Dunkirk - crew, film crew
The entire team, the film crew of the film "Dunkirk"
Dunkirk (2017)
Timing:
1:47 (107 min)
7.45/10
17415
17415
7.275/10
206152
206152
7.8/10
803000
803000
Film crew
Director
Producer
Executive Producer
Jake Myers
Executive Producer
Greg Silverman
Executive Producer
Writer
Casting
Toby Whale
Casting
Editor
Special Effects Supervisor
Paul Corbould
Special Effects Supervisor
Charles-Axel Vollard
Special Effects Supervisor
Daniel Llewelyn-Williams
Special Effects Supervisor
Art Direction
Oliver Goodier
Art Direction
Toby Britton
Art Direction
Benjamin Nowicki
Art Direction
Erik Osusky
Art Direction
Supervising Art Director
Kevin Ishioka
Supervising Art Director
Gary Fettis
Supervising Art Director
Eggert Ketilsson
Supervising Art Director
Costume Design
Cesha Ventre
Costume Design
Stunts
Cedric Proust
Stunts
Reid Harper
Stunts
David Schultz
Stunts
Mark Norby
Stunts
Mathew Kaye
Stunts
Bryan Thompson
Stunts
Mark Fichera
Stunts
Shane Geraghty
Stunts
Kye Mckee
Stunts
Tim Neff
Stunts
Kevin Derrick
Stunts
Mark van Swieten
Stunts
Steven Sawicki
Stunts
Dalton Rondell
Stunts
Travis Quist
Stunts
Sean Morrissey
Stunts
John Medalin
Stunts
Mathieu Lardot
Stunts
Marie Fink
Stunts
Wayne Docksey
Stunts
Tom Boney
Stunts
Rick Miller
Stunts
Florian Lutz
Stunts
Production Design
Stunt Coordinator
Stephanie Louie
Stunt Coordinator
Set Decoration
Emmanuel Delis
Set Decoration
Samir Moundy
Set Decoration
Gary Fettis
Set Decoration
Makeup Artist
Allan A. Apone
Makeup Artist
Bernard Floch
Makeup Artist
Jay Wejebe
Makeup Artist
Pascale Bouquière
Makeup Artist
Kimberly Felix
Makeup Artist
Charley Collier
Makeup Artist
Melanie Queyrel Carreno
Makeup Artist
Elodie Taquet
Makeup Artist
Fabie Roger-Clech
Makeup Artist
Key Makeup Artist
Jay Wejebe
Key Makeup Artist
Odile Fourquin
Key Makeup Artist
Sound Re-Recording Mixer
Gregg Landaker
Sound Re-Recording Mixer
Unsun Song
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
David Witz
Unit Production Manager
Production Supervisor
Daniel-Konrad Cooper
Production Supervisor
Page Rosenberg-Marvin
Production Supervisor
Associate Producer
Andy Thompson
Associate Producer
Orchestrator
Carl Rydlund
Orchestrator
Second Assistant Director
Eric Richard Lasko
Second Assistant Director
Alexis Chelli
Second Assistant Director
Nicolas Baldino
Second Assistant Director
Matt Haggerty
Second Assistant Director
Director of Photography
Pilot
Musician
Steve Mair
Musician
Camera Operator
Henry Tirl
Camera Operator
Hugues Espinasse
Camera Operator
Steadicam Operator
Henry Tirl
Steadicam Operator
Costume Supervisor
John Casey
Costume Supervisor
Makeup Department Head
Luisa Abel
Makeup Department Head
Key Costumer
Billy Prichard
Key Costumer
Olivier Ligen
Key Costumer
Krista Guggia
Key Costumer
Sound Effects Editor
Michael W. Mitchell
Sound Effects Editor
Randy Torres
Sound Effects Editor
Assistant Art Director
Jenne Lee
Assistant Art Director
Visual Effects Supervisor
Tim McGovern
Visual Effects Supervisor
Andrew Lockley
Visual Effects Supervisor
Andrew Jackson
Visual Effects Supervisor
Emma Rider
Visual Effects Supervisor
Matt Thompson
Visual Effects Supervisor
Supervising Sound Editor
Richard King
Supervising Sound Editor
Script Supervisor
Steve Gehrke
Script Supervisor
Hair Department Head
Patricia DeHaney
Hair Department Head
Electrician
Set Costumer
Aurélie Dolbeau
Set Costumer
Emmanuelle Pastre
Set Costumer
Aerial Director of Photography
Hans Bjerno
Aerial Director of Photography
