Tremors 3: Back to Perfection - actors, characters and roles
All actors and their roles in the film "Tremors 3: Back to Perfection"
Tremors 3: Back to Perfection (2001)
Timing:
1:45 (105 min)
5.776/10
603
603
5.631/10
13633
13633
5.3/10
21000
21000
Actors and characters
Susan Chuang
Character Jodi Chang
Tony Genaro
Character Miguel
Lorna Scott
Character Tourist Lady
John Pappas
Character Agent Charlie Rusk
Robert Jayne
Character Melvin Plug
Elena Sahagun
Character Argentine Reporter
Jason Hopkins
Character Tourist Kid
Javi Mulero
Character Argentine Producer
Diego Balanta
Character Argentine Cameraman
Kelly Connell
Character Tourist Guy
Billy Rieck
Character Buford, Jack's Assistant
Jack Serino
Character Graboid (uncredited)
What's left behind the scenes
- When a geologist dies from an attack by a creature in the desert, his wounds on his back bleed orange. This happened because fake blood mixed with carbon dioxide from the fire extinguisher that covered the man's body for safety purposes – the bright orange color was the result of chemical reactions that occurred when the two were mixed.
- In a scene where Burt talks to a mother and child, the latter asks to be photographed with 'the Graboids'. Due to a general misconception, the creatures were also called 'the Graboids', although in previous films they were called 'Graboids'.
- Some Graboids were created using computer technology. This is the first film in the franchise where such technology was used to create the creatures, whereas previously they were either full-size puppets or one-quarter scale models. Some Shriekers were also created using computer technology in this film, as well as in S.S. Wilson’s previous film, 'Tremors 2: Aftershocks' (1996).
- Many scenes with Shriekers were cut from the final version of the film to maintain the pace of the narrative and for financial reasons. As a result, Shriekers are only shown in the opening scene, and later there are shots of their discarded shells.
- 'El Blanco' is a reference to Herman Melville’s novel 'Moby Dick' (1851), which tells the story of a white whale with behavior atypical for whales. This assumption is confirmed by Burt’s line upon first meeting El Blanco, when he asks for his name (the novel by Melville also begins with this line). However, while Moby Dick was an aggressive member of a generally peaceful species, here it is the opposite, and El Blanco is a peaceful member of an aggressive species. Furthermore, in Melville’s novel, there is an active search for and pursuit of Moby Dick, whereas in the film, El Blanco pursues Burt.
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