Solaris - crew, film crew
The entire team, the film crew of the film "Solaris"
Солярис (1972)
Timing:
2:47 (167 min)
7.779/10
1783
1783
8.006/10
142257
142257
7.9/10
105000
105000
Film crew
Director
Producer
Viacheslav Tarasov
Producer
Executive Producer
Viacheslav Tarasov
Executive Producer
Editor
Lyudmila Feiginova
Editor
Nina Marcus
Editor
Costume Design
Nelli Fomina
Costume Design
Production Design
Mikhail Romadin
Production Design
Set Decoration
S. Gavrilov
Set Decoration
V. Prokofev
Set Decoration
Makeup Artist
Vera Rudina
Makeup Artist
Original Music Composer
Director of Photography
Vadim Yusov
Director of Photography
Camera Operator
Evgeniy Shvedov
Camera Operator
Still Photographer
Vadim Murashko
Still Photographer
First Assistant Director
Yuriy Kushneryov
First Assistant Director
Chief Lighting Technician
E. Paramanov
Chief Lighting Technician
Screenplay
Fridrikh Gorenshteyn
Screenplay
Novel
Set Designer
Svyatoslav Gavrilov
Set Designer
V. Prokofev
Set Designer
Sound Designer
Semyon Litvinov
Sound Designer
Lighting Technician
E. Paramanov
Lighting Technician
Special Effects
A. Klimenko
Special Effects
Assistant Director
Mariya Chugunova
Assistant Director
Arnold Ides
Assistant Director
Makeup & Hair
Vera Rudina
Makeup & Hair
Script Consultant
Lev Lupichev
Script Consultant
Iosif Shklovskiy
Script Consultant
VFX Supervisor
A. Klimenko
VFX Supervisor
Sound Director
Semyon Litvinov
Sound Director
First Assistant Art Direction
Paolo Rocco Innamorato
First Assistant Art Direction
Assistant Camera
Vladimir Shmyga
Assistant Camera
Yuriy Nevskiy
Assistant Camera
VFX Director of Photography
V. Sevostyanov
VFX Director of Photography
Script Editor
N. Boyarova
Script Editor
L. Lazarev
Script Editor
First Assistant Director Trainee
N. Mann
First Assistant Director Trainee
What's left behind the scenes
- The film is based on Stanislaw Lem's novel "Solaris" (1961).
- The scene where Burton drives through endless tunnels and interchanges was filmed in Tokyo.
- The film's scenes were not shot in order. That's why Chris is wearing a t-shirt in one shot and pajamas in the next. Tarkovsky noticed this, but it was too late to reshoot, so he waved it off: "It's science fiction, after all. Let everyone think that's how it should be!"
- Both the book and the film itself became the cause of several arguments between writer Lem and director Tarkovsky. In particular, the writer claimed that the director had filmed not "Solaris" at all, but "Crime and Punishment."
- At one point, Tarkovsky wanted to cast Swedish actress Bibi Andersson as Hari. She even agreed to appear for free, but bureaucratic delays prevented it.
- The scene in the mirrored room was filmed but did not make the final cut; the director removed it from the film. Now, fans of Tarkovsky attribute this mysterious decision to the machinations of censorship. In reality, censorship and editing were not the concern with this scene, and the director’s motives were internal. It is known that he repeatedly objected to elements in films that seemed to him “too beautiful.”
- The weightlessness scene was filmed using two camera cranes, one of which held the camera and the other held the actors.
- For the role of Hari, Andrei Tarkovsky wanted to cast Alla Demidova, but he was forbidden from doing so because Demidova was on a “blacklist” due to her having, according to the press, “overplayed Lenin” in her previous work, Yuli Karasik’s film *The Sixth of July*.
- In the scene where Chris meets his mother, Soviet money is lying on the chair. For example, a commemorative ruble “In Honor of the 100th Anniversary of the Birth of V.I. Lenin” from 1970 and a 3-ruble paper banknote from 1961.
- When Chris views a message from Dr. Gibarian, the filming crew is reflected in the monitor.
- The film is based on Stanislaw Lem’s novel “Solaris” (1961).
- The scenes of the film were not shot in order. Therefore, it turned out that Chris is wearing a t-shirt in one shot and pajamas in the next. Tarkovsky noticed this, but it was too late to reshoot, so he waved it off: “It’s science fiction, after all. Let everyone think that’s how it should be!”
- Andrei Tarkovsky wanted to cast Alla Demidova in the role of Hari, but he was forbidden to do so, as Demidova was on “blacklists” because, in her previous work, Yuli Karasik’s film “The Sixth of July,” she had, as the press wrote, “overplayed Lenin.”
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