On the Basis of Sex - crew, film crew
The entire team, the film crew of the film "On the Basis of Sex"
On the Basis of Sex (2018)
Timing:
2:0 (120 min)
7.331/10
1119
1119
7.793/10
163647
163647
7.1/10
42000
42000
Film crew
Director
Producer
Jonathan King
Producer
Robert W. Cort
Producer
Executive Producer
Betsy Danbury
Executive Producer
Karen Loop
Executive Producer
Daniel Stiepleman
Executive Producer
Casting
Editor
Michelle Tesoro
Editor
Art Direction
Paola Ridolfi
Art Direction
Camille Parent
Art Direction
Costume Design
Isis Mussenden
Costume Design
Production Design
Nelson Coates
Production Design
Original Music Composer
Production Supervisor
Melissa H. Morgan
Production Supervisor
Associate Producer
Erin F. Larsen
Associate Producer
Director of Photography
Michael Grady
Director of Photography
Script Supervisor
Nathalie Paquette
Script Supervisor
Hair Department Head
Michelle Côté
Hair Department Head
Hairstylist
Ghislaine Sant
Hairstylist
Jean Scarabin
Hairstylist
Sound Mixer
Jean Camden
Sound Mixer
Driver
André Laforest
Driver
Boom Operator
Damien Berger
Boom Operator
Screenplay
Daniel Stiepleman
Screenplay
Key Grip
Alain Bisson Doyal
Key Grip
Location Manager
Adrian Knight
Location Manager
Special Effects
Luc Therrien
Special Effects
Songs
Music
Post Production Supervisor
Niccole Osborn
Post Production Supervisor
Line Producer
Betsy Danbury
Line Producer
Dialect Coach
Naomi Joy Todd
Dialect Coach
Unit Manager
Mélanie Simard
Unit Manager
What's left behind the scenes
- While the project was in development, the role of Ruth was assigned to Natalie Portman for at least 4 years. Ultimately, the actress left the project, and Felicity Jones was cast instead.
- Upon agreeing to participate in the project, Natalie Portman insisted that the film's director be a woman. Mimi Leder was then invited to direct.
- During her first meeting with Felicity Jones, Ruth Bader Ginsburg expressed doubt: “This English actress is magnificent, but will she be able to portray a Brooklyn accent?” In preparing for the role, Jones and her dialect coach listened for long periods to hours of recordings of Ginsburg's speeches at the Supreme Court, noting the nuances of her speech and phonetic features. After watching the film, Ginsburg admitted: “Jones speaks the Queen’s English, but in the film she managed to sound very much like me, a girl born and raised in Brooklyn. Jones won this case.”
- In the scene where Ruth Bader Ginsburg first enters the Harvard Law School auditorium, where she became one of nine women in a class of around 500 people, the famous Harvard anthem “Ten Thousand Men of Harvard” plays.
- While the film was in development, for about four years, the lead role was secured for Natalie Portman, but the actress ultimately left the project.
- When signing on to the project, Natalie Portman insisted that the director be a woman. This led to Mimi Leder being invited to direct.
- When meeting Felicity Jones, Ruth Bader Ginsburg doubted the British actress could portray a Brooklyn accent. In preparation for the role, Jones and a dialect coach listened to hours of recordings of Ginsburg's performances at the Supreme Court, noting the nuances of her speech and phonetic peculiarities. After watching the film, Ginsburg praised Jones' work.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
