The Witches of Eastwick - crew, film crew
The entire team, the film crew of the film "The Witches of Eastwick"
The Witches of Eastwick (1987)
Timing:
1:58 (118 min)
6.55/10
1560
1560
7.265/10
42400
42400
6.6/10
84000
84000
Film crew
Director
Producer
Neil Canton
Producer
Peter Guber
Producer
Jon Peters
Producer
Christine Forsyth-Peters
Producer
Executive Producer
Don Devlin
Executive Producer
Casting
Wallis Nicita
Casting
Editor
Hubert C. de la Bouillerie
Editor
Special Effects Supervisor
Michael Lantieri
Special Effects Supervisor
Art Direction
Mark W. Mansbridge
Art Direction
Costume Design
Stunts
Christine Anne Baur
Stunts
Paula Moody
Stunts
Spike Silver
Stunts
Production Design
Stunt Coordinator
Alan Gibbs
Stunt Coordinator
Set Decoration
Joe D. Mitchell
Set Decoration
Makeup Artist
Leonard Engelman
Makeup Artist
Ben Nye Jr.
Makeup Artist
Sound Re-Recording Mixer
Tom Beckert
Sound Re-Recording Mixer
Wayne Artman
Sound Re-Recording Mixer
Tom E. Dahl
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Michael S. Glick
Unit Production Manager
Orchestrator
Herbert W. Spencer
Orchestrator
Alexander Courage
Orchestrator
Second Assistant Director
Robert Yannetti
Second Assistant Director
Stunt Double
Alan Gibbs
Stunt Double
Additional Photography
John Earl Burnett
Additional Photography
Director of Photography
Pilot
Michael Peavey
Pilot
Musician
Louise Di Tullio
Musician
Vince De Rosa
Musician
James Thatcher
Musician
Tom Boyd
Musician
Sheridon Stokes
Musician
Camera Operator
Harald Ortenburger
Camera Operator
Ray De La Motte
Camera Operator
Peter Norman
Camera Operator
Randy Nolen
Camera Operator
Steadicam Operator
Larry McConkey
Steadicam Operator
Costumer
Robin Borman
Costumer
Eric H. Sandberg
Costumer
Pamela Havens
Costumer
Eddie Marks
Costumer
Costume Supervisor
Linda Henrikson
Costume Supervisor
Sound Effects Editor
Susan Dudeck
Sound Effects Editor
Bob Newlan
Sound Effects Editor
Charles Ewing Smith
Sound Effects Editor
Jerry Stanford
Sound Effects Editor
Robert Waxman
Sound Effects Editor
Property Master
Mark Wade
Property Master
Visual Effects Supervisor
Michael Owens
Visual Effects Supervisor
Supervising Sound Editor
Robert R. Rutledge
Supervising Sound Editor
Script Supervisor
Joanie Blum
Script Supervisor
Szonja Jakovits
Script Supervisor
Karen Hale Wookey
Script Supervisor
Electrician
Robert Jason
Electrician
Supervising ADR Editor
James Beshears
Supervising ADR Editor
Hairstylist
Marlene D. Williams
Hairstylist
Renate Leuschner
Hairstylist
Lynda Gurasich
Hairstylist
Still Photographer
Kerry Hayes
Still Photographer
Carol McCullough
Still Photographer
First Assistant Director
Chris Soldo
First Assistant Director
Animation
Chris R. Green
Animation
Driver
Brian Bailey
Driver
Boom Operator
Douglas J. Schulman
Boom Operator
Screenplay
Novel
Set Designer
Stan Tropp
Set Designer
Robert E. Sessa
Set Designer
First Assistant Editor
Ann Martin
First Assistant Editor
Foley Artist
Construction Coordinator
Marvin Salsberg
Construction Coordinator
Assistant Editor
Erica Flaum
Assistant Editor
First Assistant Sound Editor
George A. Martin
First Assistant Sound Editor
Best Boy Grip
Tom D. May
Best Boy Grip
Props
Chris H. Kelly
Props
Transportation Coordinator
Russell McEntyre
Transportation Coordinator
Key Grip
James M. Sheppherd
Key Grip
Location Manager
Sam Mercer
Location Manager
Grip
Michael T. Travers
Grip
Michael DiIeso
Grip
James Callanan
Grip
William M. Weberg
Grip
Dolly Grip
Joe Hicks
Dolly Grip
Assistant Property Master
