Moon - crew, film crew
The entire team, the film crew of the film "Moon"
Moon (2009)
Timing:
1:37 (97 min)
7.566/10
6104
6104
7.56/10
189916
189916
7.8/10
393000
393000
Film crew
Director
Producer
Steve Milne
Producer
Mark Foligno
Producer
Stuart Fenegan
Producer
Alex Francis
Producer
Nicky Bentham
Producer
Deepak Sikka
Producer
Justin Lanchbury
Producer
Executive Producer
Michael Henry
Executive Producer
Bill Zysblat
Executive Producer
Trevor Beattie
Executive Producer
Bil Bungay
Executive Producer
Casting
Jeremy Zimmermann
Casting
Manuel Puro
Casting
Editor
Nicolas Gaster
Editor
Art Direction
Hideki Arichi
Art Direction
Costume Design
Jane Petrie
Costume Design
Stunts
Rod Woodruff
Stunts
Production Design
Tony Noble
Production Design
Stunt Coordinator
Rod Woodruff
Stunt Coordinator
Makeup Artist
Richard Muller
Makeup Artist
Sound Re-Recording Mixer
Scott Jones
Sound Re-Recording Mixer
Original Music Composer
Set Dresser
Sophie Bridgman
Set Dresser
Second Assistant Director
Simon Downes
Second Assistant Director
Director of Photography
Gary Shaw
Director of Photography
Musician
Carly Paradis
Musician
Mike Fonte
Musician
Camera Operator
Alex Howe
Camera Operator
Costume Supervisor
Lucy Donowho
Costume Supervisor
Sound Effects Editor
Marc Lawes
Sound Effects Editor
Assistant Art Director
Peter Ryan
Assistant Art Director
Property Master
Simon Bailey
Property Master
Visual Effects Supervisor
Simon Stanley-Clamp
Visual Effects Supervisor
Simon Kilroe
Visual Effects Supervisor
Script Supervisor
Jo Beckett
Script Supervisor
Electrician
Pete Carrier
Electrician
Dave Glazier
Electrician
George Haldsworth
Electrician
Susanne Salavati
Electrician
Hairstylist
Richard Muller
Hairstylist
Still Photographer
Mark Tillie
Still Photographer
Visual Effects Producer
Shanaullah Umerji
Visual Effects Producer
Angie Wills
Visual Effects Producer
Paul Edwards
Visual Effects Producer
First Assistant Director
Guy Travers
First Assistant Director
Mick Ward
First Assistant Director
Thanks
Paul W. Baker
Thanks
Eddie Dias
Thanks
Rob Garvie
Thanks
Noel Tovey
Thanks
Driver
James Chambers
Driver
Jeff Hudson
Driver
Steve Rivenell
Driver
Additional Third Assistant Director
Henry Forsyth
Additional Third Assistant Director
Production Manager
Imogen Bell
Production Manager
Jeremy Burnage
Production Manager
Graphic Designer
Julian Walker
Graphic Designer
Screenplay
Nathan Parker
Screenplay
Foley Artist
Jason Swanscott
Foley Artist
Ted Swanscott
Foley Artist
Dialogue Editor
Kevin Brazier
Dialogue Editor
Assistant Editor
Richard Smither
Assistant Editor
Foley Editor
Paul William Edwards
Foley Editor
Props
Kevin Scarrott
Props
Grip
Garth Sewell
Grip
Dan Garlick
Grip
Tony Shults
Grip
Additional First Assistant Camera
Mihalis Margaritis
Additional First Assistant Camera
Fran Weston
Additional First Assistant Camera
Visual Effects Production Manager
Daniel Pettipher
Visual Effects Production Manager
Compositor
Aleksandar Jovanović
Compositor
Chris Elson
Compositor
Abigail Scollay
Compositor
Dylan Owen
Compositor
Ben Hicks
Compositor
Lewis Saunders
Compositor
Sam Bassett
Compositor
John Slattery
Compositor
Ryan Hutchings
Compositor
Guy Elson
Compositor
Ian Plumb
Compositor
Karen Wand
Compositor
Sandro Henriques
Compositor
Anthony Webb
Compositor
David Emeny
Compositor
Story
Hair Designer
Karen Dawson
Hair Designer
Makeup Designer
Karen Dawson
Makeup Designer
Foley Mixer
Simon Epstein
Foley Mixer
Trevor Swanscott
Foley Mixer
Third Assistant Director
Alex Kaye-Besley
Third Assistant Director
Production Accountant
Robin Green
Production Accountant
Roisin Byrne
Production Accountant
Gaffer
Ewan Cassidy
Gaffer
Music
Focus Puller
Barny Crocker
Focus Puller
Production Sound Mixer
Patrick Owen
Production Sound Mixer
ADR Mixer
Darren McQuade
ADR Mixer
Additional Still Photographer
Alex Kaye-Besley
Additional Still Photographer
Video Assist Operator
Peter Hodgson
Video Assist Operator
Storyboard Artist
Douglas Ingram
Storyboard Artist
Graham Wyn Jones
Storyboard Artist
Camera Trainee
Alex Kruszelnicki
Camera Trainee
First Assistant Camera
David Penfold
First Assistant Camera
Digital Compositor
John Slattery
Digital Compositor
Online Editor
Nick Anderson
Online Editor
Justin Eely
Online Editor
Standby Painter
Richard Boyton
Standby Painter
Steven Nix
Standby Painter
Post Production Supervisor
Dan Bentham
Post Production Supervisor
Production Assistant
Emily Manthorpe
Production Assistant
Production Coordinator
Livia Burton
Production Coordinator
Scoring Mixer
Geoff Foster
