Zelig - crew, film crew
The entire team, the film crew of the film "Zelig"
Zelig (1983)
Timing:
1:19 (79 min)
7.4/10
902
902
7.831/10
12092
12092
7.6/10
46000
46000
Film crew
Director
Producer
Robert Greenhut
Producer
Executive Producer
Writer
Casting
Juliet Taylor
Casting
Editor
Susan E. Morse
Editor
Additional Second Assistant Director
Jim Chory
Additional Second Assistant Director
Duncan Scott
Additional Second Assistant Director
Art Direction
Speed Hopkins
Art Direction
Costume Design
Santo Loquasto
Costume Design
Production Design
Mel Bourne
Production Design
Set Decoration
Leslie Bloom
Set Decoration
Janet Rosenbloom
Set Decoration
Makeup Artist
John Caglione Jr.
Makeup Artist
Sound Re-Recording Mixer
Rick Dior
Sound Re-Recording Mixer
Original Music Composer
Dick Hyman
Original Music Composer
Associate Producer
Michael Peyser
Associate Producer
Second Assistant Director
Tony Gittelson
Second Assistant Director
Director of Photography
Camera Operator
Dick Mingalone
Camera Operator
Property Master
James Mazzola
Property Master
Visual Effects Supervisor
Stuart Robertson
Visual Effects Supervisor
Supervising Sound Editor
Dan Sable
Supervising Sound Editor
Script Supervisor
Kay Chapin
Script Supervisor
Hairstylist
Werner Sherer
Hairstylist
Still Photographer
Kerry Hayes
Still Photographer
First Assistant Director
Frederic B. Blankfein
First Assistant Director
Thanks
John Edward Allen
Thanks
Irwin Young
Thanks
Driver
Patrick Hogan
Driver
Production Manager
Michael Peyser
Production Manager
Boom Operator
Louis Sabat
Boom Operator
Location Scout
Carol Nast
Location Scout
Cheryl Hill
Location Scout
Susan Rollins
Location Scout
Ken Rothstein
Location Scout
Art Department Coordinator
Joan Lopate
Art Department Coordinator
Assistant Editor
Richard Nord
Assistant Editor
Pamela Scott Arnold
Assistant Editor
Key Grip
Robert Ward
Key Grip
Location Manager
Timothy M. Bourne
Location Manager
Grip
Ronald Burke
Grip
Special Effects
David J. Schweitzer
Special Effects
Hair Designer
Romaine Greene
Hair Designer
Makeup Designer
Fern Buchner
Makeup Designer
Casting Associate
Paula Herold
Casting Associate
Gaffer
Ray Quinlan
Gaffer
Assistant Director
Production Sound Mixer
James Sabat
Production Sound Mixer
Sound Engineer
Roy B. Yokelson
Sound Engineer
Unit Publicist
Gail Sicilia
Unit Publicist
Production Coordinator
Helen Robin
Production Coordinator
Construction Grip
Arne Olsen
Construction Grip
Scenic Artist
Cosmo Sorice
Scenic Artist
Best Boy Electric
Robert Connors
Best Boy Electric
Assistant Production Coordinator
Todd M. Thaler
Assistant Production Coordinator
Sound Recordist
Frank Graziadei
Sound Recordist
Wardrobe Supervisor
Bill Christians
Wardrobe Supervisor
Lancey Saunders Clough
Wardrobe Supervisor
Second Assistant Camera
Bob Paone
Second Assistant Camera
Choreographer
Danny Daniels
Choreographer
Assistant Sound Editor
Fred Rosenberg
Assistant Sound Editor
Jeffrey Stern
Assistant Sound Editor
Suzanne Pillsbury
Assistant Sound Editor
Debra Bard
Assistant Sound Editor
Harry Peck Bolles
Assistant Sound Editor
Randall Coleman
Assistant Sound Editor
Gina Roose
Assistant Sound Editor
Unit Manager
Ezra Swerdlow
Unit Manager
Costume Assistant
Tom McKinley
Costume Assistant
Richard Hornung
Costume Assistant
Lyn Carroll
Costume Assistant
Transportation Captain
James Fanning
Transportation Captain
Sound Editor
Marjorie Deutsch
Sound Editor
Assistant Camera
Douglas C. Hart
Assistant Camera
Apprentice Sound Editor
Lynn Sable
Apprentice Sound Editor
Janet Lund Robbins
Apprentice Sound Editor
Projection
Carl Turnquest
Projection
Lead Set Dresser
Joseph Badalucco Jr.
Lead Set Dresser
Key Scenic Artist
James Sorice
Key Scenic Artist
What's left behind the scenes
- In 2007, Italian psychiatrists led by Giovanni Coniglia discovered a rare neurological disorder, the victims of which behave as the protagonist of this film does (psychologically, but not physically). They proposed naming this disorder Seligman syndrome.
- The cinematographer used old lenses, cameras, sound and lighting equipment. Moreover, he trampled on the film to age it.
- Mae Questel, who voiced the animated character Betty Boop from 1931 to 1989, provided the voice for Helen Kane singing "Chameleon Days" in this film.
- Woody Allen initially wanted Greta Garbo to play the role of the journalist conducting the interview.
- The final scene was filmed in the same house that was used during the filming of 'Sexual Comedy in a Summer Night' (1982).
- To help make the film look like it was from the 1930s, DuArt, a data processing laboratory, called on its specialists who were already retired and who had the appropriate experience.
- While trying to make the film look like footage from old newsreels, Woody Allen managed to shoot two more films ('Sexual Comedy in a Summer Night', 1982, and 'Broadway Danny Rose', 1984). Allen later said that there were no mechanical ways to age the film, and they simply had to crumple and trample the negatives.
- John Gielgud was originally cast as the narrator. He even recorded all of his lines, but Woody Allen, after listening to the recording, decided that his voice was not suitable because it sounded 'too majestic' for the role.
- In one scene, the narrator mentions a photograph of Leonard Zeliga as a pagliacci, which translates from Italian as "clowns." It would be more accurate to use the singular form of the word – pagliaccio.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
