Team America: World Police - crew, film crew

The entire team, the film crew of the film "Team America: World Police"
Team America: World Police (2004)
Timing: 1:37 (97 min)
Team America: World Police - TMDB rating
6.702/10
1782
Team America: World Police - Kinopoisk rating
6.255/10
6154
Team America: World Police - IMDB rating
7.2/10
184000

Film crew

Director

Producer

Photo Michael Polaire #5245
Michael Polaire
Producer
Frank C. Agnone II
Producer

Executive Producer

Scott Aversano
Executive Producer
Anne Garefino
Executive Producer

Casting

Mary Hidalgo
Casting

Art Direction

Thomas Valentine
Art Direction
John Berger
Art Direction

Supervising Art Director

Ramsey Avery
Supervising Art Director

Set Decoration

Richard C. Walker
Set Decoration

Sound Re-Recording Mixer

Scott Millan
Sound Re-Recording Mixer
Photo Michael Semanick #5089Photo Michael Semanick #5090

Michael Semanick

Michael Semanick
Sound Re-Recording Mixer
Photo Gary C. Bourgeois #73519
Gary C. Bourgeois
Sound Re-Recording Mixer
Photo David Parker #14557
David Parker
Sound Re-Recording Mixer

Original Music Composer

Unit Production Manager

Photo Michael Polaire #5245
Michael Polaire
Unit Production Manager

Production Supervisor

Julie M. Anderson
Production Supervisor

Director of Photography

Photo Bill Pope #8934

Bill Pope

Bill Pope
Director of Photography

Sound Effects Editor

Doug Jackson
Sound Effects Editor
Chuck Michael
Sound Effects Editor
Michael Kamper
Sound Effects Editor
Jon Title
Sound Effects Editor
Peter Zinda
Sound Effects Editor
Cary Butler
Sound Effects Editor

Supervising Sound Editor

Photo Bruce Howell #34648Photo Bruce Howell #34649
Bruce Howell
Supervising Sound Editor

Still Photographer

Melinda Sue Gordon
Still Photographer

Sound Mixer

Walter Anderson
Sound Mixer
Walter Hoylman
Sound Mixer

Animation

Chris 'Crispy' Brion
Animation
Daniel Lindsey
Animation
J.J. Franzen
Animation

Screenplay

Pam Brady

Pam Brady
Screenplay

Foley Artist

Robin Harlan
Foley Artist
Sarah Monat
Foley Artist

Dialogue Editor

Lydia Quidilla
Dialogue Editor

Assistant Editor

Kris Cole
Assistant Editor

Foley Editor

Scott Curtis
Foley Editor
Fred Burke
Foley Editor
Jeremy Pitts
Foley Editor

Foley Supervisor

Thomas W. Small
Foley Supervisor

Foley Mixer

Randy Singer
Foley Mixer

Sculptor

Craig Abele
Sculptor
Fred Arbegast
Sculptor

Music Editor

Nic Ratner
Music Editor
Richard Whitfield
Music Editor
Joe Lisanti
Music Editor
Stephanie Lowry
Music Editor

