The Master - crew, film crew
The entire team, the film crew of the film "The Master"
The Master (2012)
Timing:
2:17 (137 min)
7.102/10
3271
3271
6.745/10
83850
83850
7.1/10
200000
200000
Film crew
Director
Producer
Executive Producer
Ted Schipper
Executive Producer
Adam Somner
Executive Producer
Writer
Casting
Cassandra Kulukundis
Casting
Editor
Leslie Jones
Editor
Peter McNulty
Editor
Costume Design
Stunts
Brian Scannell
Stunts
Zach Hudson
Stunts
Paul E. Short
Stunts
Rex Reddick
Stunts
Myke Schwartz
Stunts
Dan Brown
Stunts
Mark Aaron Wagner
Stunts
Mark Chadwick
Stunts
Tsuyoshi Abe
Stunts
Lloyd Barachina
Stunts
David Kiiskinen
Stunts
Kevin Larson
Stunts
Tim Meredith
Stunts
Production Design
David Crank
Production Design
Stunt Coordinator
Myke Schwartz
Stunt Coordinator
Set Decoration
Amy Wells
Set Decoration
Makeup Artist
Melody Levy
Makeup Artist
Andrea Pino
Makeup Artist
Key Makeup Artist
Aurora Bergere
Key Makeup Artist
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Will Weiske
Unit Production Manager
Co-Producer
Will Weiske
Co-Producer
Albert Chi
Co-Producer
Set Dresser
Louis Visco
Set Dresser
Mike Helbig
Set Dresser
Brock Helfer
Set Dresser
Gregg Szabo
Set Dresser
Stephen McCumby
Set Dresser
Bret Ross
Set Dresser
Scott M. Anderson
Set Dresser
Michael Leonard
Set Dresser
John Horning
Set Dresser
Roger Shaide
Set Dresser
Anthony Samora
Set Dresser
Second Assistant Director
Eric Richard Lasko
Second Assistant Director
Stunt Double
Director of Photography
Barry Idoine
Director of Photography
Camera Operator
Colin Anderson
Camera Operator
Costumer
Valerie White
Costumer
Myron Baker
Costumer
Branden Marks
Costumer
Andrea Cooper
Costumer
Amy Arnold
Costumer
David Perrone
Costumer
Amy Fegely
Costumer
Chris Proctor
Costumer
Noel Leonard
Costumer
Paul Black
Costumer
Steve Ferry
Costumer
Kirstin Gallo
Costumer
Costume Supervisor
Wendy M. Craig
Costume Supervisor
Makeup Department Head
Kate Biscoe
Makeup Department Head
Gigi Williams
Makeup Department Head
Key Costumer
Donna Marcione Pollack
Key Costumer
Sound Effects Editor
Assistant Art Director
Ruth de Jong
Assistant Art Director
Property Master
C.J. Maguire
Property Master
Visual Effects Supervisor
Gregory D. Liegey
Visual Effects Supervisor
Supervising Sound Editor
Script Supervisor
Jillian Giacomini
Script Supervisor
Hair Department Head
Miia Kovero
Hair Department Head
Amanda Williams
Hair Department Head
Electrician
Michael Tolochko
Electrician
Sophie Shellenberger
Electrician
Marek Bojsza
Electrician
Thomas M. Dangcil
Electrician
Michael Ryan Burns
Electrician
Hairstylist
Germicka Barclay
Hairstylist
Robert Wilson
Hairstylist
Wesley Hodge
Hairstylist
Lynn Tully
Hairstylist
Special Effects Coordinator
Michael Lantieri
Special Effects Coordinator
Still Photographer
Phil Bray
Still Photographer
Chuck Zlotnick
Still Photographer
Sound Mixer
Visual Effects Producer
Andy Foster
Visual Effects Producer
First Assistant Director
Adam Somner
First Assistant Director
Assistant Costume Designer
Marcy Grace Froehlich
Assistant Costume Designer
Chief Lighting Technician
Driver
Mark W. Jones
Driver
Boom Operator
Adam Blantz
Boom Operator
Graphic Designer
Set Designer
John P. Goldsmith
Set Designer
First Assistant Editor
Brendan Walsh
First Assistant Editor
Paula Suhy
First Assistant Editor
Set Decoration Buyer
Florencia Martin
Set Decoration Buyer
Jill Rolie-December
Set Decoration Buyer
Foley Artist
Dennie Thorpe
Foley Artist
Jana Vance
Foley Artist
Sound Designer
Construction Coordinator
Bill Holmquist
Construction Coordinator
Art Department Coordinator
Conner McKinley
Art Department Coordinator
Dialogue Editor
Kim Foscato
Dialogue Editor
Cheryl Nardi
Dialogue Editor
Steve Slanec
Dialogue Editor
Best Boy Grip
John Morris
Best Boy Grip
Art Department Assistant
Jaime Lovell
Art Department Assistant
Foley Editor
Malcolm Fife
Foley Editor
Kevin Sellers
Foley Editor
Rigging Grip
Marc Wall
Rigging Grip
Joseph J. Allen
Rigging Grip
Jose F. Barrios
Rigging Grip
Jonathan Leary
Rigging Grip
Key Grip
Michael Kenner
Key Grip
Grip
Brook Johnson
Grip
Robert 'Boomer' McCann
Grip
Orlando Orona
Grip
Nicholas Kirsten
Grip
Eric Cross
Grip
Tom Massimini
Grip
Dolly Grip
Jeff Kunkle
Dolly Grip
Assistant Property Master
Rudy Reachi
Assistant Property Master
Leadman
John W. Micheletos
Leadman
Keith Sale
Leadman
Key Rigging Grip
Kent Baker
Key Rigging Grip
Gary Gill
Key Rigging Grip
Second Second Assistant Director
Wainani Young-Tomich
Second Second Assistant Director
Trevor Tavares
Second Second Assistant Director
Construction Foreman
Jim Krase
Construction Foreman
Music Supervisor
Linda Cohen
Music Supervisor
Special Effects Technician
Jay King
Special Effects Technician
Foley Mixer
Frank Rinella
Foley Mixer
Casting Associate
John Barba
Casting Associate
Music Editor
Graeme Stewart
Music Editor
First Assistant Camera
Erik L. Brown
First Assistant Camera
On Set Dresser
Jason Bean
On Set Dresser
Lawrence Hornbeck
On Set Dresser
Production Coordinator
Demelza Cronin
Production Coordinator
Visual Effects Coordinator
Chelsea Kammeyer
Visual Effects Coordinator
Utility Sound
Juan Cisneros
Utility Sound
Lou Wiskes
Utility Sound
Second Assistant "A" Camera
Aaron Ali Tichenor
