The Saint - crew, film crew

The entire team, the film crew of the film "The Saint"
The Saint (1997)
Timing: 1:56 (116 min)
The Saint - TMDB rating
6.113/10
1253
The Saint - Kinopoisk rating
5.986/10
4928
The Saint - IMDB rating
6.2/10
78000

Film crew

Director

Producer

Mace Neufeld
Producer
David Brown
Producer
William J. MacDonald
Producer
Lis Kern
Producer
Christine Forsyth-Peters
Producer

Executive Producer

Paul Hitchcock
Executive Producer
Photo Robert S. Baker #122224

Robert S. Baker

Robert S. Baker
Executive Producer

Casting

Patsy Pollock
Casting
Elisabeth Leustig
Casting

Editor

Photo Terry Rawlings #74428
Terry Rawlings
Editor

Art Direction

Lucy Richardson
Art Direction
Nick Palmer
Art Direction
Vladimir Murzin
Art Direction

Supervising Art Director

Leslie Tomkins

Leslie Tomkins
Supervising Art Director
Alan Cassie
Supervising Art Director
Tony Reading
Supervising Art Director

Stunts

Photo Gary Powell #8948
Gary Powell
Stunts

Production Design

Joseph C. Nemec III
Production Design

Stunt Coordinator

Photo Greg Powell #10108

Greg Powell

Greg Powell
Stunt Coordinator

Second Unit Director

Robert Grasmere
Second Unit Director
Mark Egerton
Second Unit Director
Mike Benson
Second Unit Director

Set Decoration

Marina Morris
Set Decoration
Peter Young
Set Decoration
Rosalind Shingleton
Set Decoration

Makeup Artist

Debbie Gower
Makeup Artist
Meg Speirs
Makeup Artist

Original Music Composer

Photo Graeme Revell #70984

Graeme Revell

Graeme Revell
Original Music Composer

Set Dresser

Yelena Shkatova
Set Dresser

Second Assistant Director

Photo Simon Emanuel #7188

Simon Emanuel

Simon Emanuel
Second Assistant Director
Bernard Bellew
Second Assistant Director

Stunt Double

Director of Photography

Photo Phil Meheux #71049
Phil Meheux
Director of Photography

Assistant Art Director

Sarah Hauldren
Assistant Art Director

Hairstylist

Betty Glasow
Hairstylist
Desne J. Holland
Hairstylist
Elizabeth Yianni-Georgiou
Hairstylist

Visual Effects Producer

Arthur Windus
Visual Effects Producer

First Assistant Director

Mark Egerton
First Assistant Director

Production Manager

Screenplay

Photo Wesley Strick #74998
Wesley Strick
Screenplay

Art Department Coordinator

Carla S. Nemec
Art Department Coordinator

Story

Characters

Leslie Charteris
Characters

Makeup Supervisor

Paul Engelen
Makeup Supervisor

Hair Designer

Vera Mitchell
Hair Designer

Hair Supervisor

Eithné Fennel
Hair Supervisor

Storyboard Artist

Other

Sallie Hard
Other

Conductor

Scenic Artist

Steve Mitchell
Scenic Artist

Assistant Production Manager

Photo Александр Дельвиг #122225
Александр Дельвиг
Assistant Production Manager

Assistant Dialogue Editor

Marc Lawes
Assistant Dialogue Editor

What's left behind the scenes

  • Mel Gibson and Ralph Fiennes were considered for the leading role.
  • The voice of the radio commentator belongs to Roger Moore, who played Simon Templar in the British television series of the 60s.
  • Roger Moore was going to produce a film version of the television series "The Saint" back in the 80s, and Pierce Brosnan was considered for the lead role at that time.
  • While filming in Oxford, the filmmakers closed the university's library to visitors, which caused outrage among students preparing for exams.
  • Val Kilmer turned down the opportunity to reprise his role as Batman for this film.
  • Hugh Grant was offered the lead role.
  • Ralph Fiennes was offered $1 million for the lead role.
  • In the early stages of the film's production, Sydney Pollack was the first candidate to direct.
  • The nickname "Boris the Spider," used by Ivan Tretyak to communicate with The Saint, is a reference to a 1966 song by The Who.
  • A Volvo P1800 car can be seen parked directly in front of The Saint's London apartment building. This type of car was used in the original 1960s series.
  • The original Saint used aliases all starting with the initials S.T., while Kilmer's character used the names of Christian saints, regardless of their initials.
  • Johnny Depp, Kevin Costner, and Arnold Schwarzenegger all turned down the role in the film.
  • Berl Baer wrote a novella based on the film's screenplay.
  • The tunnels of Fort Amherst, located in Medway, South-East England, were used during filming as Moscow collectors, where Templar and Russell hide.
  • In scenes where Simon Templar (Val Kilmer) portrays the long-haired artist Thomas Moore, he speaks with a Cape Town accent. The poems of Moore featured in the film were written by Val Kilmer.
  • At the end of the film, when Simon Templar is driving in a car and listening to a radio broadcast about three billion dollars donated to charity, the reflection of sunlight on the windshield creates a halo around Simon's head.
  • Two different endings were filmed: in one, Emma Russell (Elizabeth Shue) remained alive, and in the other, she died. Despite test audiences preferring the latter ending, the film's director, Phillip Noyce, ultimately chose the former.
  • The holy pin that Elizabeth Shaw gives to Val Kilmer's character is a reference to the original emblem of the television series.
  • The song playing in the Russian apartment where Simon and Emma are hiding is a Turkmen song by Atabay Charygulyev.
  • The Saint refrained from killing, even the main villains, who remained alive to face trial. The Charteris version of the Saint had no moments of hesitation in taking another life.
  • Young Simon is left-handed, while older Simon is right-handed.
  • When Emma enters Simon's house in England, she leaves the door wide open and continues into the room. In the subsequent scene, the door is closed.
  • In the middle of the airport hall, Simon orders a cup of coffee, which is brought to him two seconds later by the same waitress.
  • When Emma enters the house in the English countryside, she approaches a table where her cards are laid out. On the table is a 14-inch NEC CRT monitor, which is completely black. A few moments later, when Simon appears, the monitor is already gray with a black panel.
  • When Ilya Tretyak (son of Ivan Tretyak) has Simon in his sights as he steals the microchip at the beginning of the film, it can be noticed that the revolver is not loaded.
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