Randy Gunter
Assistant Property Master
Assistant Location Manager
Carpenter
Marc Fambro
Carpenter
Special Effects
Louie Lantieri
Special Effects
Robert Spurlock
Special Effects
Donald Elliott
Special Effects
Tom Ryba
Special Effects
Becky Ochoa
Special Effects
Clay Pinney
Special Effects
Music Supervisor
Keith Holzman
Music Supervisor
Foley Supervisor
David B. Cohn
Foley Supervisor
Makeup Designer
Special Effects Makeup Artist
Production Accountant
Susan Montgomery
Production Accountant
Sculptor
Henry Alvarez
Sculptor
Gaffer
Colin J. Campbell
Gaffer
Music Editor
Kenneth Wannberg
Music Editor
Production Sound Mixer
Art Rochester
Production Sound Mixer
First Assistant Camera
Joseph E. Thibo
First Assistant Camera
Ken Nishino
First Assistant Camera
Gábor Kövér
First Assistant Camera
Conductor
Researcher
Barbara Gregson
Researcher
Production Assistant
Lori A. Balton
Production Assistant
Brina
Production Assistant
James Chressanthis
Production Assistant
Jennifer Nicholson
Production Assistant
Andy Weltman
Production Assistant
Lisa Niedenthal
Production Assistant
William Messing
Production Assistant
Robin Wilf
Production Assistant
Roberto Santana
Production Assistant
Barbara Kalish
Production Assistant
Leo Murphy
Production Assistant
Lynn O'Hare
Production Assistant
Unit Publicist
Don Levy
Unit Publicist
Production Coordinator
Paul A. Calabria
Production Coordinator
Scoring Mixer
Armin Steiner
Scoring Mixer
Scenic Artist
Paul W. Gorfine
Scenic Artist
Visual Effects Editor
Howard Stein
Visual Effects Editor
Production Secretary
Judy Proctor
Production Secretary
ADR Editor
Mary Andrews
ADR Editor
Lauren Palmer
ADR Editor
Best Boy Electric
Michael Van Woert
Best Boy Electric
Assistant Accountant
Patricia Sansone
Assistant Accountant
Second Assistant Camera
Brian W. Armstrong
Second Assistant Camera
Vincent Galindez
Second Assistant Camera
Phil Abraham
Second Assistant Camera
Visual Effects Art Director
Dave Carson
Visual Effects Art Director
Modeling
Steve Gawley
Modeling
Executive In Charge Of Production
Transportation Captain
Wayne Stone
Transportation Captain
Second Unit First Assistant Director
Lope Yap Jr.
Second Unit First Assistant Director
Title Designer
Anthony Goldschmidt
Title Designer
Sound Editor
Thomas Needell
Sound Editor
Costume Illustrator
Haleen K. Holt
Costume Illustrator
Creative Consultant
Creature Design
Tony Hudson
Creature Design
Color Timer
Bob Noland
Color Timer
Jim Passon
Color Timer
Visual Effects Assistant Editor
Timothy Eaton
Visual Effects Assistant Editor
Terrence Peck
Visual Effects Assistant Editor
Assistant Camera
John Earl Burnett
Assistant Camera
Assistant Chief Lighting Technician
Paul Jacobsen
Assistant Chief Lighting Technician
Makeup Effects
Tamara Fites
Makeup Effects
Fernando Favila
Makeup Effects
Richard White
Makeup Effects
Vincent Prentice
Makeup Effects
Henry Alvarez
Makeup Effects
Art Pimentel
Makeup Effects
Animal Wrangler
Paul Calabria
Animal Wrangler
Visual Effects Camera
Kim Marks
Visual Effects Camera
Pat Turner
Visual Effects Camera
Production Illustrator
Sherman Labby
Production Illustrator
Special Sound Effects
Craig Harris
Special Sound Effects
What's left behind the scenes
- Initially, the role of Alexandra, which ultimately went to Cher, was to be played by Susan Sarandon.
- 'The Witches of Eastwick' is a film adaptation of a work by John Updike.
- Initially, Daryl Van Horne was to be played by Bill Murray.
- Angelica Huston auditioned for the role of Alexandra.
