The Matrix Revolutions - crew, film crew
The entire team, the film crew of the film "The Matrix Revolutions"
The Matrix Revolutions (2003)
Timing:
2:9 (129 min)
6.749/10
10704
10704
7.634/10
249720
249720
6.7/10
573000
573000
Film crew
Director
Producer
Executive Producer
Andrew Mason
Executive Producer
Writer
Casting
Shauna Wolifson
Casting
Editor
Zach Staenberg
Editor
Special Effects Supervisor
Steve Courtley
Special Effects Supervisor
Art Direction
Jules Cook
Art Direction
Catherine Mansill
Art Direction
Charlie Revai
Art Direction
Supervising Art Director
Hugh Bateup
Supervising Art Director
Costume Design
Stunts
Ousaun Elam
Stunts
Glenn Boswell
Stunts
Ray Anthony
Stunts
Scott McLean
Stunts
Danielle Burgio
Stunts
Mick Roughan
Stunts
Chris Mitchell
Stunts
Danial Donai
Stunts
Chris O'Hara
Stunts
Marky Lee Campbell
Stunts
Harry Dakanalis
Stunts
Alex Kuzelicki
Stunts
Min Windle
Stunts
Graham Jahne
Stunts
Warwick Sadler
Stunts
Darko Tuscan
Stunts
Yasca Sinigaglia
Stunts
Gillian Statham
Stunts
Lou Horvath
Stunts
Bernadette Van Gyen
Stunts
Brit Sooby
Stunts
Raelene Chapman
Stunts
Bob Bowles
Stunts
Peter Jeremijenko
Stunts
Aaron Walters
Stunts
Keir Beck
Stunts
Melanie Peyton-Smith
Stunts
Production Design
Owen Paterson
Production Design
Stunt Coordinator
Glenn Boswell
Stunt Coordinator
Dion Lam Dik-On
Stunt Coordinator
Second Unit Director
Set Decoration
Brian Dusting
Set Decoration
Makeup Artist
Margaret Aston
Makeup Artist
Tina Gordon
Makeup Artist
Key Makeup Artist
Maggie Fung
Key Makeup Artist
Deborah Taylor
Key Makeup Artist
Sound Re-Recording Mixer
David E. Campbell
Sound Re-Recording Mixer
Gregg Rudloff
Sound Re-Recording Mixer
John T. Reitz
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
L. Dean Jones Jr.
Unit Production Manager
Production Supervisor
Gerald Scaife
Production Supervisor
Amanda Crittenden
Production Supervisor
Associate Producer
Steve Richards
Associate Producer
Vicki Popplewell
Associate Producer
Second Assistant Director
Claire Richardson
Second Assistant Director
Stunt Double
Fight Choreographer
Director of Photography
Pilot
Steadicam Operator
Andrew Rowlands
Steadicam Operator
Costume Supervisor
Dan Bronson
Costume Supervisor
Makeup Department Head
Sound Effects Editor
Richard Adrian
Sound Effects Editor
Paul Berolzheimer
Sound Effects Editor
Michael W. Mitchell
Sound Effects Editor
Mark Larry
Sound Effects Editor
Michael Edward Johnson
Sound Effects Editor
Andrew Lackey
Sound Effects Editor
Assistant Art Director
Michael Turner
Assistant Art Director
Damien Drew
Assistant Art Director
Karen Murphy
Assistant Art Director
Cindi Knapton
Assistant Art Director
Visual Effects Supervisor
John Gaeta
Visual Effects Supervisor
John 'D.J.' Des Jardin
Visual Effects Supervisor
Dan Glass
Visual Effects Supervisor
Supervising Sound Editor
Dane A. Davis
Supervising Sound Editor
Julia Evershade
Supervising Sound Editor
Script Supervisor
Victoria Sullivan
Script Supervisor
Hair Department Head
Judith A. Cory
Hair Department Head
Electrician
Mark Watson
Electrician
Supervising Dialogue Editor
Stephanie Flack
Supervising Dialogue Editor
Lead Animator
Keith W. Smith
Lead Animator
Visual Effects Producer
Terry Clotiaux
Visual Effects Producer
John Clinton
Visual Effects Producer
Armorer
John Bowring
Armorer
Peter Cogar
Armorer
First Assistant Director
Animation
Chuck Duke
Animation
Boom Operator
Gerry Nucifora
Boom Operator
Screenplay
Set Designer
Philip Thomas
Set Designer
Christian Huband
Set Designer
Godric Cole
Set Designer
Foley Artist
Alyson Dee Moore
Foley Artist
Sound Designer
Dane A. Davis
Sound Designer
Richard Adrian
Sound Designer
First Assistant Sound Editor
Nancy Barker
First Assistant Sound Editor
Best Boy Grip
Jay Munro
Best Boy Grip
Key Grip
Ian Bird
Key Grip
Location Manager
Peter Lawless
Location Manager
Grip
Martin Fargher
Grip
John Regan
Grip
Dolly Grip
Michael Vivian
Dolly Grip
Aron Walker
Dolly Grip
