The League of Extraordinary Gentlemen - crew, film crew

The entire team, the film crew of the film "The League of Extraordinary Gentlemen"
The League of Extraordinary Gentlemen (2003)
Timing: 1:50 (110 min)
The League of Extraordinary Gentlemen - TMDB rating
5.976/10
4266
The League of Extraordinary Gentlemen - Kinopoisk rating
6.887/10
94276
The League of Extraordinary Gentlemen - IMDB rating
5.8/10
192000

Film crew

Director

Producer

Trevor Albert
Producer

Executive Producer

Photo Sean Connery #56644Photo Sean Connery #56645Photo Sean Connery #56646Photo Sean Connery #56647

Sean Connery

Sean Connery
Executive Producer
Trevor Albert
Executive Producer
Photo Mark Gordon #12885
Mark Gordon
Executive Producer

Casting

Lucinda Syson
Casting
Photo Donna Isaacson #74460
Donna Isaacson
Casting

Editor

Paul Rubell
Editor

Special Effects Supervisor

Jaremy Aiello
Special Effects Supervisor

Art Direction

James McAteer
Art Direction
Marco Bittner Rosser
Art Direction
Jindřich Kočí
Art Direction
Elinor Rose Galbraith
Art Direction
James F. Truesdale
Art Direction

Costume Design

Stunts

Merritt Yohnka
Stunts
Photo Noon Orsatti #327332
Noon Orsatti
Stunts
Photo Scott Wilder #20040
Scott Wilder
Stunts
Kevin Abercrombie
Stunts
Robert Alonzo
Stunts

Production Design

Carol Spier
Production Design

Stunt Coordinator

Robert Alonzo
Stunt Coordinator

Second Unit Director

Photo Vic Armstrong #22957

Vic Armstrong

Vic Armstrong
Second Unit Director
Photo Eddie Perez #23612
Eddie Perez
Second Unit Director

Set Decoration

Peter Nicolakakos
Set Decoration

Stunt Driver

Photo Richard Burden #9749
Richard Burden
Stunt Driver

Makeup Artist

Pauline Heys
Makeup Artist

Sound Re-Recording Mixer

Michael Herbick
Sound Re-Recording Mixer

Original Music Composer

Trevor Jones
Original Music Composer

Unit Production Manager

Michael Nelson
Unit Production Manager

Co-Producer

Michael Nelson
Co-Producer

Production Supervisor

Doris Donnenberg
Production Supervisor

Associate Producer

Rick Benattar
Associate Producer

Orchestrator

Geoff Alexander
Orchestrator

Set Dresser

Tomas Hais
Set Dresser

Second Assistant Director

Richard Graysmark
Second Assistant Director

Stunt Double

Christie Hayes
Stunt Double

Fight Choreographer

Photo Eddie Perez #23612
Eddie Perez
Fight Choreographer

Director of Photography

Photo Dan Laustsen #24578

Dan Laustsen

Dan Laustsen
Director of Photography

Musician

David Arch
Musician

Camera Operator

Klaus Fuxjäger
Camera Operator
Peter Field
Camera Operator

Steadicam Operator

Jaromír Šedina
Steadicam Operator

Costumer

Jitka Švecová
Costumer

Costume Supervisor

Hana Kučerová
Costume Supervisor

Sound Effects Editor

Photo Erik Aadahl #3135Photo Erik Aadahl #283552

Erik Aadahl

Erik Aadahl
Sound Effects Editor

Property Master

Brenton L. Lane
Property Master

Visual Effects Supervisor

Tim Alexander
Visual Effects Supervisor
Steve Street
Visual Effects Supervisor
Thomas J. Smith
Visual Effects Supervisor
Ray McIntyre Jr.
Visual Effects Supervisor
Dan Schmit
Visual Effects Supervisor
Janek Sirrs
Visual Effects Supervisor
John E. Sullivan
Visual Effects Supervisor
Robert Rossello
Visual Effects Supervisor
Gregory D. Liegey
Visual Effects Supervisor

