Wild Tales - crew, film crew
The entire team, the film crew of the film "Wild Tales"
Relatos salvajes (2014)
Timing:
2:2 (122 min)
7.864/10
3703
3703
7.726/10
205970
205970
8.1/10
237000
237000
Film crew
Director
Producer
Esther García
Producer
Hugo Sigman
Producer
Matías Mosteirín
Producer
Executive Producer
Leticia Cristi
Executive Producer
Pola Zito
Executive Producer
Writer
Casting
Javier Braier
Casting
Editor
Pablo Barbieri Carrera
Editor
Special Effects Supervisor
Federico Ransenberg
Special Effects Supervisor
Additional Second Assistant Director
Mariana Cavagnaro Rouge
Additional Second Assistant Director
Art Direction
Josè Massolo
Art Direction
Costume Design
Ruth Fischerman
Costume Design
Stunts
Walter Urquiza
Stunts
Production Design
María Clara Notari
Production Design
Josè Massolo
Production Design
Stunt Coordinator
Eduardo Puga
Stunt Coordinator
Set Decoration
María Clara Notari
Set Decoration
Sebastián Serra
Set Decoration
Makeup Artist
Marisa Amenta
Makeup Artist
Sound Re-Recording Mixer
Diego Gat
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Axel Kuschevatzky
Co-Producer
Set Dresser
Laura Guaragna
Set Dresser
Stunt Double
Bruno Hakim Cuperman
Stunt Double
Director of Photography
Javier Julia
Director of Photography
Steadicam Operator
Gabriel Quevedo
Steadicam Operator
Key Costumer
Ignacio D'Amore
Key Costumer
Sound Effects Editor
Gonzalo Matijas
Sound Effects Editor
Assistant Art Director
Agostina De Francesco
Assistant Art Director
Script Supervisor
Lorena Lisotti
Script Supervisor
Electrician
Guillermo Saposnik
Electrician
Javier Caña
Electrician
Sebastián Mendelberg
Electrician
Alberto Brunet
Electrician
Special Effects Coordinator
Eduardo Puga
Special Effects Coordinator
Still Photographer
Ignacio Cángelo
Still Photographer
Sound Mixer
Javier Farina
Sound Mixer
Production Manager
Esther García
Production Manager
Analía Castro Valsecchi
Production Manager
Javier Beltramino
Production Manager
Analía Castro
Production Manager
Boom Operator
Julián Catz
Boom Operator
María Elisa Canobra
Boom Operator
Santiago Morone
Boom Operator
Graphic Designer
Emiliano Konoba
Graphic Designer
Set Designer
Pablo Maestre Galli
Set Designer
Foley Artist
Nerina Valido
Foley Artist
Sound Designer
José Luis Díaz
Sound Designer
Location Scout
Nicolas Agustin Bentancur
Location Scout
Manuel Fernandez Escudero
Location Scout
Dialogue Editor
Nahuel Palenque
Dialogue Editor
Assistant Editor
Luisina Rampoldi
Assistant Editor
Lighting Technician
Joaquín Elicabe Urriol
Lighting Technician
Foley Editor
Alan Borodovsky
Foley Editor
Matías Vilaro
Foley Editor
Props
Juan David Troncoso
Props
Key Grip
Ariel Vélez
Key Grip
Location Manager
Federico Noejovich
Location Manager
José Luis García Espina
Location Manager
Grip
Enrique Vélez
Grip
Assistant Location Manager
Diego Igartua
Assistant Location Manager
Location Assistant
Rosario Vázquez
Location Assistant
Alejandra Vardé
Location Assistant
Flor Dominguez
Location Assistant
Special Effects Technician
Demetrio Adrian
Special Effects Technician
Roberto Fernández
Special Effects Technician
Fernando Vásquez
Special Effects Technician
Foley Mixer
Flavio Nogueira
Foley Mixer
Third Assistant Director
Agustín Arévalo
Third Assistant Director
Lucía Valdemoros
Third Assistant Director
Production Controller
Pablo Trachter
Production Controller
Gaffer
Agustín Barrutia
Gaffer
Assistant Director
Natalia Urruty
Assistant Director
Cris Trebotic
Assistant Director
Digital Imaging Technician
Martín Bendersky
Digital Imaging Technician
Video Assist Operator
Sabrina Choque
Video Assist Operator
Storyboard Artist
Lucas Accardo
Storyboard Artist
Assistant Unit Manager
Lina Montello
Assistant Unit Manager
First Assistant Camera
Karim Kachou
First Assistant Camera
Digital Compositor
Guillermo Orbe
Digital Compositor
Paula Rubio
Digital Compositor
Maxi Gomez
Digital Compositor
Sonsoles Aranguren
Digital Compositor
David Esteve
Digital Compositor
Ángel Rico Riesgo
Digital Compositor
Online Editor
Milagros Cimadevilla
Online Editor
Post Production Coordinator
Ezequiel Rossi
Post Production Coordinator
Pedro Lozano
Post Production Coordinator
Additional Writing
Julian Loyola
Additional Writing
Germán Servidio
Additional Writing
Colorist
Luisa Cavanagh
Colorist
Post Production Supervisor
Victor Vasini
Post Production Supervisor
Production Assistant
Adrian Fiszbejn
Production Assistant
Assistant Makeup Artist
Angela Garacija
Assistant Makeup Artist
VFX Artist
Antonio Lado
VFX Artist
Pablo Hernández-Meléndez
VFX Artist
Utility Sound
Julian Feijoo
Utility Sound
Visual Effects
Antonio Lado
Visual Effects
Rubén Sanz
Visual Effects
Prop Maker
Alberto Jaceniuk
Prop Maker
Post Production Assistant
Martín Suárez
Post Production Assistant
Generator Operator
A. Martín Puentes
Generator Operator
Second Assistant Camera
Alejo Frias
Second Assistant Camera
Assistant Sound Editor
Alejandro López
Assistant Sound Editor
Unit Manager
Mercedes Tarelli
Unit Manager
Costume Assistant
Ignacio D'Amore
Costume Assistant
Barbara Zago
Costume Assistant
Gabriela Hilario
Costume Assistant
Second Unit First Assistant Director
Marcello Pozzo
Second Unit First Assistant Director
Assistant Production Manager
Tomás Morelli
Assistant Production Manager
Foley
Nerina Valido
Foley
Art Department Trainee
María Belén Sol
Art Department Trainee
Visual Effects Technical Director
Rubén Sanz
Visual Effects Technical Director
Technical Supervisor
Juan Pablo Colombo
Technical Supervisor
What's left behind the scenes
- During the opening credits, a photograph of an animal appears next to the name of each main cast member and crew member. In the case of director Damian Szifron, it’s a fox. The director later revealed that he chose this animal because his father adored foxes and never missed a documentary about them. He also confessed that he identifies with the animal, especially its gaze, because a director has “nothing to do” on set without a strict look.