Construction Foreman
Ian Bickerton
Construction Foreman
Special Effects
Steve Courtley
Special Effects
Characters
Foley Mixer
Mary Jo Lang
Foley Mixer
Sculptor
Belinda Villani
Sculptor
Gaffer
Reg Garside
Gaffer
Assistant Director
Music Editor
Zigmund Gron
Music Editor
Joe E. Rand
Music Editor
ADR Mixer
Thomas J. O'Connell
ADR Mixer
Additional Still Photographer
Melinda Sue Gordon
Additional Still Photographer
ADR Recordist
Rick Canelli
ADR Recordist
Second Unit Director of Photography
Storyboard Artist
Philip Keller
Storyboard Artist
Concept Artist
Simon Murton
Concept Artist
Darek Gogol
Concept Artist
Marc Gabbana
Concept Artist
Post Production Supervisor
Jessica Alan
Post Production Supervisor
Unit Publicist
Fiona Searson
Unit Publicist
Production Coordinator
Jacqueline King
Production Coordinator
Scoring Mixer
Armin Steiner
Scoring Mixer
Visual Effects Coordinator
Brice R. Parker
Visual Effects Coordinator
Visual Effects Editor
Jody Rogers
Visual Effects Editor
Visual Effects
Deb Asch
Visual Effects
Simon Brown
Visual Effects
ADR Editor
Stephanie Brown
ADR Editor
Stephanie Brown
ADR Editor
ADR Voice Casting
Conceptual Design
Geofrey Darrow
Conceptual Design
Sound Recordist
David Lee
Sound Recordist
Assistant Sound Editor
Nathan Whitehead
Assistant Sound Editor
Paul Hackner
Assistant Sound Editor
Eryne Prine
Assistant Sound Editor
Dialect Coach
Susan Hegarty
Dialect Coach
Suzanne Celeste
Dialect Coach
Visual Effects Art Director
Second Unit First Assistant Director
Toby Pease
Second Unit First Assistant Director
Foley Recordist
Scott Morgan
Foley Recordist
Visual Effects Assistant Editor
Extras Casting Assistant
Henrie Stride
Extras Casting Assistant
Visual Effects Designer
Simon Whiteley
Visual Effects Designer
Additional Sound Re-Recording Mixer
Steve Pederson
Additional Sound Re-Recording Mixer
Makeup Effects
Steven Boyle
Makeup Effects
Sound Effects Designer
Andrew Lackey
Sound Effects Designer
What's left behind the scenes
- The film premiered simultaneously in the world's largest cities: November 5th at 6:00 PM in Los Angeles (local time), 9:00 PM in New York, 2:00 PM in London, 5:00 PM in Moscow, 11:00 PM in Tokyo, 1:00 AM in Sydney, as well as in 50 other countries around the world.
- The special effects team took two months to develop machines to simulate perfectly straight falling raindrops.
- The creators were inspired by the final fight in "Run Lola Run" (1999) for the final showdown between Smith and Neo.
- The Oracle smokes "Double Destiny" cigarettes.
- The ship referred to as "The Hammer" is actually named "Mjolnir," after Thor's hammer (the god of thunder, storms, and fertility in Germanic-Scandinavian mythology).
- Ian Bliss was partially cast in the film due to his physical resemblance to Hugo Weaving.
- The film contains 804 scenes with special effects.
- The name of the station between the Machine World and the Matrix is Mobil Ave. Mobil is an anagram of Limbo, which translates to purgatory, a place between Heaven and Hell.
- The name of the musical theme for the final battle between Neo and Smith – “Neodämmerung” – comes from the German word “Gotterdämmerung” (literally “twilight of the gods”). This is also the name of a part of Wagner's opera “The Ring of the Nibelung.” “Gotterdämmerung” dealt with the final battle between the gods, which led to their destruction. Knowing what would happen, the gods fought for the survival of humanity. The name of the music theme not only fits the plot of the scene, but also emphasizes the influence of Wagner's music on the recording of the film's soundtrack.
- Filming of “The Matrix Reloaded” (2003) and “The Matrix Revolutions” (2003) began simultaneously in Oakland and San Francisco in late March 2001. The actual filming schedule was 250 days.
- The street where Neo and Smith fight in the climax of the film is the same street from which Neo called at the end of “The Matrix” (1999).
