Sphere - crew, film crew
The entire team, the film crew of the film "Sphere"
Sphere (1998)
Timing:
2:14 (134 min)
6.1/10
1563
1563
6.868/10
33527
33527
6.1/10
118000
118000
Film crew
Director
Producer
Andrew Wald
Producer
Executive Producer
Peter Giuliano
Executive Producer
Casting
Ellen Chenoweth
Casting
Editor
Stu Linder
Editor
Special Effects Supervisor
Richard O. Helmer
Special Effects Supervisor
Art Direction
Mark W. Mansbridge
Art Direction
Jonathan McKinstry
Art Direction
Costume Design
Gloria Gresham
Costume Design
Stunts
Lisa McCullough
Stunts
Paul Borne
Stunts
Production Design
Norman Reynolds
Production Design
Stunt Coordinator
Alex Daniels
Stunt Coordinator
Ronnie Rondell Jr.
Stunt Coordinator
Second Unit Director
Set Decoration
Anne Kuljian
Set Decoration
Makeup Artist
Marietta Carter-Narcisse
Makeup Artist
Robert Ryan
Makeup Artist
Tricia Sawyer
Makeup Artist
June Westmore
Makeup Artist
Key Makeup Artist
Allan A. Apone
Key Makeup Artist
Sound Re-Recording Mixer
Lora Hirschberg
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Patricia Churchill
Unit Production Manager
Associate Producer
Patricia Churchill
Associate Producer
Orchestrator
Robert Elhai
Orchestrator
Second Assistant Director
Jim Goldthwait
Second Assistant Director
Stunt Double
Keith Tellez
Stunt Double
Director of Photography
Adam Greenberg
Director of Photography
Musician
John Moses
Musician
Camera Operator
Allen D. Easton
Camera Operator
Steadicam Operator
P. Scott Sakamoto
Steadicam Operator
Costumer
Barbara Hartman-Jenichen
Costumer
Costume Supervisor
James W. Tyson
Costume Supervisor
Key Costumer
Adrienne Manhan
Key Costumer
Sound Effects Editor
Marian Wilde
Sound Effects Editor
J.R. Grubbs
Sound Effects Editor
Mary Helen Leasman
Sound Effects Editor
Assistant Art Director
W. Steven Graham
Assistant Art Director
Property Master
Sean Mannion
Property Master
Visual Effects Supervisor
Jeffrey A. Okun
Visual Effects Supervisor
Carlos Arguello
Visual Effects Supervisor
Supervising Sound Editor
Tim Holland
Supervising Sound Editor
Script Supervisor
Julie Pitkanen
Script Supervisor
Heather Harris
Script Supervisor
Electrician
Eric Blum
Electrician
Set Costumer
Andrew Nelson
Set Costumer
Supervising Dialogue Editor
Michael Silvers
Supervising Dialogue Editor
Hairstylist
Michael White
Hairstylist
John Quaglia
Hairstylist
Special Effects Coordinator
Richard O. Helmer
Special Effects Coordinator
Still Photographer
Brian Hamill
Still Photographer
Visual Effects Producer
Lydia Bottegoni
Visual Effects Producer
Aaron Dem
Visual Effects Producer
First Assistant Director
Katterli Frauenfelder
First Assistant Director
Chief Lighting Technician
Steven C. McGee
Chief Lighting Technician
Victor Abbene
Chief Lighting Technician
Driver
Rodney Hope
Driver
Production Manager
Kristen D. Chidel
Production Manager
Boom Operator
Gary Thomas
Boom Operator
Screenplay
Stephen Hauser
Screenplay
Novel
Set Designer
William Beck
Set Designer
First Assistant Editor
Mark Daily
First Assistant Editor
Additional Editor
Blair Daily
Additional Editor
Foley Artist
Dennie Thorpe
Foley Artist
Sound Designer
Richard Beggs
Sound Designer
Propmaker
John Giuliano
Propmaker
Construction Coordinator
Marvin Salsberg
Construction Coordinator
Dialogue Editor
Claire Sanfilippo
Dialogue Editor
Lindakay Brown
Dialogue Editor
Assistant Editor
Jason Joseph
Assistant Editor
Best Boy Grip
Bud Heller
Best Boy Grip
Lighting Technician
Michael Meier
Lighting Technician
Rigging Grip
Ronald A. Miller
Rigging Grip
Transportation Coordinator
Tommy Tancharoen
Transportation Coordinator
Key Grip
Charles John Bukey
Key Grip
Location Manager
Michael John Meehan
Location Manager
Grip
James Conroy
Grip
Dolly Grip
Jeff Kunkle
Dolly Grip
Assistant Property Master
Julie Witherington
Assistant Property Master
Key Hair Stylist
Catherine Childers
Key Hair Stylist
Leadman
Brett C. Smith
Leadman
Set Production Assistant
Christine Dye
Set Production Assistant
Location Assistant
Brian Dettor
Location Assistant
Second Second Assistant Director
Miles Perlman
Second Second Assistant Director
Compositor
John Charles Kohn
Compositor
Carpenter
Kurtis Bedford
Carpenter
Construction Foreman
David Gabrielli
Construction Foreman
Special Effects
Peter Albiez
Special Effects
Casting Assistant
Brennan Dufresne
Casting Assistant
Special Effects Technician
Jeff Miller
Special Effects Technician
Hair Supervisor
Mark Boley
Hair Supervisor
Production Accountant
Denise Morgan McGrath
Production Accountant
Sculptor
Nori Honda
Sculptor
Gaffer
Greg Banta
Gaffer
Production Sound Mixer
Steve Cantamessa