Scoring Mixer
Loader
Tim Morris
Loader
Visual Effects Coordinator
Lee Chidwick
Visual Effects Coordinator
Scenic Artist
Howard Weaver
Scenic Artist
Visual Effects Editor
Barrett Heathcote
Visual Effects Editor
Additional Second Assistant Camera
Ray Moody
Additional Second Assistant Camera
Visual Effects
Molinare
Visual Effects
Line Producer
Julia Valentine
Line Producer
Conceptual Design
Assistant Accountant
Richard North
Assistant Accountant
Second Assistant Camera
Jimmy Ward
Second Assistant Camera
Mark Dempsey
Second Assistant Camera
Publicist
Daniel Bee
Publicist
Post-Production Manager
Katie Shahrokh
Post-Production Manager
Title Designer
Simon Kilroe
Title Designer
Draughtsman
Andrew Proctor
Draughtsman
Maia Sautelet
Draughtsman
Music Producer
Dolby Consultant
Richard Stockdale
Dolby Consultant
Producer's Assistant
Becky Page
Producer's Assistant
Compositing Lead
Alex Smith
Compositing Lead
Dan Harrod
Compositing Lead
David Sewell
Compositing Lead
Executive Visual Effects Producer
Antony Hunt
Executive Visual Effects Producer
Courtney Vanderslice
Executive Visual Effects Producer
Chaperone
Katia Scodelario
Chaperone
Floor Runner
Ella Harris
Floor Runner
Catering
Francesca Cooper
Catering
Peter Scholes
Catering
Senior Colorist
Tim Waller
Senior Colorist
Standby Rigger
Tony Moore
Standby Rigger
What's left behind the scenes
- The film was shot in 33 days.
- According to director Duncan Jones, the film was shown to some NASA specialists who inquired why the mining of H3 (helium-3) gas was conducted on the far side of the Moon when there is more of it on the near side. The choice of the far side of the Moon for gas extraction was explained by concerns about harming living organisms.
- Scenes on the lunar surface were filmed using miniature models. Filming took more than three days.
- The film was shot during a screenwriters' strike, which halted many other projects. Director Duncan Jones says that thanks to the lull, he was able to assemble a team of first-rate special effects artists.
- The song that plays on Sam's alarm clock is a 1991 single by British performer Chesney Hawks — "The One and Only".
- The name "SARANG" translates from Korean as "Love".
- For entertainment, the main character watches the black and white comedy series "Bewitched" (1964-1972).
- Four mining modules are named after the authors of the four Gospels: Matthew, Mark, Luke, and John.
- Jones and his team didn't have enough money even for remote control models; they literally pulled their lunar rovers along with a string. They then had to clean the fishing line on a computer.
- The yellow suit, which Sam-2 speaks so highly of ("Thank you for the suit! It's great! Comfortable."), is actually a MusucBag sleeping bag.
- The composition "Downfall" by the Canadian electro-industrial group Front Line Assembly uses a fragment from the film's soundtrack, as well as a scene of a decommissioned clone being destroyed in an incinerator.
- The film features a scene where the protagonist observes Earth from the window of a rover, although the plot states that the station is located on the far side of the Moon. According to the director (in the film's commentary), this is because Sam traveled so far from the station for direct communication with Earth that he found himself on the visible side of the Moon. At the station on the far side of the Moon, direct communication was jammed by the "Lunar" company's equipment.
- The song that plays on Sam's alarm clock is the 1991 single by British performer Chesney Hawkes—"The One and Only".
- The name "SARANG" translates to "Love" from Korean.
- Jones and his team didn't have enough money even for radio-controlled models; they literally pulled their moon buggies along with a string. The fishing line then had to be cleaned up on the computer.
- The yellow suit, which Sam-2 speaks so highly of ("Thank you for the suit! Great thing! Comfortable."), is actually a MusucBag sleeping bag.
- There is an episode in the film where the main character observes Earth from the rover's window, although the plot states that the station is located on the far side of the Moon. According to the director (in a commentary to the film), this is because Sam traveled so far from the station to establish direct communication with Earth that he ended up on the visible side of the Moon. At the station on the far side of the Moon, direct communication was jammed by equipment from the "Lunar" company.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
