Blade II - crew, film crew
The entire team, the film crew of the film "Blade II"
Blade II (2002)
Timing:
1:57 (117 min)
6.566/10
5234
5234
6.849/10
102774
102774
6.7/10
252000
252000
Film crew
Director
Producer
Peter Frankfurt
Producer
Patrick J. Palmer
Producer
Tomáš Krejčí
Producer
Executive Producer
Michael De Luca
Executive Producer
Lynn Harris
Executive Producer
Writer
Casting
Nancy Foy
Casting
Editor
Peter Amundson
Editor
Special Effects Supervisor
Nick Allder
Special Effects Supervisor
Art Direction
James F. Truesdale
Art Direction
Jaromír Švarc
Art Direction
Supervising Art Director
Elinor Rose Galbraith
Supervising Art Director
Costume Design
Wendy Partridge
Costume Design
Stunts
Gary Powell
Stunts
Lane Leavitt
Stunts
Production Design
Carol Spier
Production Design
Stunt Coordinator
Pavel Cajzl
Stunt Coordinator
Set Decoration
Peter Nicolakakos
Set Decoration
Jeffrey Kushon
Set Decoration
Makeup Artist
Nikita Rae
Makeup Artist
Michelle Taylor
Makeup Artist
Key Makeup Artist
David Dupuis
Key Makeup Artist
Sound Re-Recording Mixer
John Ross
Sound Re-Recording Mixer
Michael Keller
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Robert Bernacchi
Unit Production Manager
Co-Producer
Jon Divens
Co-Producer
Andrew J. Horne
Co-Producer
Production Supervisor
Wendy Cox
Production Supervisor
Michelle Weller
Production Supervisor
Associate Producer
Robert Bernacchi
Associate Producer
Set Dresser
Miroslav Čáslavka
Set Dresser
Second Assistant Director
Mark Taylor
Second Assistant Director
Gregory Palmer
Second Assistant Director
Stunt Double
Fight Choreographer
Clayton J. Barber
Fight Choreographer
Utility Stunts
Freddy Bouciegues
Utility Stunts
Director of Photography
Pilot
Libor Hatas
Pilot
Musician
Tom Boyd
Musician
Camera Operator
Klaus Fuxjäger
Camera Operator
Anthony Gaudioz
Camera Operator
Steadicam Operator
Craig Fikse
Steadicam Operator
Key Costumer
Heather Moore
Key Costumer
Sound Effects Editor
Bryan Bowen
Sound Effects Editor
Assistant Art Director
Martin Vačkář
Assistant Art Director
Property Master
Gert Broekema
Property Master
Michael Lindsay
Property Master
Visual Effects Supervisor
Bob Munroe
Visual Effects Supervisor
Dominic Parker
Visual Effects Supervisor
Nicholas Brooks
Visual Effects Supervisor
Ray McIntyre Jr.
Visual Effects Supervisor
Blair Clark
Visual Effects Supervisor
Terry Bradley
Visual Effects Supervisor
Nordin Rahhali
Visual Effects Supervisor
Robert Duncan
Visual Effects Supervisor
Craig Hayes
Visual Effects Supervisor
Justin Martin
Visual Effects Supervisor
David Sosalla
Visual Effects Supervisor
Supervising Sound Editor
Mathew Waters
Supervising Sound Editor
Script Supervisor
Claudine Strasser
Script Supervisor
Electrician
Ben Bowling
Electrician
Hairstylist
Jeanette Freeman
Hairstylist
Special Effects Coordinator
Barbora Kolarova
Special Effects Coordinator
Lead Animator
Warren J.W. Leathem
Lead Animator
Associate Editor
Jana Lynn Gold
Associate Editor
Sound Mixer
Nerses Gezalyan
Sound Mixer
Visual Effects Producer
George Macri
Visual Effects Producer
Dominic Sidoli
Visual Effects Producer
Ruth Greenberg
Visual Effects Producer
Edward Irastorza
Visual Effects Producer
Susan MacLeod
Visual Effects Producer
Drew Jones
Visual Effects Producer
Armorer
James Weston
Armorer
First Assistant Director
Julian Wall
First Assistant Director
Assistant Costume Designer
Kelly Fraser
Assistant Costume Designer
Driver
Chris Ferrence
Driver
Production Manager
Pavel Typolt
Production Manager
Boom Operator
Peter Eusebe
Boom Operator
Set Designer
Milena Koubková
Set Designer
Michael Madden
Set Designer
Gordon White
Set Designer
First Assistant Editor
Laura Rindner
First Assistant Editor
Sound Designer
Construction Coordinator
Phillip Tellez
