The Good Son - crew, film crew
The entire team, the film crew of the film "The Good Son"
The Good Son (1993)
Timing:
1:27 (87 min)
6.785/10
1045
1045
7.452/10
18846
18846
6.4/10
44765
44765
Film crew
Director
Producer
Mary Ann Page
Producer
Executive Producer
Ezra Swerdlow
Executive Producer
Daniel Rogosin
Executive Producer
Casting
Deborah Aquila
Casting
Editor
Art Direction
Rusty Smith
Art Direction
Costume Design
Cynthia Flynt
Costume Design
Stunts
Kenny Bates
Stunts
Gene Harrison
Stunts
Edward Conna
Stunts
Spiro Razatos
Stunts
Glory Fioramonti
Stunts
Michael Cassidy
Stunts
Noon Orsatti
Stunts
Nick Brett
Stunts
Christopher Epper
Stunts
Mickey Cassidy
Stunts
Larry Nicholas
Stunts
Kristy McGill
Stunts
Colette Irving
Stunts
Eli Irving
Stunts
Debbie Greg
Stunts
Ashleigh Powell
Stunts
Production Design
Bill Groom
Production Design
Stunt Coordinator
Second Unit Director
Set Decoration
Makeup Artist
Bernadette Mazur
Makeup Artist
Sound Re-Recording Mixer
Tom Fleischman
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Thomas John Kane
Unit Production Manager
Co-Producer
Michael E. Steele
Co-Producer
Orchestrator
Emilie A. Bernstein
Orchestrator
Set Dresser
Paul Richards
Set Dresser
Ray Fisher
Set Dresser
Tempest S. Farley
Set Dresser
Arthur Pottie
Set Dresser
Bob Schnieg
Set Dresser
Donald Wilson
Set Dresser
Second Assistant Director
Barbara M. Ravis
Second Assistant Director
Director of Photography
John Lindley
Director of Photography
Pilot
Robert 'Bobby Z' Zajonc
Pilot
Camera Operator
Peter Norman
Camera Operator
Steadicam Operator
Larry McConkey
Steadicam Operator
David Crone
Steadicam Operator
Sound Effects Editor
Richard King
Sound Effects Editor
Assistant Art Director
Sarah Knowles
Assistant Art Director
Keith Neely
Assistant Art Director
Property Master
David Gulick
Property Master
Supervising Sound Editor
Stan Bochner
Supervising Sound Editor
Script Supervisor
Samantha Timmerman
Script Supervisor
Electrician
Lon Caracappa
Electrician
Donna Vega
Electrician
Carlos Bermudez
Electrician
Set Costumer
Debbie Holbrook
Set Costumer
Cassy McEvoy
Set Costumer
Supervising ADR Editor
Harriet Fidlow
Supervising ADR Editor
Hairstylist
Francesca Paris
Hairstylist
Special Effects Coordinator
David Neil Trifunovich
Special Effects Coordinator
Still Photographer
Kerry Hayes
Still Photographer
Van Redin
Still Photographer
Phillip V. Caruso
Still Photographer
Sound Mixer
Susumu Tokunow
Sound Mixer
First Assistant Director
Michael E. Steele
First Assistant Director
Assistant Costume Designer
Juliet Polcsa
Assistant Costume Designer
Boom Operator
Anna R. Delanzo
Boom Operator
Kevin Kubota
Boom Operator
Screenplay
Ian McEwan
Screenplay
First Assistant Editor
Doron Shauly
First Assistant Editor
Foley Artist
Brian Vancho
Foley Artist
Construction Coordinator
Joe Wood
Construction Coordinator
Art Department Coordinator
Laurel Harris
Art Department Coordinator
Dialogue Editor
Jeff Kliment
Dialogue Editor
Assistant Editor
Greg Speed
Assistant Editor
Sue Blainey
Assistant Editor
Best Boy Grip
Dennis Zoppe
Best Boy Grip
Larry McCarron
Best Boy Grip
Transportation Coordinator
Steve Boyd
Transportation Coordinator
Jimmy Flynn
Transportation Coordinator
Clay Bartholomew
Transportation Coordinator
Key Grip
Bobby Huber
Key Grip
Richard L. Carden
Key Grip
Bill Beard
Key Grip
Location Manager
Michael Williams
Location Manager
Gary Stanek
Location Manager
Grip
William M. Weberg
Grip
Tony Campenni
Grip
Thomas Doran
Grip
Dave Rudolph
Grip
Dolly Grip
Richard L. Carden
Dolly Grip
Joseph Graham
Dolly Grip
Assistant Property Master
Peter C. Clarke
Assistant Property Master
Kris Moran
Assistant Property Master
Leadman
Gerald DeTitta
Leadman
Assistant Location Manager
Location Assistant
Pam Ranger
Location Assistant
Matt Morris
Location Assistant
Second Second Assistant Director
Stephen Lee Davis
Second Second Assistant Director
Special Effects
Lisa Shaftel
Special Effects
Casting Assistant
Julie Lichter
Casting Assistant
Foley Supervisor
Elisha Birnbaum
Foley Supervisor
Production Accountant
Heidi August
Production Accountant
Casting Associate
Jane Shannon-Smith
Casting Associate
Gaffer
Marc Rogers
Gaffer
Video Assist Operator
Louie Lefande
Video Assist Operator
