Casino - crew, film crew
The entire team, the film crew of the film "Casino"
Casino (1995)
Timing:
2:59 (179 min)
7.993/10
6469
6469
0/10
21
21
0/10
0
0
Film crew
Director
Producer
Barbara De Fina
Producer
Casting
Ellen Lewis
Casting
Editor
Additional Second Assistant Director
Darin Rivetti
Additional Second Assistant Director
Art Direction
Jack G. Taylor Jr.
Art Direction
Costume Design
Rita Ryack
Costume Design
John Dunn
Costume Design
Stunts
Richard E. Butler
Stunts
Dan Bradley
Stunts
Mike Gunther
Stunts
Mario Roberts
Stunts
Max Daniels
Stunts
Jack Verbois
Stunts
Daniel W. Barringer
Stunts
Jim Wilkey
Stunts
J. Mark Donaldson
Stunts
Dick Hancock
Stunts
Eliza Coleman
Stunts
Richard L. Blackwell
Stunts
Peter McKernan
Stunts
John Polce
Stunts
Greg Anderson
Stunts
Gary Guercio
Stunts
Dana Kristen Vahle
Stunts
Rick Sawaya
Stunts
Bob Marrocco
Stunts
Bob Elmore
Stunts
John D. Sarviss
Stunts
Paul Sklar
Stunts
Billy Judkins
Stunts
Production Design
Stunt Coordinator
Daniel W. Barringer
Stunt Coordinator
Second Unit Director
Phil Marco
Second Unit Director
Set Decoration
Rick Simpson
Set Decoration
Makeup Artist
Tricia Sawyer
Makeup Artist
Key Makeup Artist
Jo-Anne Smith-Ojeil
Key Makeup Artist
Sound Re-Recording Mixer
Tom Fleischman
Sound Re-Recording Mixer
Unit Production Manager
Georgia Kacandes
Unit Production Manager
Associate Producer
Joseph P. Reidy
Associate Producer
Set Dresser
David Snodgrass
Set Dresser
John A. Scott III
Set Dresser
Seyton Pooley
Set Dresser
Angel Orona Moreno
Set Dresser
Omar Abderrahman
Set Dresser
Second Assistant Director
Scott Harris
Second Assistant Director
Stunt Double
Eddie Matthews
Stunt Double
Director of Photography
Camera Operator
Daniel C. Gold
Camera Operator
M. Todd Henry
Camera Operator
Steadicam Operator
Garrett Brown
Steadicam Operator
Costume Supervisor
Nancy McArdle
Costume Supervisor
Key Costumer
Danna Edwards
Key Costumer
Property Master
Visual Effects Supervisor
Craig Barron
Visual Effects Supervisor
Supervising Sound Editor
Skip Lievsay
Supervising Sound Editor
Script Supervisor
Karen Golden
Script Supervisor
Electrician
Reynaldo Barrera
Electrician
Set Costumer
Jon Boyden
Set Costumer
Supervising ADR Editor
Lee Lemont
Supervising ADR Editor
Supervising Dialogue Editor
Fred Rosenberg
Supervising Dialogue Editor
Hairstylist
Ilona Herman
Hairstylist
Mona Orr
Hairstylist
Special Effects Coordinator
Paul J. Lombardi
Special Effects Coordinator
Still Photographer
Phillip V. Caruso
Still Photographer
Associate Editor
James Y. Kwei
Associate Editor
Sound Mixer
Charles M. Wilborn
Sound Mixer
First Assistant Director
Joseph P. Reidy
First Assistant Director
Assistant Costume Designer
Maggie Morgan
Assistant Costume Designer
Driver
Glenn E. Anderson
Driver
Boom Operator
Christopher Ramsey
Boom Operator
Screenplay
Novel
Set Designer
Daniel Ross
Set Designer
Steven Schwartz
Set Designer
Additional Editor
Pasquale Buba
Additional Editor
Foley Artist
Marko Costanzo
Foley Artist
Construction Coordinator
Rodney Armanino
Construction Coordinator
Art Department Coordinator
A. Todd Holland
Art Department Coordinator
Dialogue Editor
Dan Korintus
Dialogue Editor
Assistant Editor
Scott Brock
Assistant Editor
Best Boy Grip
Foley Editor
Kam Chan
Foley Editor
Steven Visscher
Foley Editor
Frank Kern
Foley Editor
Props
John Duncan
Props
Transportation Coordinator
Dan Anglin
Transportation Coordinator
Key Grip
Chris Centrella
Key Grip
Location Manager
Michael J. Burmeister
Location Manager
Grip
Bill Blaydes
Grip
Dolly Grip
David L. Merrill
Dolly Grip
Assistant Property Master
Gary F. Kieldrup
Assistant Property Master
