It's a Mad, Mad, Mad, Mad World - crew, film crew

The entire team, the film crew of the film "It's a Mad, Mad, Mad, Mad World"
It's a Mad, Mad, Mad, Mad World (1963)
Timing: 3:12 (192 min)
It
6.984/10
663
It
7.679/10
15370
It
7.5/10
51000

Film crew

Director

Producer

Editor

Frederic Knudtson
Editor
Robert C. Jones
Editor
Gene Fowler Jr.
Editor

Art Direction

Gordon Gurnee
Art Direction

Costume Design

Bill Thomas

Bill Thomas
Costume Design

Stunts

Richard E. Butler
Stunts
Photo Eddie Smith #27773
Eddie Smith
Stunts
Photo Chuck Hayward #51591Photo Chuck Hayward #51592
Chuck Hayward
Stunts
Paul Stader
Stunts
Carol Daniels
Stunts
Walt La Rue
Stunts
Fred Scheiwiller
Stunts
Dick Geary
Stunts
Tap Canutt
Stunts
Carl Saxe
Stunts
Alex Sharp
Stunts
Joe Pronto
Stunts
Max Balchowsky
Stunts

Production Design

Stunt Coordinator

Photo Carey Loftin #52587

Carey Loftin

Carey Loftin
Stunt Coordinator

Set Decoration

Joseph Kish
Set Decoration

Stunt Driver

Makeup Artist

George Lane
Makeup Artist
Lynn F. Reynolds
Makeup Artist

Sound Re-Recording Mixer

Clem Portman

Clem Portman
Sound Re-Recording Mixer
Vinton Vernon
Sound Re-Recording Mixer
Roy Granville
Sound Re-Recording Mixer

Original Music Composer

Photo Ernest Gold #74807

Ernest Gold

Ernest Gold
Original Music Composer

Stunt Double

George Robotham
Stunt Double
Bill Couch
Stunt Double
Photo John Hudkins #61853
John Hudkins
Stunt Double
Regis Parton
Stunt Double
Jesse Wayne
Stunt Double
May Boss
Stunt Double

Additional Photography

Hal McAlpin
Additional Photography
Irman Roberts
Additional Photography

Director of Photography

Ernest Laszlo
Director of Photography

Camera Operator

Charles F. Wheeler
Camera Operator

Costume Supervisor

Joe King
Costume Supervisor

Property Master

Art Cole
Property Master

Script Supervisor

Production Manager

Photo Clem Beauchamp #74809

Clem Beauchamp

Clem Beauchamp
Production Manager

Screenplay

Tania Rose
Screenplay

Grip

Morris Rosen
Grip

Special Effects

Danny Lee
Special Effects

Story

Tania Rose
Story

Songs

Gaffer

Joseph Edesa
Gaffer

Assistant Director

George R. Batcheller Jr.
Assistant Director
Bert Chervin
Assistant Director
Charles Scott
Assistant Director

Music Editor

Art Dunham
Music Editor

Other

Ivan Volkman
Other

Sound Engineer

John K. Kean
Sound Engineer

Production Coordinator

Bud Pine
Production Coordinator

Visual Effects

Farciot Edouart
Visual Effects
Linwood G. Dunn
Visual Effects
James Gordon
Visual Effects