Hairstylist
Laura Pollock
Hairstylist
Special Effects Coordinator
Scott R. Fisher
Special Effects Coordinator
Ben Vokes
Special Effects Coordinator
Marie Korf
Special Effects Coordinator
Still Photographer
Melinda Sue Gordon
Still Photographer
Associate Editor
John Lee
Associate Editor
Sound Mixer
Mark Weingarten
Sound Mixer
Visual Effects Producer
Mike Chambers
Visual Effects Producer
Matthew Plummer
Visual Effects Producer
First Assistant Director
Nilo Otero
First Assistant Director
Willem Quarles van Ufford
First Assistant Director
William Pruss
First Assistant Director
Clément Comet
First Assistant Director
Assistant Costume Designer
Sara O'Donnell
Assistant Costume Designer
Driver
Tim McGaughy
Driver
Hendrik De Jonker
Driver
Production Manager
Christine Raspillère
Production Manager
Nicky Tüske
Production Manager
Boom Operator
Dominic Happé
Boom Operator
Tom Caton
Boom Operator
First Assistant Editor
Laura Rindner
First Assistant Editor
Eric A. Lewy
First Assistant Editor
Construction Coordinator
Joe Ondrejko
Construction Coordinator
Guy Belegaud
Construction Coordinator
Location Scout
Brian M. O'Neill
Location Scout
Dialogue Editor
Hugo Weng
Dialogue Editor
Assistant Editor
William Fletcher
Assistant Editor
Foley Editor
Michael Dressel
Foley Editor
Key Grip
Ryan Monro
Key Grip
Location Manager
Benjamin Hendriks
Location Manager
Ben Piltz
Location Manager
Arnaud Kaiser
Location Manager
Douglas Dresser
Location Manager
Patrick Noordzij
Location Manager
Thijs Bolle
Location Manager
Raquel Wijngaarde
Location Manager
Ronan Michel
Location Manager
Grip
John Curran
Grip
Hugh McCallum
Grip
Julien Moine
Grip
Jesse Beaird
Grip
Key Hair Stylist
Cheryl Daniels
Key Hair Stylist
Special Effects
Warwick Boole
Special Effects
Charlie Pedersen
Special Effects
Makeup Supervisor
Nicola Buck
Makeup Supervisor
Jessica Brooks
Makeup Supervisor
Third Assistant Director
Alina Gatti
Third Assistant Director
Amaury Capel
Third Assistant Director
Production Accountant
Luke Tuck
Production Accountant
Natalie Moore
Production Accountant
Olivier Kaczmarek
Production Accountant
Valérie Farthouat
Production Accountant
Gaffer
Helmut Prein
Gaffer
Jean-François Drigeard
Gaffer
R. Adam Chambers
Gaffer
Assistant Director
Sean Singery
Assistant Director
Music Editor
Ryan Rubin
Music Editor
First Assistant Camera
Stephen Wong
First Assistant Camera
Bob Hall
First Assistant Camera
Boris Abaza
First Assistant Camera
Additional Music
Andrew Kawczynski
Additional Music
Post Production Supervisor
Christian max Straub
Post Production Supervisor
Production Assistant
Set Decorating Coordinator
Gary Fettis
Set Decorating Coordinator
Production Coordinator
Karen Ramirez
Production Coordinator
Samuel Sharpe
Production Coordinator
Catherine A. McCabe
Production Coordinator
Géraldine Sérafini
Production Coordinator
Jonathan Scott
Production Coordinator
Drone Operator
Joe McBride
Drone Operator
Scoring Mixer
Alan Meyerson
Scoring Mixer
John W. Chapman
Scoring Mixer
Visual Effects Coordinator
Seda Yilmaz
Visual Effects Coordinator
Visual Effects Editor
Daniel Arkin
Visual Effects Editor
Derrick Mitchell
Visual Effects Editor
Steve Miller
Visual Effects Editor
Sivaprayag
Visual Effects Editor
Visual Effects
Ben Cowell-Thomas
Visual Effects
Line Producer
John Bernard
Line Producer
Erwin Godschalk
Line Producer
Animation Director
Thomas Phillips-Howard
Animation Director
Color Designer
Pete Polyakov
Color Designer
ADR Editor
David Bach
ADR Editor
Russell Farmarco