Construction Coordinator
Bruce DiValerio
Construction Coordinator
Art Department Coordinator
Mike Hyrman
Art Department Coordinator
Dialogue Editor
Michael Hertlein
Dialogue Editor
Louis Creveling
Dialogue Editor
Jed M. Dodge
Dialogue Editor
Robert Getty
Dialogue Editor
Assistant Editor
Josh Campbell
Assistant Editor
Lighting Technician
Mike Macias
Lighting Technician
Foley Editor
Craig Jurkiewicz
Foley Editor
Additional Director of Photography
Peter Field
Additional Director of Photography
Rigging Grip
Michal Houzvicka
Rigging Grip
Transportation Coordinator
Aaron Skalka
Transportation Coordinator
Vaclav Mottl
Transportation Coordinator
Key Grip
Malcolm Sheehan
Key Grip
Location Manager
Douglas Dresser
Location Manager
Pavel Sterba
Location Manager
Grip
John Emory
Grip
Dolly Grip
Bill Daimant
Dolly Grip
Key Hair Stylist
Marese Langan
Key Hair Stylist
Leadman
Jan Kodera
Leadman
Location Assistant
David Antol
Location Assistant
Second Second Assistant Director
Martina Götthansova
Second Second Assistant Director
Visual Effects Production Manager
Lisa Bechard
Visual Effects Production Manager
Painter
Tim Larsen
Painter
Characters
Music Supervisor
Happy Walters
Music Supervisor
3D Artist
Paul Anderson
3D Artist
Casting Assistant
Minna Pyyhkala
Casting Assistant
Special Effects Technician
Jan Beran
Special Effects Technician
Foley Mixer
Nerses Gezalyan
Foley Mixer
Third Assistant Director
Philip Seeger
Third Assistant Director
Production Controller
Alex Matcham
Production Controller
Special Effects Makeup Artist
Greg Funk
Special Effects Makeup Artist
Production Accountant
Jiri Tichacek
Production Accountant
Casting Associate
Sculptor
John Weldy
Sculptor
Gaffer
Jaromir Simek
Gaffer
H. Mark Vuille
Gaffer
Prosthetic Makeup Artist
Nigel Booth
Prosthetic Makeup Artist
Barrie Gower
Prosthetic Makeup Artist
Music Editor
Bill Abbott
Music Editor
Brian Richards
Music Editor
Focus Puller
Chas Bain
Focus Puller
Production Sound Mixer
Mark Holding
Production Sound Mixer
ADR Mixer
Ron Bedrosian
ADR Mixer
Video Assist Operator
Viktor Lonek
Video Assist Operator
ADR Recordist
Brian Basham
ADR Recordist
Storyboard Artist
Leo Duranona
Storyboard Artist
First Assistant Camera
Ladislav Hrubý
First Assistant Camera
Post Production Coordinator
Betty Burkhart
Post Production Coordinator
Concept Artist
TyRuben Ellingson
Concept Artist
Additional Music
Danny Saber
Additional Music
Conductor
Pete Anthony
Conductor
Colorist
Jim Garrow
Colorist
Post Production Supervisor
Sara Romilly
Post Production Supervisor
Stand In
Marianna Krenova
Stand In
Production Assistant
Tyler Ham
Production Assistant
Contact Lens Technician
Jemma Scott-Knox-Gore
Contact Lens Technician
Prosthetics
Unit Publicist
Moira Houlihan
Unit Publicist
Production Coordinator
Sissy Grover
Production Coordinator
John T. Sweeney
Production Coordinator
Scoring Mixer
John Kurlander
Scoring Mixer
Visual Effects Coordinator
Kandece Brown
Visual Effects Coordinator
Visual Effects Editor
Dirk Westervelt
Visual Effects Editor
Sarah Schubart
Visual Effects Editor
Payroll Accountant
Jennifer Hunt Pedevilla
Payroll Accountant
CG Supervisor
Mark Fattibene
CG Supervisor
ADR Editor
Michael Hertlein
ADR Editor
ADR Supervisor
Thomas Jones
ADR Supervisor
Conceptual Design
Constantine Sekeris
Conceptual Design
Extras Casting
Petr Brodsky
Extras Casting
CG Artist
Clay Dale
CG Artist
Rigging Gaffer
Petr Svoboda
Rigging Gaffer
Post Production Assistant
Jayson Wall
Post Production Assistant
Assistant Accountant
Vera Trousilová
Assistant Accountant
Camera Loader
Alexandre Szabo-Fresnais
Camera Loader
Assistant Production Coordinator
Stephani Hunter
Assistant Production Coordinator
Sound Recordist
Matt Colleran
Sound Recordist
Second Assistant Camera
Alexander Bscheidl