- The original screenplay for the film was 84 pages long, and the stories were presented in a different order. There was also a seventh story called “Bonus”.
- Damian Szifron, the film's screenwriter and director, wrote the plots of many of the stories included in the film while lying in the bathtub. “It’s a great place to write,” he later said. While working on the screenplay in the bath, he sometimes lit candles and had a drink.
- One of the best films of 2014 according to 'Time' magazine.
- In the story “The Pastry Chef,” the passenger sleeping in the seat in the same row as the music critic never wakes up until the very end.
- The history "Little Bomb" uses music from the television program "Children's Health," hosted by Mario Sokolinsky (1942-2007). This is the composition "Aire Libre" (1973) by Drafi Deutscher and Günther Bayer, performed by Lucien Belmont.
- In the history "Pasternak," when the photo model first pronounces the name "Gabriel Pasternak," this character emerges from behind a curtain at the back of the airplane cabin with a glass of coffee in his hand. He walks past the photo model and the music critic and goes into the cockpit. Later, a flight attendant starts a conversation about this character.
- In the pastry shop that Simon enters in the history "Little Bomb," a wedding cake from the history "Till Death Do Us Part" is on display.
- When the Audi driver takes tools out of the trunk to change a tire, reflections of two crew members can be seen in the left brake light.
- When the Audi driver is jostled by the seatbelt — you can notice that he is wearing knee pads.
- When the Peugeot driver, trying to get out of the overturned car, kicks out the rear door window, it doesn't shatter into pieces, but breaks like ordinary glass. In the next frame, the window is whole.
- In the computer game This Is The Police, one of the police calls contains a reference to the 'Strongest' story from this film. The call repeats the main elements of the plot, however, the setting and the ending differ significantly: in the game, the action takes place in the forested areas of North America, and the incident does not end with the death of both participants.
- As stated on screen, the bridge in the film “The Strongest” is located at the 60th kilometer of the road between Cafayate and Salta. Now this place attracts many tourists. It can be found at coordinates (25°43'50.4"S 65°41'48.5"W).
- The seventh Argentine film nominated for an Oscar in the Best Foreign Language Film category, and the third in a row starring Ricardo Darín. The first two nominated films starring this actor were “The Son of the Bride” by Juan José Campanella (2001) and “The Secret in Their Eyes” by the same director (2009).
- During the opening credits, a photograph of an animal is shown next to the name of each member of the main cast and crew. In the case of director Damián Szifron, it’s a fox. The director later revealed that he chose this animal because his father adored foxes and never missed a documentary about them. He also admitted that he identifies with this animal, especially its gaze, because a director has “no business” being on set without a stern look.
- The original screenplay for the film was 84 pages long, and the plots of the stories were presented in a different order. There was also a seventh story called “Bonus”.
- Damián Szifron, the screenwriter and director of the film, wrote the plots for many of the stories featured in the film while lying in the bathtub. “It’s a great place to write,” he later said. While working on the script in the bathtub, he sometimes lit candles and had a drink.
- One of the best films of 2014 according to Time magazine.
- In the story 'Pasternak,' a passenger sleeping in the seat in the same row as the music critic never wakes up until the very end.
- The story 'Little Bomb' uses music from the television program 'Children's Health,' hosted by Mario Sokolinsky (1942-2007). It is the composition 'Aire Libre' (1973) by Drafi Deutscher and Günther Bayer performed by Lucien Belmont.
- When the character 'Gabriel Pasternak' is first mentioned in the story 'Pasternak,' this character emerges from behind a curtain at the back of the airplane cabin with a cup of coffee in his hand. He walks past the model and the music critic and goes into the cockpit. Later, a flight attendant starts a conversation about this character.
- In the pastry shop that Simon enters in the story 'Little Bomb,' a wedding cake from the story 'Till Death Do Us Part' is on display.
Did you like the film?
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