ADR Editor
ADR Voice Casting
Louis Elman
ADR Voice Casting
Production Office Assistant
Robert Guerrero
Production Office Assistant
Sarah Ruemelin
Production Office Assistant
Hennie Loosman
Production Office Assistant
Oliver Hatcher
Production Office Assistant
Austin Elliott
Production Office Assistant
Post Production Assistant
Gladys Garcia
Post Production Assistant
Katherine Chou
Post Production Assistant
Assistant Production Coordinator
Kristin Vela
Assistant Production Coordinator
Gary Kett
Assistant Production Coordinator
Sound Recordist
Eilam Hoffman
Sound Recordist
Supervising Music Editor
Alex Gibson
Supervising Music Editor
Unit Manager
Paul Tomlinson
Unit Manager
Executive In Charge Of Production
Mark Scoon
Executive In Charge Of Production
Assistant Production Manager
David Edouard
Assistant Production Manager
Bastien Larue
Assistant Production Manager
Sound Editor
Michael John Fuller
Sound Editor
Alex Gibson
Sound Editor
Sound Effects
Eric Potter
Sound Effects
Craft Service
Martin Elvin
Craft Service
Digital Intermediate
Kostas Theodosiou
Digital Intermediate
Foley
Scott Curtis
Foley
Shelley Roden
Foley
Aerial Coordinator
Craig Hosking
Aerial Coordinator
Luc Poullain
Aerial Coordinator
Score Engineer
Derrick Werlé
Score Engineer
Makeup Effects Designer
David LeRoy Anderson
Makeup Effects Designer
Sound Design Assistant
Underwater Camera
Mike Gerzevitz
Underwater Camera
Post Production Consulting
Hannah Haidar
Post Production Consulting
Camera Intern
Doug Lavender
Camera Intern
What's left behind the scenes
- This is Christopher Nolan's first film based on historical events. Until now, he had only filmed original screenplays, remakes, and adaptations of novels and comics.
- Following Paul Thomas Anderson's drama “The Master” (2012) and Quentin Tarantino's Western “The Hateful Eight” (2015), “Dunkirk” is the third major cinematic project of the decade shot primarily on 70mm film and shown in the same format.
- While filming took place on the artificial freshwater lake of IJsselmeer in the central Netherlands, the actors and film crew stayed in Urk, a village and municipality in the province of Flevoland.
- Christopher Nolan's third film for which he wrote the screenplay himself, following "Following" (1999) and "Inception" (2010).
- To avoid using computer graphics, the props department prepared cardboard cutouts of soldiers and vehicles, which were placed as far from the camera as possible but effectively enhanced the impression of the vast size of the Allied troops trapped.
- Christopher Nolan received $20 million plus 20% of the box office for his work on the film. This is the largest sum ever paid to a director. Peter Jackson was the first to receive such a sum, for "King Kong" (2005).
- The cinematic debut of Harry Styles from the boy band One Direction.
- The film was shot in France under the title «Bodega Bay» (Bodega is a Pacific bay on the coast of California, USA, on whose shore the town of Bodega Bay is located).
- A bodyguard was constantly on set to protect Harry Styles from fans if necessary.
- Hans Zimmer (composer), Hoyte van Hoytema (cinematographer), Nathan Crowley (production designer), John Papsidera (casting director), and actors Tom Hardy and Cillian Murphy once again worked with Christopher Nolan on «Dunkirk». Many members of the film crew had been continuously working with Nolan since the «Dark Knight» trilogy (2005, 2008, 2012), and Hoytema since the film «Interstellar» (2014).
