotted to the film crew to close the bridge was reduced to 10 minutes.
  • Director Steven Sommers appears in a cameo as a man sitting in an outdoor bathtub a few steps from Izzy when the heroes approach him for help.
  • The building used as the British Museum was actually one of the structures belonging to University College London. At the time of filming, the British Museum was undergoing reconstruction and was surrounded by scaffolding.
  • The character Izzy was named after director Stephen Sommers' dog.
  • Brendan Fraser wanted the O'Connell family to live in a typical London city apartment, but ultimately, they resided in a sprawling mansion. This was done to provide more space for the prolonged fight sequences.
  • Ardel Bay is the only character in the film who refers to Imhotep as a “creature”.
  • The house used as the O'Connell mansion had previously been used as part of a library in the original film. It was also a filming location for 'The Omen' (1976).
  • Dwayne Johnson (The Scorpion King) delivers all of his few lines in the Ancient Egyptian language.
  • A sequel was officially greenlit the day after the premiere of the original film on May 7, 1999.
  • In the scene where the heroes pass by a room filled with gold, one of the statues is an enlarged Oscar statuette, partially hidden from view by other objects.
  • The handprints in the terribly messy toilet on the train belong to director Stephen Sommers.
  • The design of Anouk Su Namun's dress sleeves completely matches the coloring of her body in a past life.
  • To constantly maintain his impeccably smooth, hairless appearance, Arnold Vosloo was forced to shave the hair on his entire body twice a day.
  • According to the original script, when Rick asked Izzy what happened to his airplane, Izzy replied that he lost it in a poker game.
  • Filming period: May 1 – September 29, 2000
  • When Rick and Evie run out of the museum, they are pursued by four mummies, however, in the subsequent fight, the heroes only defeat three. The fourth, according to the script, was supposed to attack Alex after the bus stopped, but the director preferred to cut this scene, believing that the audience was already saturated with action involving mummies and wanted to see the continuation of the heroes' story sooner.
  • During the filming of the movie, Brendan Fraser herniated a spinal disc, as well as suffered a cracked rib and knee injuries. Dwayne Johnson suffered from heatstroke and food poisoning.
  • Young Freddie Boat was a devoted fan of the first film in the franchise, having memorized practically every scene and every line. Whenever anyone on set needed clarification on a detail from the first film, they would ask him and invariably receive a comprehensive answer.
  • The two men guarding the Anubis bracelet in Ivy's vision are brothers in real life.
  • Contrary to established tradition, the film's title does not appear at the beginning. It can only be seen at the end, after the names of the main actors and before the start of the main credits.
  • Despite the climactic battle between Rick and the Scorpion King at the end of the film, Brendan Fraser and Dwayne Johnson never actually met face-to-face before the premiere.
  • Before the double-decker bus reaches the bridge, it circles the same corner twice.
  • Pay attention to Izzy's teeth. They change three times throughout the film. In several scenes, he is missing a couple of teeth, and then you can see him with a single gold tooth, sometimes on the right side and sometimes on the left.
  • In the scene where Rick and Jonathan are trapped in the bathroom at the O'Connells' estate, if you look at the glass window before they jump out of it, the glass appears smooth. However, if you look at it right before the jump, you can see that all the glass is already cracked.
  • At the 16th minute, Rick and Evelyn run from the water and find themselves in a dead-end corridor. You can notice that instead of Brendan Fraser and Rachel Weisz, their stunt doubles are preparing to be hit by the water near the wall.
  • The confrontation at the O’Connell mansion was originally intended to take place in a casino owned by Jonathan, but this idea was abandoned due to budgetary considerations.
  • Brendan Fraser wanted the O'Connell family to live in a typical city apartment in London, but ultimately, their residence became a spacious mansion. This was done to provide more space for an extended struggle.
  • The house used as the O'Connell mansion had previously been used as part of a library in the original film. It was also used for filming 'The Omen' (1976).
Did you like the film?

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