Timothy O'Toole
Video Assist Operator
Barth W. Ward
Video Assist Operator
David Katz
Video Assist Operator
Second Unit Director of Photography
Kenneth Zunder
Second Unit Director of Photography
Storyboard Artist
Len Morganti
Storyboard Artist
First Assistant Camera
Eric Swanek
First Assistant Camera
Ronald H. Raschke
First Assistant Camera
Special Effects Assistant
David Wogh
Special Effects Assistant
Brian Ricci
Special Effects Assistant
Danny Gill
Special Effects Assistant
Stephen Ricci
Special Effects Assistant
On Set Dresser
Peter Nauyokas
On Set Dresser
Unit Publicist
Brigitte Prochaska
Unit Publicist
Production Coordinator
Leigh Miller
Production Coordinator
Dorothy Aufiero
Production Coordinator
Scoring Mixer
Dan Wallin
Scoring Mixer
Scenic Artist
Roland Brooks
Scenic Artist
Robert Topol
Scenic Artist
M. Tony Trotta
Scenic Artist
Production Secretary
Cheryl Broussard
Production Secretary
Janet Campolito
Production Secretary
ADR Editor
Marjorie Deutsch
ADR Editor
Extras Casting
Raquel Osborne
Extras Casting
Marilee Lear
Extras Casting
Best Boy Electric
Derrick Tseng
Best Boy Electric
Assistant Accountant
Kenneth M. Kroll
Assistant Accountant
Jay Cannold
Assistant Accountant
Gail Barringer
Assistant Accountant
Margo Myers
Assistant Accountant
John Neal
Assistant Accountant
Assistant Production Coordinator
Kim Catalano
Assistant Production Coordinator
Supervising Music Editor
Kathy Durning
Supervising Music Editor
Wardrobe Supervisor
Elizabeth Feldbauer
Wardrobe Supervisor
Second Assistant Camera
Andy Harris
Second Assistant Camera
A. Anthony Cappello
Second Assistant Camera
Andrew Casey
Second Assistant Camera
Beth Cohen
Second Assistant Camera
Assistant Sound Editor
Harry Peck Bolles
Assistant Sound Editor
David Wahnon
Assistant Sound Editor
Gerald Donlan
Assistant Sound Editor
James H. Nau
Assistant Sound Editor
Richard Q. King
Assistant Sound Editor
Tony Grocki
Assistant Sound Editor
Hairdresser
Anthony Veader
Hairdresser
Transportation Captain
William O'Brien
Transportation Captain
Julio Salazar
Transportation Captain
Second Unit First Assistant Director
K.C. Colwell
Second Unit First Assistant Director
Sound Editor
Richard P. Cirincione
Sound Editor
Louis Cerborino
Sound Editor
Ira Spiegel
Sound Editor
Stuart Stanley
Sound Editor
Stuart Emanuel
Sound Editor
Aerial Camera
Roger Vernon
Aerial Camera
Color Timer
Phil Hetos
Color Timer
Negative Cutter
Gary Burritt
Negative Cutter
Assistant Camera
Apprentice Sound Editor
Barry Malawski
Apprentice Sound Editor
Anne O'Brien
Apprentice Sound Editor
Projection
Alan Jacques
Projection
Cableman
Alan Jacques
Cableman
What's left behind the scenes
- Initially, when the project was in development in 1988, the role of Henry Evans was intended for Michael Clesic.
- Michael Lehmann was originally approved as the film's director, but was removed from the project due to serious disagreements and conflicts with Macaulay Culkin's father.
- The scene for the final climax was filmed on the Palisade Head cliffs, located near the town of Silver Bay, Minnesota, and overlooking Lake Superior. The script called for everything to take place on the Atlantic Ocean shore, but thorough searches there for a suitable cliff proved unsuccessful. The top of the cliff is approximately 55 meters above the water, however, a three-meter artificial peak made of plastic and wood was built on top of it specifically for the film's shooting so that the actors would not be restricted in their movements during this key scene. To simulate ocean waves below, an entire flotilla of motorboats was used to create foam while remaining out of the camera's view.
- Filming period: November 19, 1992 – March 25, 1993.
- In 1995, 33 seconds of screen time were cut from the scene where Henry throws a mannequin onto the road for the British video release. The uncut version was not released until 2002.
- In the final scene of the battle on the cliff, when Henry and Mark are hanging by Susan’s hands, and Mark’s hand begins to slip, in one shot he holds her hand, and with a change of shot, he is holding her wrist, and with another change of shot, he is holding her hand again.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