Cathy Scorsese
Assistant Property Master
Key Hair Stylist
Peter Tothpal
Key Hair Stylist
Leadman
Mike Higelmire
Leadman
Key Rigging Grip
Michael A. Mendez
Key Rigging Grip
Assistant Location Manager
Ralph Coleman
Assistant Location Manager
Location Assistant
Maggie Mancuso
Location Assistant
Second Second Assistant Director
Michael Greenwood
Second Second Assistant Director
Construction Foreman
Alan Allinger
Construction Foreman
Special Effects
Terry Erickson
Special Effects
Casting Assistant
Heather McCurdy
Casting Assistant
Foley Supervisor
Bruce Pross
Foley Supervisor
Special Effects Technician
Scott Garcia
Special Effects Technician
Hair Designer
Paul LeBlanc
Hair Designer
Makeup Designer
Tricia Sawyer
Makeup Designer
Special Effects Makeup Artist
Ken Diaz
Special Effects Makeup Artist
Production Accountant
Dixie D. Walker
Production Accountant
Casting Associate
Ray Favero
Casting Associate
Sculptor
Evan Campbell
Sculptor
Gaffer
Ian Kincaid
Gaffer
Music
Music Editor
Bobby Mackston
Music Editor
Makeup & Hair
James Sarzotti
Makeup & Hair
Ilona Herman
Makeup & Hair
Second Unit Director of Photography
Philip C. Pfeiffer
Second Unit Director of Photography
Newton Thomas Sigel
Second Unit Director of Photography
First Assistant Camera
Jerry Lane
First Assistant Camera
Special Effects Assistant
Robert G. Willard
Special Effects Assistant
Chuck E. Stewart
Special Effects Assistant
Parry Willard
Special Effects Assistant
Standby Painter
Bill Darrow
Standby Painter
Colorist
John Gardiner
Colorist
Post Production Supervisor
Bradley M. Goodman
Post Production Supervisor
Stand In
Rosie Heeter
Stand In
Production Assistant
Howard Carey
Production Assistant
Unit Publicist
Dianne E. Collins
Unit Publicist
Production Coordinator
Kathleen M. Courtney
Production Coordinator
Production Secretary
Braden Kuhlman
Production Secretary
Post Production Accountant
Nadine F. Wilson
Post Production Accountant
ADR Editor
Annette Kudrak
ADR Editor
Rigging Gaffer
Victor Svimonoff
Rigging Gaffer
Best Boy Electric
Mark Hadland
Best Boy Electric
Picture Car Coordinator
Joshua Hancock
Picture Car Coordinator
Assistant Accountant
Kelli Gillam
Assistant Accountant
Camera Loader
Steve Craft
Camera Loader
Assistant Production Coordinator
Nicole Kwak
Assistant Production Coordinator
Generator Operator
David Teasley
Generator Operator
Second Assistant Camera
Todd McMullen
Second Assistant Camera
Assistant Sound Editor
Chris Fielder
Assistant Sound Editor
Executive In Charge Of Production
Krystyna Demkowicz
Executive In Charge Of Production
Transportation Captain
Ardie McLaughlin
Transportation Captain
Title Designer
Sound Editor
Eugene Gearty
Sound Editor
Glenfield Payne
Sound Editor
Lewis Goldstein
Sound Editor
ADR Engineer
David Boulton
ADR Engineer
Color Timer
Bob Kaiser
Color Timer
Craft Service
Brett Kramer
Craft Service
Negative Cutter
Mo Henry
Negative Cutter
Music Consultant
Aerial Coordinator
Peter McKernan
Aerial Coordinator
Executive Visual Effects Producer
Mark Franco
Executive Visual Effects Producer
3D Modeller
Ben Barron
3D Modeller
Apprentice Sound Editor
Sean Huff
Apprentice Sound Editor
Additional Sound Re-Recording Mixer
Reilly Steele
Additional Sound Re-Recording Mixer
Projection
Paul Mayer
Projection
Set Dressing Artist
Omar Abderrahman
Set Dressing Artist
Transportation Co-Captain
Buddy Hunter
Transportation Co-Captain
Technical Advisor
What's left behind the scenes
- The prototype for Nicky Santoro (Joe Pesci) was Anthony “Tony Ant” Spilotro, an enforcer for the Chicago Outfit, who was murdered on the orders of his bosses in 1986.