Hairdresser

Connie Nichols
Hairdresser

Title Designer

Photo Saul Bass #25156

Saul Bass

Saul Bass
Title Designer

Sound Editor

Walter Elliott
Sound Editor

Producer's Assistant

Anne P. Kramer
Producer's Assistant

Assistant Camera

Dick Johnson
Assistant Camera

Aerial Coordinator

Paul Mantz
Aerial Coordinator
Frank Tallman
Aerial Coordinator

Assistant Grip

Martin Kashuk
Assistant Grip

What's left behind the scenes

  • Eldar Ryazanov filmed a kind of remake based on this film: "The Incredible Adventures of Italians in Russia" (1973).
  • The film was released in Soviet cinemas in 1965 with a single-voice voiceover dubbing by the "Central Studio of Film Actors." The text was read by Artem Karapetyan.
  • The film was cut by 12 minutes for Soviet cinema release.
  • In 1965, the film's screenplay was nominated for an Edgar Allan Poe Award.
  • The cameo role eventually played by Jack Benny was initially offered to Stan Laurel, but Laurel (a comedic actor, screenwriter, and director famous for his work with the comedy duo Laurel and Hardy) declined the offer. In 1957, he lost his close friend and stage partner Oliver Hardy and vowed never to perform again. He kept his promise. By this point, a long shot with a stunt double wearing Laurel’s signature bowler hat had already been filmed. This is why Benny is shown wearing the bowler hat in the film, even though he never wore one before or after.
  • At the time of filming this movie, there were approximately 100 stunt performers in the United States, and around 80 of them were involved in this project.
  • The scene with the blowtorch, hammer, and ladder, and the character played by Sid Caesar, was filmed with 86 takes.
  • Peter Falk improvised a significant portion of his own lines in the taxi.
  • During the premiere of the film in Hollywood, during the so-called "Intermission," what were supposedly police negotiations describing the events unfolding with the film's characters were broadcast over the speakers. It was possible to hear everything not only directly in the auditorium but even in the cafeteria and restrooms.
  • The film has so many stunts that all the main actors were given two scripts – one listed the lines, and the other listed the comedic stunts.
  • Edie Adams, who played Monica, lost her husband, Ernie Kovacs, in a car accident a couple of months before filming began. Adams agreed to the role because Kovacs had left her with many debts, and she could only pay off her creditors by earning money filming this and other movies.
  • A significant portion of the film was shot during a hot summer in California. Director Stanley Kramer ordered a fully air-conditioned van with plenty of seating to be brought to the set so that the actors and crew could catch their breath between takes.
  • During the filming of the scene where the car with Otto at the wheel drives into the river, the actor playing the role, Phil Silvers, nearly drowned because he couldn't swim.
  • The film featured many celebrities, and assigning names to the posters and promotional materials presented a problem. Stanley Kramer solved it as follows: the top line featured Spencer Tracy's name, as he was the most famous actor of everyone in the film. Below him were the names of the leading comedians, listed alphabetically, followed by the supporting actors (also in alphabetical order). The only exception to this rule was Jimmy Durante. Kramer wanted to give him special recognition, as his screen appearance (as Grogan) was very brief.
  • Stanley Kramer cast practically every comedic actor he could think of in the film. Some even contacted Kramer themselves, offering their services or wondering why they hadn't been offered a role yet.
  • Arnold Stang (who played Ray) broke his left arm just a few days before filming the scenes with his character. In the shots, he constantly wears work gloves, and his left arm is in a cast hidden by his uniform. Director Stanley Kramer suggested replacing him in the role of Ray with someone else, but Stang insisted on receiving his full salary, stating he would play the role even if he lost his arm.
  • After filming the scene of Jonathan Winters' gas station destruction (he played Lennie Pike), he was accidentally left tied up with the cable, and everyone went to lunch. The actors and crew returned a couple of hours later and immediately found Winters still tied up, having spent the entire time unsuccessfully trying to free his hands.
  • Spencer Tracy filmed all his scenes in 9 days. Stanley Kramer was aware that the actor was in very poor health. Kramer didn't allow him to work more than 3-4 hours a day and didn't schedule him for scenes in the desert. In the most extreme cases, a stunt double stood in for Tracy there.
  • Phil Silvers was injured and towards the end of filming, Otto was replaced by a stunt double. In all the scenes near the end, Otto consistently looks away from the camera.
  • When the actors involved in the film gathered for their first meeting with director Stanley Kramer, they were shown footage shot by the second unit. Buddy Hackett was so impressed by what he saw that he couldn't help but ask Kramer, “What are we even here for?”
Did you like the film?

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