Supervising Sound Editor

Jay Wilkinson
Supervising Sound Editor

Script Supervisor

Catherine Allinson
Script Supervisor

Electrician

Conrad Sigurdson
Electrician

Set Costumer

Maria Hubackova
Set Costumer

Hairstylist

Tricia Cameron
Hairstylist

Special Effects Coordinator

Gary Cohen
Special Effects Coordinator

Still Photographer

Larry D. Horricks
Still Photographer

Digital Effects Supervisor

David Ebner
Digital Effects Supervisor

Animation Supervisor

Domenic DiGiorgio
Animation Supervisor

Visual Effects Producer

Michael Caplan
Visual Effects Producer

Armorer

Dave Evans
Armorer

First Assistant Director

Mishka Cheyko
First Assistant Director
Adam Somner
First Assistant Director

Assistant Costume Designer

Tim Aslam
Assistant Costume Designer

Driver

Don Haggerty
Driver

Production Manager

Michelle Weller
Production Manager

Boom Operator

Peter Eusebe
Boom Operator

Screenplay

Set Designer

David Baxa
Set Designer
Patrick Banister
Set Designer

First Assistant Editor

Photo Josh Campbell #13243
Josh Campbell
First Assistant Editor

Propmaker

Marc Tantin
Propmaker

Construction Coordinator

Phillip Tellez
Construction Coordinator

Art Department Coordinator

Jana Chovancova
Art Department Coordinator

Dialogue Editor

Susan Dawes
Dialogue Editor
Dave Kulczycki
Dialogue Editor

Assistant Editor

Audrey Evans
Assistant Editor

First Assistant Sound Editor

Skip Longfellow
First Assistant Sound Editor

Best Boy Grip

Michael James Fahey
Best Boy Grip

Art Department Assistant

Sarah Emily Nelson
Art Department Assistant

Lighting Technician

Damon Marcellino
Lighting Technician

Foley Editor

Steve F. Price
Foley Editor

Transportation Coordinator

Vaclav Mottl
Transportation Coordinator

Compositing Supervisor

Eroc Moralls
Compositing Supervisor

Key Grip

Jiří Gažda
Key Grip

Location Manager

Mike Higgins
Location Manager

Grip

Pavel Proisl
Grip

Dolly Grip

Karel Charvat
Dolly Grip

Assistant Property Master

Ilya Seperich
Assistant Property Master

Leadman

Ronnie Lombard
Leadman

Key Rigging Grip

Ivo Grešák
Key Rigging Grip

Assistant Location Manager

Adam Fuchs
Assistant Location Manager

Second Second Assistant Director

Photo Mark Taylor #68668
Mark Taylor
Second Second Assistant Director

Painter

Michael Hruska
Painter

3D Artist

David C. Bryant
3D Artist

Casting Assistant

Berenice Percival
Casting Assistant

Special Effects Technician

Thomas D. Bacho Jr.
Special Effects Technician

Hair Designer

Michelle Taylor
Hair Designer

Special Effects Makeup Artist

Chris Lyons

Chris Lyons
Special Effects Makeup Artist

Production Accountant

Jill Bennett
Production Accountant

Sculptor

Neil Morrill
Sculptor

Travel Coordinator

Lindy Ransom
Travel Coordinator

Gaffer

Michael Jenkins
Gaffer
Bob E. Krattiger
Gaffer

Music Editor

Adam Kay
Music Editor

Focus Puller

Jan Carda
Focus Puller

Production Sound Mixer

Mark Holding
Production Sound Mixer

ADR Mixer

Thomas J. O'Connell
ADR Mixer

Video Assist Operator

Michal Chadima
Video Assist Operator

ADR Recordist

Rick Canelli
ADR Recordist

Storyboard Artist

Dave Preciado
Storyboard Artist

Assistant Unit Manager

Jan Strašík
Assistant Unit Manager

First Assistant Camera

Garrett Benson
First Assistant Camera

Post Production Coordinator

Trista K. Wahl
Post Production Coordinator

Additional Music

Brian Bulman
Additional Music

Conductor

Geoff Alexander
Conductor

Colorist

Brano Danis
Colorist

Post Production Supervisor

Charlie Davis
Post Production Supervisor

Researcher

