Train Dreams - actors, characters and roles
All actors and their roles in the film "Train Dreams"
Train Dreams (2025)
Timing:
1:42 (102 min)
7.321/10
926
926
7.545/10
32289
32289
7.5/10
82190
82190
Actors and characters
Alfred Hsing
Character Fu Sheng
David Paul Olsen
Character Toomis
Chuck Tucker
Character Silent Man
Rob Price
Character Curious Logger
Brandon Lindsay
Character Elijah Brown
Eric Ray Anderson
Character Boss
Beau Charles
Character Young Logger
Rick Rivera
Character Foreman. New Cut
Taylor McKinley
Character Logger. New Cut
Ashton Singer
Character Avery Pinkham
Zoe Rose Short
Character Kate. Returned
Sean San Jose
Character Carnival Barker
Bonni Dichone
Character Woman at TV
Cisco Keanu Hoberock
Character Wolfboy
Clark Sandford
Character Pilot's Father
Amelia Hilsen
Character Pilot
Keith Cox
Character Ruffian in Store / Model T Driver (uncredited)
Bonne Vejou-Dorrell
Character Kootenai Indian (uncredited)
Ron Ford
Character Mr. Pinkham (uncredited)
Frank A. Gaimari
Character Church Attendee (uncredited)
Miles Glew
Character Fair Attendee (uncredited)
Pamela Kingsley
Character Chapel Congregant (uncredited)
Jennifer Simmons
Character Mrs. Pinkham (uncredited)
Eric David Wallace
Character Logger (uncredited)
What's left behind the scenes
- According to director and screenwriter Clint Bentley, only a few trees were actually felled during the filming of the movie. Scenes depicting the characters felling trees were shot using props made of wood and fiberglass, and with the use of special effects.
- The film owes some of its details – such as the use of a third-person narrative – to the dramas of François Truffaut, 'Jules and Jim' (1962), and Alfonso Cuarón, 'Y Tu Mamá También' (2001).
- Initially, director and screenwriter Clint Bentley and cinematographer Adolfo Veloso considered shooting the film on film, but ultimately shot it digitally.
- According to cinematographer Adolfo Veloso, he and the film's director, Clint Bentley, chose the unconventional aspect ratio of 3:2 because it was widely used for photographs at the beginning of the 20th century and is still used in smartphones. With this decision, Adolfo and Clint aimed to simulate the feeling of real memories captured in photographs and reflecting the lives of real people. The 3:2 aspect ratio also works better for filming tall trees.
- According to cinematographer Adolfo Veloso, ARRI ALEXA 35 cameras were used during the filming of the movie. Daytime scenes were shot using Kowa Prominar Spherical lenses, and Adolfo noted that he chose these lenses because of their unique texture and beautiful flares. Zeiss Super Speed MKII lenses, which offer higher light sensitivity, were used for shooting nighttime scenes, as the filmmakers did not want to change the camera's sensitivity settings for low-light shooting.
- According to operator Adolfo Veloso, 99% of the scenes in the film were shot using natural lighting.
- At the 56th minute of the film, when Robert approaches the playing puppies, a contrail can be noticed in the sky in the upper left corner of the frame.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