- Robert De Niro's character had a real-life prototype in Frank “Lefty” Rosenthal, who managed the Stardust, Fremont, and Hacienda casinos from the 1970s to the early 1980s.
- The word “fuck” and its derivatives are used 422 times in the film – an average of approximately 2.4 times per minute.
- Filming took place in one of the oldest operating hotel-casinos in Las Vegas, the Riviera, which was chosen due to the establishment’s neutral thematic atmosphere.
- A significant portion of the conversations between Robert De Niro and Sharon Stone were improvisations. Director Martin Scorsese simply told them where to start and how to finish, leaving everything else to the actors' discretion.
- The costumes in the film cost $1 million. Robert De Niro appeared in 70 different costumes, and Sharon Stone in 40. All the costumes went to the actors after filming.
- When James Woods heard about Martin Scorsese wanting to work with him, he immediately called Scorsese's office and left a message: “Anytime, anywhere, any role, and for any money.”
- According to the producers, one of the most difficult aspects of working on the film was finding people who would agree to talk about the methods of cheating casinos.
- According to Sharon Stone, the first two times she was called for an audition with Martin Scorsese ended in nothing for various minor reasons (the auditions didn't even take place because, for example, Scorsese was in a business meeting). The actress became overly nervous and impulsively decided that the director was rejecting her. When she was contacted about a third audition, Stone refused and went to a restaurant with a friend. Scorsese tracked her down directly at the restaurant to clear up the misunderstanding and personally asked her to come to the audition.
- According to Martin Scorsese, he specifically included one particularly brutal scene (featuring a head in a vice) in the film, anticipating that the American Film Association (the organization that assigns film ratings) would insist on its removal, and might overlook other scenes of violence. When representatives of the American Film Association didn't comment on the scene during the screening, Scorsese slightly edited it and left it in the film.
- The relevant scenes were filmed on the premises of the Riviera casino between 1:00 AM and 4:00 AM to avoid disturbing the players. The casino management didn't want the filming to interfere with the gambling business, but in turn used the fact of the filming to attract new visitors, displaying, for example, a huge banner on the building's facade that read, "Robert De Niro, Sharon Stone, and Joe Pesci – filming of the new movie 'Casino' is underway!"
- Sharon Stone was filming in this movie while still recovering from an old injury sustained on set and suffering from back pain, and one of the dresses her character had to wear weighed 20 kg.
- The scenes in which an emissary from the bosses enters a private room to count money and takes cash "for the bosses" were not filmed in the corresponding room at the Riviera casino. The film crew was simply not allowed access, and these episodes had to be filmed on specially constructed sets.
- At the 133rd minute of the film, Sam asks his wife where she was, and she replies that she was at the Riviera (the same casino where the film was shot).
- When the character played by Joe Pesci was thrown into a pit dug in the ground, the actor broke the same rib he had broken while filming the drama "Raging Bull" (Martin Scorsese, 1980).
- The scene with the “head in a vise” was taken from the book “Casino,” which had nothing to do with the film. The plot revolves around hitman Tony Spilotro interrogating street gangster Billy McCarthy, who killed the Scalvo brothers without the permission of leadership – two high-ranking mafia members from the organization to which Spilotro himself belonged. While trying to extract the name of an accomplice from McCarthy, Spilotro first beat the gangster, then struck him in the genital area with an ice pick, after which he clamped his head in a vise and squeezed it to 12 cm. McCarthy continued to remain silent, not revealing his associate Jimmy Miraglia, and Spilotro increased the pressure to the point where McCarthy’s eyes literally bulged from his head. Surprisingly, he was still alive, and Spilotro killed him by pouring lighter fluid on him and holding an open flame to it. Later, Spilotro paid tribute to McCarthy, saying he was the toughest guy he, Spilotro, had ever met. (And Miraglia was eventually killed as well, and his corpse was stuffed into the trunk of a car next to McCarthy's.)
- The character of Robert De Niro was based on the real-life figure of Frank "Lefty" Rosenthal, who managed the "Stardust," "Fremont," and "Hacienda" casinos from the 1970s to the early 1980s.
- When James Woods learned that Martin Scorsese wanted to work with him, he immediately called Scorsese's office and left a message: "Anytime, anywhere, any role, and for any money."
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