Production Sound Mixer
Video Assist Operator
Tom Fox
Video Assist Operator
Second Unit Director of Photography
Gary Capo
Second Unit Director of Photography
Storyboard Artist
Jim Magdaleno
Storyboard Artist
First Assistant Camera
Alan Cohen
First Assistant Camera
Special Effects Assistant
Danny Cangemi
Special Effects Assistant
Digital Compositor
Bonjin Byun
Digital Compositor
Standby Painter
Bill 'Kauhane' Hoyt
Standby Painter
Conductor
Jonathan Sheffer
Conductor
Post Production Supervisor
Blair Daily
Post Production Supervisor
Stand In
Michael Greggans
Stand In
Production Assistant
Stacy De La Motte
Production Assistant
VFX Artist
Lon R. Shor
VFX Artist
Production Coordinator
Sean Taylor
Production Coordinator
Scenic Artist
Aaron Hakeem
Scenic Artist
Visual Effects Editor
Rod Basham
Visual Effects Editor
Production Secretary
Rose Hlaing
Production Secretary
Payroll Accountant
David Krudis
Payroll Accountant
Effects Supervisor
Joe Colwell
Effects Supervisor
CG Supervisor
Walter F. Hyneman
CG Supervisor
ADR Editor
Claire Sanfilippo
ADR Editor
Lindakay Brown
ADR Editor
Rigging Gaffer
Brad Emmons
Rigging Gaffer
Best Boy Electric
R. Gern Trowbridge
Best Boy Electric
Assistant Accountant
Gail Rose
Assistant Accountant
Second Assistant Accountant
Coleen Aiello
Second Assistant Accountant
Supervising Music Editor
Curtis Roush
Supervising Music Editor
Second Assistant Camera
Eric Amundsen
Second Assistant Camera
Publicist
Michael Singer
Publicist
Unit Manager
Michael J. Malone
Unit Manager
Executive In Charge Of Production
Mark Scoon
Executive In Charge Of Production
Matte Painter
Roger Kupelian
Matte Painter
Transportation Captain
Lee Garibaldi
Transportation Captain
Production Executive
Randy Starr
Production Executive
Title Designer
Kurt Mattila
Title Designer
Set Medic
Louis Farah
Set Medic
Adaptation
Aerial Camera
Kurt E. Soderling
Aerial Camera
Color Timer
Dale E. Grahn
Color Timer
Craft Service
Mary Ellen Leonard
Craft Service
Negative Cutter
Mo Henry
Negative Cutter
Roto Supervisor
Karen Klein
Roto Supervisor
Tim Gibbons
Roto Supervisor
Foley
Jana Vance
Foley
Assistant Camera
Wayne Baker
Assistant Camera
Mix Technician
Additional Camera
Joseph D. Urbanczyk
Additional Camera
Assistant Chief Lighting Technician
Stanley L. Gonsales
Assistant Chief Lighting Technician
3D Animator
Nicole Herr
3D Animator
Projection
Billy R. Brashier
Projection
Set Dressing Artist
Edward J. Protiva
Set Dressing Artist
Visual Effects Camera
Kurt E. Soderling
Visual Effects Camera
Project Manager
Trent Schultz
Project Manager
CGI Supervisor
Fernando Benítez
CGI Supervisor
Jason Wardle
CGI Supervisor
Jeff Lin
CGI Supervisor
Michael Kory
CGI Supervisor
Robert Bardy
CGI Supervisor
Underwater Camera
Ian Fox
Underwater Camera
Location Casting
Nina Henninger
Location Casting
What's left behind the scenes
- In the jellyfish attack scene, images of prop jellyfish were used in combination with computer graphics and footage of real jellyfish filmed in an aquarium nearby. To show the aggressiveness of the jellyfish, footage of real jellyfish was played at a speed 3-5 times faster than normal.
- Many scenes, including the conversation between Samuel L. Jackson and Dustin Hoffman about writing a report and what to do with Ted, played by Liev Schreiber, were entirely improvised.
- In this project, Samuel L. Jackson worked on weekdays, and on weekends he filmed with Quentin Tarantino in the thriller "Jackie Brown" (1997).
- The film's ending had to be rewritten and reshot because audiences at preview screenings refused to believe that the characters could survive without spending several weeks in a decompression chamber.
- At the 60th minute of the film, we see errors in the numerical sequence of the message: 1) the first word in the first line is "0032125[26]2632" (resulting in "HELOO."). It should be "00032125[25]2632"; 2) the third word of the second line is "290330[5]" (an odd number of characters), and it should be "290330[05]" ("WHAT"); 3) the last word of the third line is "0330[3]13130432" (an extra character) instead of "033013130432" ("HARRY.").
- At the 60th minute of the film, we see errors in the numerical sequence of the message: 1) the first word in the first line is “0032125[26]2632” (resulting in “HELOO.”) which should be “00032125[25]2632”; 2) the third word of the second line is “290330[5]” (an odd number of characters), and should be “290330[05]” (“WHAT”); 3) the last word of the third line is “0330[3]13130432” (an extra character) instead of “033013130432” (“HARRY.”)
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
