The Verdict - crew, film crew
The entire team, the film crew of the film "The Verdict"
The Verdict (1982)
Timing:
2:9 (129 min)
7.466/10
735
735
7.546/10
6650
6650
7.7/10
50000
50000
Film crew
Director
Producer
Richard D. Zanuck
Producer
David Brown
Producer
Executive Producer
Burtt Harris
Executive Producer
Writer
Editor
Peter C. Frank
Editor
Art Direction
John Kasarda
Art Direction
Costume Design
Production Design
Edward Pisoni
Production Design
Set Decoration
George DeTitta Sr.
Set Decoration
Makeup Artist
Monty Westmore
Makeup Artist
Joe Cranzano
Makeup Artist
Sound Re-Recording Mixer
Lee Dichter
Sound Re-Recording Mixer
Original Music Composer
Johnny Mandel
Original Music Composer
Unit Production Manager
Joseph M. Caracciolo
Unit Production Manager
Orchestrator
Miles Goodman
Orchestrator
Angela Morley
Orchestrator
Set Dresser
Dave Weinman
Set Dresser
Second Assistant Director
Robert E. Warren
Second Assistant Director
Director of Photography
Camera Operator
William H. Steiner
Camera Operator
Property Master
Joseph M. Caracciolo Jr.
Property Master
Script Supervisor
Kay Chapin
Script Supervisor
Hairstylist
Bob Grimaldi
Hairstylist
Still Photographer
Louis Goldman
Still Photographer
Sound Mixer
James Sabat
Sound Mixer
First Assistant Director
Burtt Harris
First Assistant Director
Driver
Michael Avallon
Driver
Boom Operator
Frank Graziadei
Boom Operator
Louis Sabat
Boom Operator
Graphic Designer
Philip Gips
Graphic Designer
Screenplay
Novel
Barry Reed
Novel
Assistant Editor
Andrew Mondshein
Assistant Editor
Props
John McDonnell
Props
Key Grip
Robert Ward
Key Grip
Location Manager
Chris Stoia
Location Manager
Alexandra Decker
Location Manager
Grip
Billy Kerwick
Grip
Dolly Grip
Ed Quinn
Dolly Grip
Construction Foreman
Carlos Quiles
Construction Foreman
Gaffer
Dusty Wallace
Gaffer
ADR Recordist
Mel Zelniker
ADR Recordist
Camera Trainee
Jonathan Burkhart
Camera Trainee
Production Assistant
Sarah M. Brim
Production Assistant
Jonathan Burkhart
Production Assistant
Unit Publicist
Ellen Levene
Unit Publicist
Assistant Director Trainee
Ken Ornstein
Assistant Director Trainee
Construction Grip
Joe Williams Sr.
Construction Grip
Scenic Artist
Edward Garzero
Scenic Artist
William Sohmer
Scenic Artist
Mark Bachman
Scenic Artist
Polly Wood-Holland
Scenic Artist
Second Assistant Camera
Bob Paone
Second Assistant Camera
Assistant Sound Editor
Harry Peck Bolles
Assistant Sound Editor
Mark Rathaus
Assistant Sound Editor
Unit Manager
Jennifer Ogden
Unit Manager
Transportation Captain
James Fanning
Transportation Captain
Sound Editor
Louis Cerborino
Sound Editor
Maurice Schell
Sound Editor
Wardrobe Master
William Loger
Wardrobe Master
Marilyn Putnam
Wardrobe Master
Assistant Camera
Hank Muller
Assistant Camera
Gary Muller
Assistant Camera
Score Engineer
Joel Moss
Score Engineer
Production Office Coordinator
Eileen Eichenstein
Production Office Coordinator
What's left behind the scenes
- Initially, Robert Redford was involved in the project. After one of the scriptwriters, David Mamet, submitted his version of the script, Redford didn't like something about it and hired another screenwriter. This continued until Redford decided he no longer wanted to star in the film. He disliked the fact that he would have to play an alcoholic. After that, the project was offered to Sidney Lumet (1924-2011). He read all the script versions and unerringly pointed to Mamet's script, stating that he would work with that one. At that moment, Paul Newman (1925-2008) agreed to star in the lead role.
- Rehearsals before filming lasted three weeks.
- Both lawyers, played by Paul Newman and James Mason (1909-1984), could be accused of violating the ethical code, which would realistically result in them being disbarred. The archdiocese offered Newman's character a deal, which he did not disclose to his clients or ask if they agreed to it – unacceptable behavior for a lawyer. Mason’s character informed them about the deal, but did so in the absence of Newman's character, which is also prohibited. Furthermore, Mason's character violated the code of conduct by paying Laura to get close to Newman's character and extract information about the upcoming trial. This is also strictly forbidden by the professional code of ethics for lawyers.
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