The Silence

BERGMAN at his most POWERFUL! SHOCKING! BOLD!
Tystnaden (1963)
1:35 (95 min)
7.7/10
32 700
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no scores
7.5/10
411
7.7/10
23000
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Production
Release date
Revenue
$12 728
Director
Scenario
Composer
Ivan Renliden
Producer
Photo Allan Ekelund
Allan Ekelund
Actors
Håkan Jahnberg
Hotel Steward
Photo Kotti Chave
Kotti Chave
Officer in the Train Compartment
Photo Lissi Alandh
Lissi Alandh
Woman in Variety Hall (uncredited)
Leif Forstenberg
Man in Variety Hall (uncredited)
All actors and roles (10)

Short description

Two sisters and the young son of one of them are travelling home through a foreign European country when illness forces them to break their journey. They take rooms in a large, nearly empty hotel in a city whose inhabitants speak a language none of them understands. Ester, the elder sister, is unwell and withdrawn; Anna, restless and sensual, seeks company elsewhere, while the boy Johan is left largely to himself and wanders the corridors of the hotel. The distance between the sisters, and the failure of anyone around them to communicate, shape the days they spend waiting to continue their travels.

Ingmar Bergman wrote and directed the film, his thirteenth feature in a career that would eventually number twenty-four. It arrived in 1963, the same year as Winter Light and three years before Persona. Ingrid Thulin plays Ester and Gunnel Lindblom plays Anna, with Jörgen Lindström as Johan; Allan Ekelund produced for SF Studios. The black-and-white drama runs 95 minutes.

Audience response on IMDb and TMDB places the film well regarded decades after its release, and critics' ratings collected for it are similarly strong. Those figures reflect its standing as one of the director's major works from the early 1960s. Its treatment of two sisters unable to reach each other, set in an unfamiliar country on the edge of war, remains the film's central concern.

What's left behind the scenes

  • Immediately after the film's release in 1963, Bergman and his wife were refused accommodation by the owners of a dacha on the island of Ornö, who stated that decent tenants should not film indecent movies.
  • The extraordinary frankness of some of the film's scenes led to Ingmar Bergman (1918-2007)'s film attracting a larger audience than usual. When Bergman himself noticed this, he remarked that the film had attracted the least desirable audience.
  • At the moment the finished film received the 'green light', the chief censor was on vacation.
  • The language used in the film was created by Gunvor (Gun) Marianne Bergman, née Hagberg, a Swedish literary translator and journalist.
  • The film received a peculiar international recognition. In the USA, it was presented as semi-pornographic, in Argentina the film's distributor was sentenced to one year of conditional imprisonment, and in Uruguay the film was shown without censorship.

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