Andrew Trosmans
Researcher

Music Coordinator

Victoria Seale
Music Coordinator

Production Assistant

Troy W. Carrington
Production Assistant

Additional Grip

Richard Dastych
Additional Grip

VFX Artist

Neal Sopata
VFX Artist

Contact Lens Technician

Jemma Scott-Knox-Gore
Contact Lens Technician

Unit Publicist

Larry Garrison
Unit Publicist

Production Coordinator

Kate St-Pierre
Production Coordinator
John T. Sweeney
Production Coordinator

Tailor

Lee Clayton
Tailor

Scoring Mixer

Photo Simon Rhodes #2066
Simon Rhodes
Scoring Mixer

Loader

Michal Krbeček
Loader

Visual Effects Coordinator

Alexandra Altrocchi
Visual Effects Coordinator

Key Set Production Assistant

Seth Hansen
Key Set Production Assistant

Utility Sound

Martin Lonek
Utility Sound

Visual Effects Editor

Des Carey
Visual Effects Editor

Visual Effects

Stephanie Hamilton
Visual Effects

Visual Effects Compositor

Pam Vick
Visual Effects Compositor

Line Producer

Photo Bruce Devan #71252
Bruce Devan
Line Producer
Paul Edwards
Line Producer

Effects Supervisor

David Fiske
Effects Supervisor

CG Supervisor

Greg Gladstone
CG Supervisor

ADR Editor

Dave Kulczycki
ADR Editor

ADR Supervisor

Jim Brookshire
ADR Supervisor

Conceptual Design

Constantine Sekeris
Conceptual Design

CG Artist

David Behar
CG Artist

Rigging Gaffer

Dean Brkic
Rigging Gaffer

Best Boy Electric

Igor Jelen
Best Boy Electric

Post Production Assistant

Lonnie A. Mathes
Post Production Assistant

Assistant Accountant

Deborah Leakey
Assistant Accountant

Assistant Production Coordinator

Jeffrey Caruso
Assistant Production Coordinator
Susan Hartmann
Assistant Production Coordinator

Second Assistant Accountant

George 'Skip' Henfling
Second Assistant Accountant

Sound Recordist

Tim Gomillion
Sound Recordist

Second Assistant Camera

Jason Coop
Second Assistant Camera

Assistant Sound Editor

Paul Apted
Assistant Sound Editor

Dialect Coach

Joy Ellison
Dialect Coach

Visual Effects Art Director

Matthew Gratzner
Visual Effects Art Director

Unit Manager

Mirka Janatova
Unit Manager

Modeling

Philip Borg
Modeling

Executive In Charge Of Production

Philip Waley

Philip Waley
Executive In Charge Of Production

Lighting Artist

Steve Reding
Lighting Artist

Matte Painter

Mark Sullivan
Matte Painter
Ron Crabb
Matte Painter

Costume Assistant

Tracey Millar
Costume Assistant

Rotoscoping Artist

Laide Agunbiade
Rotoscoping Artist

Pyrotechnic Supervisor

Joe Viskocil
Pyrotechnic Supervisor

Wigmaker

Bob Kretschmer
Wigmaker

Assistant Production Manager

Tomáš Rotnágl
Assistant Production Manager

Graphic Novel

Photo Alan Moore #72322

Alan Moore

Alan Moore
Graphic Novel

Title Designer

Photo Garson Yu #15434
Garson Yu
Title Designer

Draughtsman

Jason Knox-Johnston
Draughtsman
Steve Summersgill
Draughtsman

First Assistant Accountant

Kirsten Anderson
First Assistant Accountant

Costume Illustrator

Elizabeth Healy
Costume Illustrator

Third Assistant Camera

Martin Maryška
Third Assistant Camera

Visual Effects Production Assistant

Veronika Hladikova
Visual Effects Production Assistant

ADR Engineer

Derek Casari
ADR Engineer

Creature Design

Damon Bard
Creature Design

Dolby Consultant

Mark Kenna
Dolby Consultant

Color Timer

Jim Passon
Color Timer

Key Set Costumer

Anthony Brookman
Key Set Costumer

Negative Cutter

Gary Burritt
Negative Cutter

Foley

John Morris
Foley

Lead Painter

Ron Gress
Lead Painter

Assistant Camera

Photo Martin Preiss #74461
Martin Preiss
Assistant Camera
Tyler Allison
Assistant Camera