- The dialogue in the film is reduced to a minimum. In preparation for filming, Christopher Nolan rewatched a large number of silent films to understand how the classics of cinema depicted mass scenes – specifically, Erich von Stroheim's «Greed» (1924), D.W. Griffith's «Intolerance» (1916), and F.W. Murnau's «Sunrise: A Song of Two Humans» (1927).
- Striving for maximum authenticity, Christopher Nolan installed cameras in the cockpits and on the wings of fighter planes and sent operators into the water with the actors.
- Nearly 6,000 extras participated in the filming.
- A Soviet two-seat Yak-52 sports and training aircraft was used as a stand-in for the Spitfire fighter. It was modified so that the actor and pilot could switch places depending on the scene being filmed.
- Radio-controlled models were used instead of real Junkers Ju 87 dive bombers and Heinkel He 111 bombers, as was done for other aircraft in scenes depicting their fall/ditching.
- Christopher Nolan's first blockbuster filmed for under $100 million. According to producer Emma Thomas, they deliberately limited the budget, understanding the experimental nature of the film's script, which consisted almost entirely of one action sequence and featured very little dialogue for the characters.
- Christopher Nolan decided to use real destroyers in the naval battle scene rather than resorting to computer graphics.
- During the evacuation episode, 333,000 soldiers from the Allied armies were depicted using 1,500 extras, a crane, and a flamethrower.
- In some scenes of the film, two fishing trawlers preserved from that time – UK12 and UK114 – are visible in the background. In this case, the letters do not signify Great Britain, as one might assume. It is a Dutch letter code denoting Urk, a village near which the filming took place.
- The prototype for the character of Mark Rylance (the yacht captain) was likely Charles Lightoller (1874-1952), best known as the second officer of the Titanic. During Operation Dynamo, Lightoller, along with his son and a young sailor, went to Dunkirk on his yacht and evacuated 130 people. One of Lightoller’s five children was also a pilot, who died on the first day of the war; the elder son of Rylance's character has a similar fate.
- To film the aerial combat scenes, an IMAX camera was installed in the cockpit of one of the three Spitfire aircraft used in the film, which was not easy considering its weight and size.
- Following Paul Thomas Anderson’s “The Master” (2012) and Quentin Tarantino’s western “The Hateful Eight” (2015), “Dunkirk” is the third major cinematic project of the decade shot primarily on 70mm film and shown in the same format.
- This is Christopher Nolan’s third film for which he wrote the screenplay himself, following “Following” (1999) and “Inception” (2010).
- Christopher Nolan received $20 million plus 20% of the box office receipts for his work on the film. This is the largest sum ever paid to a director. Peter Jackson was the first to receive such an amount for “King Kong” (2005).
- The film was shot in France under the working title “Bodega Bay” (Bodega is a Pacific bay on the coast of California, USA, where the town of Bodega Bay is located).
- Hans Zimmer (composer), Hoyte van Hoytema (cinematographer), Nathan Crowley (production designer), John Papsidera (casting director), and actors Tom Hardy and Cillian Murphy all worked with Christopher Nolan again on “Dunkirk.” Many members of the film crew had been continuously working with Nolan since the “Dark Knight” trilogy (2005, 2008, 2012), and Hoytema since “Interstellar” (2014).
- The dialogue in the film is minimized. While preparing for filming, Christopher Nolan rewatched a large number of silent films to understand how the classics of cinema depicted mass scenes—specifically, Erich von Stroheim’s "Greed" (1924), D.W. Griffith’s "Intolerance" (1916), and F.W. Murnau’s "Sunrise" (1927).
- A Soviet two-seat sports and training aircraft, the Yak-52, was used as the Spitfire fighter. It was modified so that the actor and pilot could switch places depending on the scene being filmed.
- The prototype for Mark Rylance’s character (the yacht captain) was likely Charles Lightoller (1874-1952), best known as the second officer of the Titanic. During Operation Dynamo, Lightoller, along with his son and a cabin boy, went to Dunkirk on his yacht and evacuated 130 people. One of Lightoller’s five children was also a pilot, and he died on the first day of the war; the elder son of Rylance’s character has a similar fate.
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