Second Assistant Camera
Choreographer
Assistant Sound Editor
Susan Cahill
Assistant Sound Editor
Dialect Coach
Jon Sperry
Dialect Coach
Rotoscoping Artist
Dan Feinstein
Rotoscoping Artist
Transportation Captain
Keith D. Fisher
Transportation Captain
Production Executive
Leon Dudevoir
Production Executive
Assistant Production Manager
Clive Miles
Assistant Production Manager
Production Runner
Cammeron Truesdale
Production Runner
Swing
Greg Runnels
Swing
Greg Runnels
Swing
Sound Editor
Hector C. Gika
Sound Editor
First Assistant Accountant
Rob Seager
First Assistant Accountant
Set Medic
Eva Dvorakova
Set Medic
Music Producer
Jim Ervin
Music Producer
Head of Production
Alonzo Ruvalcaba
Head of Production
Foley Recordist
Greg Zimmerman
Foley Recordist
Martial Arts Choreographer
Aerial Camera
Simon Werry
Aerial Camera
Visual Effects Production Assistant
Ian Unterreiner
Visual Effects Production Assistant
Creature Design
Wayne D. Barlowe
Creature Design
Digital Colorist
Adam Glasman
Digital Colorist
Color Timer
Dan Muscarella
Color Timer
Negative Cutter
Gary Burritt
Negative Cutter
Music Consultant
Assistant Camera
Kenny Groom
Assistant Camera
Data Wrangler
Darrel Griffin
Data Wrangler
Compositing Lead
Matthew Twyford
Compositing Lead
I/O Manager
Vicki Wong
I/O Manager
Compositing Artist
Avtar Bains
Compositing Artist
Jonathan Fawkner
Compositing Artist
Additional Camera
Guy Hodgen
Additional Camera
Assistant Chief Lighting Technician
Michael K. O'Melia
Assistant Chief Lighting Technician
24 Frame Playback
Steve Watson
24 Frame Playback
Additional Dialogue
Natasha Ivanova
Additional Dialogue
Digital Compositors
Asregadoo Arundi
Digital Compositors
CG Animator
Jerry Corda-Stanley
CG Animator
Systems Administrators & Support
Phred Lender
Systems Administrators & Support
General Manager
Ray Scalice
General Manager
I/O Supervisor
David Rosenthal
I/O Supervisor
Prosthetic Supervisor
David Dupuis
Prosthetic Supervisor
Storyboard
Jason Brubaker
Storyboard
Cableman
Christopher Sposa
Cableman
Co-Art Director
Dan Morski
Co-Art Director
Key Scenic Artist
John Bannister
Key Scenic Artist
What's left behind the scenes
- Filming took place from February 14 to August 2001 in London (United Kingdom), New York (USA), Prague (Czech Republic), and Toronto (Canada).
- During filming, Wesley Snipes was hospitalized after receiving numerous burns while working with fire and flammable artificial skin.
- Michael Jackson was considered for a cameo role.
- The final scene featuring Blade appearing in the peep show booth instead of a stripper essentially mirrors a similar episode from "The Crow: City of Angels." David S. Goyer was the screenwriter for both films.
- Initially, David S. Goyer wanted to include not one Nomak in the script, but two – twin brothers named Nomak and Starill, but he later abandoned this idea and left only Nomak in the final version.
- The idea of reaper vampires was inspired by Polish folklore, where vampires had a barb or “finger” protruding from their mouth, which they used to suck blood.
- Asia Argento, Kristanna Loken, Elena Anaya, and Rona Mitra were all considered for the role of Nyss.
- In the opening scene of the film, we see tram number 52 emerging from under a viaduct in the Karlín district, followed by an inscription on the screen stating that it is Parisian Street. In reality, it is Sokolovská Street. Parisian Street is located in the Jewish Quarter of the city and is very far from this location.
- When Blade and his team go to the club, it is night outside. When vampires fight a new race of vampires, and when Scud defends himself from the new race of vampires in the car, it is also night outside. But when Blade and Nomak fight, night suddenly gives way to day.