Data Wrangler

Deborah Thomas
Data Wrangler

Creature Technical Director

Matthew Muntean
Creature Technical Director

3D Modeller

Damarcus Holbrook
3D Modeller

2D Supervisor

Michael Bruce Ellis
2D Supervisor

Dresser

Marnie Ormiston
Dresser

Marine Coordinator

Daren Bailey
Marine Coordinator

Pyrotechnician

Ondar Hrncir
Pyrotechnician

Technical Supervisor

Jason Barlow
Technical Supervisor

Digital Compositors

Douglas Aiken
Digital Compositors

CG Animator

Marcus LeVere
CG Animator

Systems Administrators & Support

Mitch Goldstrom
Systems Administrators & Support

General Manager

Donald Fly
General Manager

I/O Supervisor

Nathan Abbot
I/O Supervisor

Visual Effects Camera

Miro Gábor

Miro Gábor
Visual Effects Camera

Production Illustrator

Manuel Plank-Jorge
Production Illustrator

Music Programmer

Stephen Coleman
Music Programmer

Digital Supervisor

L. Elizabeth Powers
Digital Supervisor

Prosthetic Supervisor

Duncan Jarman
Prosthetic Supervisor

Underwater Camera

Wayne Baker
Underwater Camera

CG Painter

Laura Hainke
CG Painter

Key Scenic Artist

John Bannister
Key Scenic Artist

Unit Medic

Debra Leilani Bakeman
Unit Medic

Prosthetics Painter

Henrik Svensson
Prosthetics Painter

What's left behind the scenes

  • The film is based on the comic books by Alan Moore, "The League of Extraordinary Gentlemen" (1999-...).
  • The role of Mina Harker was initially intended for Monica Bellucci, but they were unable to secure her participation. Mila Jovovich or Saffron Burrows were then considered for the role.
  • The creators did not include another character in the film – Campion Bond, the predecessor of James Bond, agent 007. This was due to copyright issues, as the film’s releasing company, “20th Century Fox,” does not have the rights to this character; they belong to “MGM.” Therefore, the screenwriters introduced a grown-up Tom Sawyer, a character by Mark Twain who was not in the comics and became the film’s only American literary hero. The film also changed its villain – instead of Doctor Fu Manchu, we are presented with Phantom.
  • Filming took place over 13 weeks in Iceland, Morocco, Canada (Calgary), the Czech Republic (Prague), Austria (Vienna), the USA, and Malta. Filming began on June 28, 2002. Filming in Prague had to be interrupted because a major flood occurred there in August 2002, destroying sets worth approximately $7 million.
  • Actor Nasirdin Shah personally performed most of Captain Nemo's stunts and also took several karate lessons specifically for the role.
  • In the comics, Mina Harker was not a vampire, but only bitten. She hid her scar on her neck under a scarf.
  • The paper “League” is conventionally divided into two parts. In the first six issues, the protagonists fight against Moriarty and Doctor Fu-Manchu. The film was based more on these. In the second six issues, the same protagonists save Earth from a Martian invasion. Herbert Wells’s novel “The War of the Worlds” served as inspiration here. Along the way, members of the “League” meet Doctor Moreau and his pets.
  • The graphic novel also contains references to Bondiana – League operational missions are led by Kempson Bond, conceived by Alan Moore as an ancestor of James Bond. Bond, in turn, answers to Mycroft Holmes. Sherlock Holmes himself is also present in the original source.
  • The comic also features several completely explicit sexual scenes between Mina and Allan Quatermain (they become lovers in the comic).
  • The film and the comic book on which the film was based differ significantly from each other. The graphic novel is more brutal and grim, with a lot of violence. Tom Sawyer and Dorian Gray appear in the film, but are absent from the comics.
  • In Alan Moore's comic, Quatermain has aged, withdrawn from society, and become an opium addict. At the beginning of the story, he is rescued from an opium den by Mina Harker (Mina Murray in the comic) and recruited into the 'League'. Reportedly, in the film adaptation, Sean Connery refused to play an addict, and the screenwriters changed his backstory. Quatermain is found in Africa at a local English club.
  • When Quatermain enters the library where he meets 'M', Masonic symbols – a compass and square – can be seen on the doors. We see the same symbols on Phantom's ring.
  • When Allan Quatermain is teaching Tom Sawyer to shoot from his rifle, it can be noticed that Shane West’s arm and shoulder are trembling from the strain. The rifle was very heavy. There was a lightweight replica of the rifle used for long shots, and a real rifle made of iron and wood, weighing around 20 kilograms. Shane West recounts that he was very surprised that Sean Connery, who was already 72 years old, seemed to have no problems shooting from this rifle. But for the young, twenty-year-old actor, it seemed incredibly heavy, and West had to strain his arms to hold it.
  • The weapons of Captain Nemo’s men – disguised English Stens – Sten (Great Britain). This weapon was used not only by French and Polish partisans against the fascists, but also by Indians against the British (and Nemo, as is well known, fought against Britain).
  • The film’s screenwriter, James Robinson, can be seen in a photograph in the dossier that Quatermain is reviewing. He portrays Jonathan Harker, Mina’s husband (who has long since died).
  • The film’s director, Stephen Norrington, appears in an episode, a “cameo,” at the beginning of the film – he plays a bartender in an African club and throws the rifle to Quatermain during the attack.
  • In the scene where Quatermain and Sawyer chase the monster Hyde through Paris, they refer to him as a large monkey that has been terrorizing Rue Morgue for many months. As you might guess, this is a nod to Edgar Allan Poe, who wrote the novel considered to be the first detective story.