- When Neo goes to the Oracle, “I'm Beginning to See the Light” plays in the background; the same composition, in a different version, plays in a similar scene in “The Matrix” (1999).
- When Trinity is pursuing the Merovingian, you can notice an advertisement for “Powerade”. When “The Matrix Reloaded” appeared in theaters, “Powerade” commercials in the style of “The Matrix” were released in the USA.
- The black cat at the end of the film is the same cat from the déjà vu scene in “The Matrix” (1999).
- During the final battle between Neo and Smith and during the end credits, a Sanskrit shloka in a European style is repeated: “Asatoma Sat Gamaya, Tamasoma Jyotir Gamaya, Mrityorma Anritam Gamaya,” which literally translates to: “Lead me from unreal to real, lead me from darkness to light, lead me from temporal to eternity.”
- In the final scene of the film, the viewer sees green colors and a blue sky inside the Matrix for the first time throughout the trilogy.
- Many of the “rain drops” in the final fight between Neo and Smith are actually single-line matrix code, similar to what the characters see on computer screens when observing the Matrix. This effect was specifically added to show that the Matrix was beginning to destabilize. The effect is very noticeable on large cinema screens, but it can also be seen on home televisions: during close-ups, pay attention to the drops “jumping” like electrostatic interference.
- Gloria Foster, who played the role of the Oracle in the first two installments, died before she could reprise her role in the third film, and was replaced by Mary Alice. The filmmakers added a plot point to account for the character's change in appearance, and also admitted that, coincidentally, one version of the script had the Oracle changing appearance anyway.
- At the 53-minute mark, when Bane holds a knife to Trinity's throat, the blood trail on her neck appears and disappears.
- The creators were inspired by the final fight in «The Hidden» (1999) for the final showdown between Smith and Neo.
- At the 12th minute of the film, when the Conductor jumps onto the opposite platform just before the train arrives, you can notice that Seraph, Trinity, and Morpheus, who are chasing him, disappear from the platform.
- At the 14th minute of the film, when the Merovingian hits Neo and throws him into the wall, you can notice that a stunt double takes the hit instead of Keanu Reeves.
- At the 18th minute of the film, Trinity knocks one of the Merovingian's henchmen into the wall. After the impact, only the henchman's legs are visible, but when Trinity, Morpheus, and Seraph walk by him in the next shot, not only his legs but also his head and arms are visible through the hole in the wall.
- At the 19th minute of the film, there is one olive skewered on the skewer in the Merovingian's hand. When the Merovingian eats the olive from the skewer in one of the following scenes, a second fruit is already next to it.
- At the 23rd minute of the film, Seraph knocks out one of the Merovingian's henchmen. After a cut, when Trinity is waiting for the pistol flying through the air, the henchman's body lies next to the table. In the next scene, when the fight stops, from a top angle, you can notice that the club visitor's body is lying in a different position.
- At the 25th minute of the film, when Trinity exits the train car and runs to Neo, you can notice that the suitcase previously left by Rama-Kandra is not on the platform, and the debris from the destroyed wall opposite, into which Neo was thrown, is also missing.
- At the 27th minute of the film, Pythia sits down at a table and puts on a bracelet. A few seconds later, after a cut, she puts the bracelet on again.
- At the 33rd minute of the film, Seraph attempts to open a door while standing in a dark corridor. When he breaks down the door and enters the room, it can be noticed that lighting has appeared in the corridor behind him.
- When Zi inserts a projectile into the right barrel of the launcher held by her partner at the 69th minute of the film, a green chroma key can be seen appearing in front of the moving projectile.
- The name of the station between the Machine World and the Matrix is Mobil Ave. Mobil is an anagram of Limbo, which translates to purgatory, a place between Heaven and Hell.
- The title of the musical theme for the final battle between Neo and Smith – “Neodämmerung” – comes from the German word “Gotterdämmerung” (literally “twilight of the gods”). This is also the name of a part of Wagner’s opera “The Ring of the Nibelung.” “Gotterdämmerung” dealt with the final battle between the gods, which led to their destruction. Knowing what would happen, the gods fought for the survival of humanity. The musical theme’s title not only fits the plot of the scene but also emphasizes the influence of Wagner’s music on the film’s soundtrack recording.
- Many of the “raindrops” in the final battle between Neo and Smith are actually single-line matrix code, similar to what the characters see on computer screens when observing the Matrix. This effect was specifically added to show that the Matrix was beginning to destabilize. The effect is very noticeable on large cinema screens, but it can also be seen on home televisions: during close-ups, pay attention to the drops “jumping” like electrostatic interference.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