- When the studio discussed possible ways to reduce the film's budget, George Miller offered to give up his personal trailer, arguing that the director was constantly needed on set and therefore had no need for it. The studio bosses saw this as a weakness and began to actively interfere with the director's production requests. For example, if Miller requested 50 units of some prop, the studio would provide only a dozen. If he requested two cameras, the studio would provide one. Miller decided to 'fight fire with fire' and began refusing to shoot scenes for which requests were not fully met. The studio responded by beginning a search for a new director. Jack Nicholson saved George Miller from being fired, supporting the director and publicly vowing to leave the project if Miller was replaced.
- The whistling of Daryl Van Horne in the scene at the ice cream vendor was whistled by the film's composer, John Williams, himself.
- The snake featured in one of the film's scenes is a completely harmless gray-banded kingsnake (Lampropeltis alterna), which is a common sight in Texas.
- During test screenings, audiences were so dissatisfied with the original ending of the film that several alternative endings had to be shot.
- The piece Daryl Van Horne plays on the violin is Caprice No. 16 in G minor by Niccolò Paganini.
- The line “A woman is a hole, isn’t that what they say? All the futility of the world flows into it” is a quote from the book by French philosopher Jean-Paul Sartre, *Being and Nothingness*.
- The character Walter Neff's name is a reference to the famous film noir by Billy Wilder, "Double Indemnity" (1944), where the protagonist has the same name.
- The episode in which one of the heroines falls from a balcony is a quote from Richard Donner's classic horror film "The Omen" (1976).
- Angelica Huston's transformation into the Grand Witch took 8 hours in the makeup chair.
- When the boys were turned into mice, rats and puppets were used to play their roles.
- The props department, led by Jim Henson (1936-1990), created mouse models of various sizes. Size A creatures were the size of real mice and were controlled using thin wires. Size B mice resembled large rats and were also controlled with wires. Size C mice were almost a meter tall and were operated manually. The latter were used in only a few scenes, as director Nicolas Roeg decided that it would be too difficult to combine a close-up of a person and such a mouse during editing. Roeg preferred to work with a single frame width, so smaller mouse models in reduced sets were most often used.
- The snowy landscape against which the opening credits appear was filmed in Ulvik, a center of the Hordaland commune in Norway.
- The Headland Hotel in Newquay, UK, served as the Hotel Excelsior.
- Cher, Eartha Kitt, Geneviève Bujold, Ann Bancroft, Sigourney Weaver, Linda Blair, Faye Dunaway, Susan Sarandon, Jodie Foster, Vanessa Redgrave, Frances Conroy, and Liza Minnelli were considered for the role of the Grand Witch.
- Mostly men in disguise played the witches at the gathering in the hotel.
- For the British release, a couple of scenes from the film (featuring the witch's face and Bruno's transformation into a mouse) had to be re-edited to allow the British Board of Film Classification to grant it a PG rating (all ages are admitted, but parental guidance is suggested).
- Neither the novel nor the film explains why the witches hate children so much, or why the Grand Witch intends to get rid of all the children in the country.
- In addition to a happy ending, an alternate ending more faithful to the original book was filmed. Both versions were shown to test groups. It turned out that the audience preferred the happy ending.
- "The Witches of Eastwick" is a film adaptation of a work by John Updike.
- When the studio discussed possible ways to reduce the film's budget, George Miller offered to give up his personal trailer, arguing that the director was constantly needed on set and therefore had no use for it. The studio bosses saw this as a weakness and began to actively interfere with the director's production requests. For example, if Miller requested 50 units of some props, the studio would provide only a dozen. If he requested two cameras, the studio would provide one. Miller decided to "fight fire with fire" and began refusing to shoot scenes for which requests were not fully met. The studio responded by starting to search for a new director. Jack Nicholson saved George Miller from being fired, supporting the director and publicly vowing to leave the project if Miller were replaced.
- The line, "A woman is a hole, isn't that what they say? All the emptiness of the world flows into it," is a quote from the book by French philosopher Jean-Paul Sartre, "Being and Nothingness."
- The name of the character Walter Neff is a reference to the famous film noir by Billy Wilder, "Double Indemnity" (1944), where the protagonist has the same name.
- The scene in which one of the heroines falls from the balcony is a quote from Richard Donner's classic horror film "The Omen" (1976).
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