  • In the film, Moriarty states that the preceding League never existed, but in the comic, Mina in the museum points out a photograph of a previous League that included Lemuel Gulliver, Percy and Margaret Blake (from the novel 'The Scarlet Pimpernel'), Dr. Sin (from the Russell Thorndyke novella), Fanny Hill (from John Cleland's novel), and Nathaniel Bumpo.
  • When the League is in Paris, the camera pans across a wall with a poster announcing an upcoming carnival. The poster features two names – Dr. Alan Moore and Dr. Kevin O'Neill. These are the people who conceived, wrote, and drew 'The League of Extraordinary Gentlemen' comics. This poster effectively duplicates the cover of the comic's first edition.
  • The first 'M', as in the film, turns out to be the villain and, concurrently, Professor Moriarty. The novel-comic contains numerous allusions to many classic adventure literature works from the late 19th century and their main characters.
  • In the film, the Invisible Man was given a different name, he is called Skinner, not Griffin as in H.G. Wells' novel. The heirs of H.G. Wells refused to sell the rights to 'The Invisible Man'. Therefore, the Invisible Man is called Skinner, not Griffin. And also, in the film, he is portrayed as a relatively positive character. In Alan Moore’s comic, he enjoyed killing policemen for pleasure and wearing their uniforms, and also raping boarding school girls at night… Furthermore, in the graphic novel, there is a scene of Mr. Hyde sexually assaulting the Invisible Man, a kind of punishment for betrayal – in the comic, he is the one who turns out to be the traitor.
  • The film is based on Alan Moore's comic book "The League of Extraordinary Gentlemen" (1999-...).
  • The filmmakers did not include another character in the film – Captain Bond, a predecessor to James Bond, agent 007. This was due to copyright issues, as the film's distributor, "20th Century Fox," does not have the rights to this character; they belong to "MGM." Therefore, the screenwriters introduced a grown-up Tom Sawyer, a character by Mark Twain who was not in the comics, and who became the film’s only American literary hero. The film also changed its villain – instead of Doctor Fu Manchu, we are presented with the Phantom.
  • When Allan Quatermain fights off assassins and runs to cover with Reed at the 10-minute mark of the film, a stunt double can be seen subbing in for Sean Connery in this scene.
  • At the 11-minute mark of the film, Quatermain grabs a table, then uses it to push a hired assassin and impale him on a horn hanging on the wall. It is unclear how Allan had the strength to not only lift the assassin with the table, break the table legs against the wall, but also pierce the assassin's steel armor with the horn.
  • At the 18th minute, Skinner applies white makeup to his face during a meeting with M. In the next scene, when he is riding in the back of a car with Quatermain and Mina, his entire head is made up. When Quatermain, Mina, and Skinner arrive at Dorian Gray’s house and enter at the 23rd minute, the makeup is once again only on Skinner’s face.
  • At the 26th minute of the film, when Sawyer shoots the Phantom soldier, in the next shot, two soldiers are already falling through the railing from the bullet impact.
  • At the 27th minute of the film, when the shootout begins, Skinner throws off his cloak and washes off all the makeup. When Skinner picks up his hat from the decanter at the 29th minute, his head is once again completely covered in makeup.
  • At the 29th minute of the film, the Phantom soldier fires an automatic weapon at Dorian, leaving numerous bullet holes in his clothes. When the fight with the soldiers ends and Dorian descends from the second floor, his clothes are completely intact.
  • At the 30th minute, the Phantom soldier takes Mina hostage. When she manages to break free and bite him on the neck, her face gets smeared with blood. Then she attacks the soldier on the floor, and when Mina finishes drinking his blood and licks her lips, most of the blood on her face disappears.
  • At the 57th minute of the film, Dorian jumps out of the moving car and lands on the ground as if the car were stationary, not traveling at high speed. At the 60th minute, Allan also jumps out of the moving car and stops instantly.
  • At the 73rd minute of the film, Hyde pulls levers underwater to prevent the Nautilus from flooding. When he growls, no air bubbles come from his mouth.
  • At the 93rd minute of the film, Mina shows Dorian a portrait, a glance at which kills him. When 'The League' climbs the staircase in Dorian's house at the 23rd minute, one can notice the empty space on the wall reserved for the portrait, which is significantly smaller than the painting shown at the end.
  • At the 97th minute of the film, Quatermain knocks Moriarty to the ground and then picks up an axe, intending to kill him. However, at the 81st minute, Allan stated that Moriarty could not be killed, as he was needed alive to reveal all his secrets.
Did you like the film?

© ACMODASI, 2010-2026

All rights reserved.
The materials (trademarks, videos, images and text) contained on this site are the property of their respective owners. It is forbidden to use any materials from this site without prior agreement with their owner.
When copying text and graphic materials (videos, images, text, screenshots of pages) from this site, an active link to the site www.acmodasi.in must necessarily accompany such material.
We are not responsible for any information posted on this site by third parties.