ADR Mixer

Robert Deschaine
ADR Mixer

Other

Photo Cameron Baity #73419
Cameron Baity
Other

Post Production Supervisor

Kiki Morris
Post Production Supervisor

Researcher

Joel Thingvall
Researcher

Unit Publicist

Patricia Story
Unit Publicist

ADR Editor

Robert Ulrich
ADR Editor

ADR Voice Casting

Photo Barbara Harris #1681

Barbara Harris

Barbara Harris
ADR Voice Casting

Assistant Sound Editor

Carmen Flores De Tanis
Assistant Sound Editor

Second Unit

Photo Matt Stone #34642Photo Matt Stone #34643

Matt Stone

Matt Stone
Second Unit

Supervising Sound Effects Editor

Beth Sterner
Supervising Sound Effects Editor

Additional Sound Re-Recording Mixer

Myron Nettinga
Additional Sound Re-Recording Mixer

What's left behind the scenes

  • The first promotional video was shown at a comedy forum held in San Diego in 2004. The video began with the following slogan: "Alec Baldwin, George Clooney, Janine Garofalo, Susan Sarandon, Tim Robbins, Sean Penn, Michael Moore, George Bush, John Kerry… they will all hate this movie!". The advertising teaser, intended for cinema release, included even more celebrity names.
  • The idea for the film came in 2003 when Matt Stone and Trey Parker were watching some episodes of the television series "Thunderbirds" (1964). Until that point, Trey Parker had not seen a single episode of the show and was quite intrigued after watching it. It was at that moment that the two decided to make an action film with puppets as the main actors. "We have to make a film that will outdo all of Bruckheimer's stuff in scope" (Jerry Bruckheimer is one of Hollywood's most famous producers, known for his spectacular blockbusters).
  • Before Parker and Stone agreed on the film's plot, one idea was to create a puppet version of the disaster film "The Day After Tomorrow" (2004). The main reason this idea was not realized was the problem of acquiring the rights to use the plot devices and characters.
  • Due to puppet sexual intercourse, the film received an NC-17 rating. The scene was edited nine times until the film finally received an R rating, which is what the creators were hoping for.
  • All the puppets used in the film have bodies of two types (male and female), the differences relating only to the head. The creators made only one exception for Kim Jong-il, to make him appear smaller than the other characters.
  • A real actor, subjected to an onslaught from the makeup artists, played the statue in Kim Chen Ir’s palace. In the very first scene involving the statue, you can notice the eyelashes blinking.
  • Each doll’s head contained around 9 devices that allowed control over the characters’ emotions and facial expressions.
  • The objects and accessories located in the rooms were created life-size, as if reminding viewers of the dolls’ tiny size.
  • During the scene depicting the destruction of several countries, the creators of the film also show the USA. Interestingly, one of the cinemas shows films released simultaneously with “Team America: World Police”: “Heartbreakers” and “Seed of Chucky”.
  • Initially, Matt Damon was supposed to appear as an intelligent young man who clearly expresses his thoughts, but the costume designers working on creating Matt’s puppet failed, and the doll of the actor turned out with a rather sour expression. However, they decided not to change anything, and Matt Damon (or rather, the puppet portraying him) appeared before the audience in such a sluggish and listless manner.
  • Bill Pope agreed to be the cinematographer of the film to experience something long forgotten. Recently, Bill has worked on films ("The Matrix," "Spider-Man") where most of the material had to be shot against a blue or green screen.
  • Dmitry Puchkov, well-known to the Russian film audience under the nickname Goblin, was invited to participate in the film's voiceover for the first time.
  • The scene in the Egyptian bar parodies a similar scene in the infamous location of Tatooine in the "Star Wars" episode "A New Hope." In particular, the "Derka Derk (The Terrorist Theme)" playing there parodies the music from "Star Wars"; also in the background you can see dolls resembling Han Solo and Greedo.
  • On the world map displayed by the supercomputer, there is no border between Egypt and Sudan.
  • DVDA’s song “Montage,” which plays during Gary Spottswood’s preparation, previously appeared in a different version in the “Aspen” episode of "South Park."
  • In the DVD commentary, the filmmakers stated that they tried to make all the plants shown in the film resemble marijuana leaves.
  • The transformation of the car from ordinary to jet-powered on the streets of New York parodies similar scenes in the films "Men in Black" and "Men in Black II".
  • North Korean slogans in Kim Jong-il's palace are written according to the rules of South Korean orthography.
  • The film ranks 19th in Quentin Tarantino's list of the twenty best films since 1992.
  • Due to the dolls' sexual intercourse, the film received an NC-17 rating. The scene was edited nine times until the film finally received an R rating, which is what the creators had hoped for.
  • All the dolls used in the film have bodies of two types (male and female), with differences only in the heads. The creators made only one exception for Kim Jong-il, to make him appear smaller than the other characters.
  • A real actor, subjected to a makeup attack, played the statue in Kim Jong-il's palace. In the very first scene with the statue, you can notice the movement of the eyelashes when blinking.
Did you like the film?

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