Second Assistant "A" Camera
CG Supervisor
Nordin Rahhali
CG Supervisor
ADR Voice Casting
Extras Casting
Tracy Dixon
Extras Casting
Joseph Hicks
Extras Casting
Aaron Moskal
Extras Casting
David Kramer
Extras Casting
Rigging Gaffer
Charlie McIntyre
Rigging Gaffer
James Kumarelas
Rigging Gaffer
Assistant Production Coordinator
Karen Ramirez
Assistant Production Coordinator
Sound Recordist
Stephen Urata
Sound Recordist
Kevin Bolen
Sound Recordist
Transportation Captain
Robert T. Chestnut
Transportation Captain
Foley Recordist
Sean England
Foley Recordist
Key Set Costumer
Cookie Lopez
Key Set Costumer
Best Boy Electrician
Mike Bonnaud
Best Boy Electrician
Senior Visual Effects Supervisor
Dan Glass
Senior Visual Effects Supervisor
What's left behind the scenes
- Jeremy Renner was considered for the role of Freddy Quell.
- In an interview with Newsweek, the director admitted that "The Master" contains several scenes written for "Oil", but not included in the final script, as well as stories from Jason Robards about his drinking bouts in the Navy during World War II, which the actor told on the set of "Magnolia". Freddy’s farming background is taken from the life of writer John Steinbeck. Furthermore, Anderson has always been interested in the story of L. Ron Hubbard, but the director did not want to make a film directly about the leader of Scientology. Anderson wanted to explore the post-war period, which was conducive to the emergence of various spiritual movements.
- Reese Witherspoon was considered for the role of Peggy during pre-production in 2010. But the role ultimately went to Amy Adams.
- This is the first film by Paul Thomas Anderson in which Robert Elswit did not work as a cinematographer. He was busy at the time and was filming "The Bourne Legacy" (2012).
- This is the first feature film in the last 16 years to be shot entirely in 65mm format, using a Panavision System 65 camera. The last full-length film of this format was Kenneth Branagh's 'Hamlet' (1996).
- John Huston's documentary 'Let There Be Light' (1946) had a significant influence on the creation of this film. Director Paul Thomas Anderson confirmed that he used materials from this film. Producer JoAnne Sellar also stated that they used it as a reference when designing the sets and creating the costumes.
- Paul Thomas Anderson did not use Digital Intermediate when making the film, instead opting for photochemical color correction, which resulted in a higher resolution due to less manipulation of the footage.
- The Rorschach test cards in the scene with the psychologist in the hospital are genuine. However, the psychologist skips cards one through four, thereby violating the strict rules for administering the test.
- The ship in the film is named Alithia, which translates from Greek as 'Truth'.
- Paul Thomas Anderson initially wanted to cast his children in the film, specifically in the portrait studio scene, but decided against it because his children, of mixed race, didn't appear consistent with the period.
- The scene where Freddie extracts ethanol from a torpedo on the ship is based on a true story told by Jason Robards to Paul Thomas Anderson.
- Gillian Bell was cast in the film because Paul Thomas Anderson was a fan of the show "Workaholics" (2011) in which she appeared.
- Paul Thomas Anderson personally handled the editing of the film's trailers without any studio authorization. These trailers were notable for consisting of footage that was not included in the final version of the film.
- A total of three takes of the scene in the prison cell were made, but the first take was ultimately used in the film.
- Freddie is from Lynn, Massachusetts. The father of director Paul Thomas Anderson, Ernie Anderson, was also born in this city.
- The very first lines in the film, when Freddie is talking on the beach, were completely improvised.
- During the scene in the prison cell, Joaquin Phoenix breaks a real toilet. His actions were completely improvised. Joaquin did not intend to break it and didn't even think it was possible.
- When Freddie first visits Doris's house, a wide shot shows aluminum numbers indicating the street number. These numbers only appeared in the 1960s.
- In the scene where Freddie walks from the wood paneling to the window and back, the second time he walks towards the paneling, he furiously hits and breaks it. In subsequent scenes, this paneling appears undamaged.
- When the skeptic challenges Lancaster, a shadow of a microphone is visible on the wall behind Lancaster.
- The architectural style of the house in Philadelphia where the heroes stay is known as Californian. Such houses cannot be found in Philadelphia itself, or anywhere nearby.
- When Freddy breaks the toilet in his prison cell, it can be noticed that there is no water in it.
- John Huston's documentary 'Let There Be Light' (1946) had a significant influence on the creation of this film. Director Paul Thomas Anderson confirmed that he used materials from this film. Producer JoAnne Sellar also said that they used it as a reference when designing the sets and costumes.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
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