- The final scene featuring Blade appearing in the peep show booth instead of a stripper actually mirrors a similar episode from "The Crow: City of Angels." David S. Goyer was the screenwriter for both films.
- The idea of reaper vampires was inspired by Polish folklore, where vampires had a barb or "finger" protruding from their mouth, which they used to suck blood.
- At the 2nd minute of the film, after the nurse asks about the scar, Nomak covers his chin with his hand. In the next shot, on the CCTV screen, it can be seen that Nomak's hands are already at his sides.
- At the 3rd minute of the film, Nomak jumps up from the chair and bites the nurse in the neck, leaving a large bloodstain on the wall. When the guard draws his gun and shoots the vampire in the back in the next shot, the bloodstain on the wall has already changed shape.
- At the 6th minute of the film, two vampires run up to three motorcycles and ride away on two of them. However, by the time a third vampire comes down the stairs and Blade jumps out the window, the third motorcycle has disappeared.
- At the 8th minute of the film, when Blade knocks Rush off his motorcycle, the bike lands on both wheels. In the next scene, as Rush tries to get up after the fall, the motorcycle is already missing its rear wheel.
- At the 9th minute, Blade interrogates Rush by holding the vampire's head under a rotating motorcycle wheel. Two errors can be spotted in this scene: 1) Rush's motorcycle helmet has been pre-cut in half, and it splits exactly into two pieces as soon as the vampire's head approaches the wheel; 2) Blade is holding Rush with both hands, making it unclear how he is revving the motorcycle engine during the interrogation.
- At the 23rd minute of the film, Nyssa begins to remove her mask with her left hand. After a cut, she is removing it with her right hand.
- At the 25th minute of the film, Nyssa enters a series of symbols on the panel, after which the pressed buttons light up. When she places a metal flask into the panel in the next shot, different buttons are lit.
- At the 12th minute of the film, Blade frees Whistler, who falls out of the open capsule. Between shots, the position of Whistler, hanging from hoses and tubes, changes.
- At the 12th minute of the film, when Blade approaches Whistler as he hangs from the hoses, his hair looks noticeably drier than in the previous shots.
- At the 13th minute of the film, Blade lifts Whistler, supporting him by the head with one hand. In the next shot, Blade continues to lift Whistler, but is now holding him under the armpits with both hands.
- At the 15th minute of the film, after the injection, Blade grabs Whistler by the hair with one hand. In the next shot, Blade is already holding him with both hands, and in the following shot, he is back to using only one.
- At the 19th minute of the film, Whistler tells Scud that he spent two years in vampire captivity. It is unclear how Whistler knows the exact duration, since at the 18th minute, during the conversation in the bathroom, he admitted himself that he didn't know how much time had passed. Blade also never mentioned how long his associate had been held by the vampires.
- At the 37th minute of the film, when Blade and a squad of vampires are walking down a corridor and stop at a closed door, a crew member can be seen in the lower right corner of the frame opening the door with a remote control.
- At the 41st minute of the film, the flashlight on Verlen's automatic weapon uses an ultraviolet lens. In the next shot, as she comes around the corner and walks along the chain-link fence, a regular flashlight is being used.
- At the 42nd minute of the film, when Scud moves into the cabin and looks out the side window, he is holding a cigarette and a piece of a donut in his right hand. In the next shot, only the cigarette remains in his hand.
- At the 47th minute of the film, Chupa shoots at the vampire-werewolf, but the creature manages to escape the gunfire. In this scene, it can be noticed that the werewolf runs through the same spot in the corridor twice.
- At the 53rd minute of the film, when Blade approaches a fork on a wooden platform, a stuntman portraying Nomak can be seen standing in the background with his arms raised.
- During the fight in the church at the 54th minute of the film, Blade decides to use an automatic recharging system for syringes containing an anticoagulant, which was not previously on Blade's wrists. Scad first demonstrates this invention at the 35th minute, and it has not appeared in scenes since, with only leather gloves remaining on Blade's hands.
- At the 59th minute of the film, when Blade looks into a hole in the sewer, the Priest is eating red jelly. In the next shot, there is nothing left on the plate in front of him.
- At the 68th minute of the film, Nyssa looks at Blade when Whistler asks him for help. In the next shot, as Blade leaves, she is already looking down in front of her.
- At the 98th minute of the film, when Blade catches the glasses thrown by Whistler, the latter makes a hand gesture in the background as if throwing the glasses once again.
- At the 101st minute of the film, as Nyssa approaches Nomak, she removes her jacket from her shoulders twice due to a jump cut.
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
