Train Dreams - crew, film crew
The entire team, the film crew of the film "Train Dreams"
Train Dreams (2025)
Timing:
1:42 (102 min)
7.321/10
926
926
7.545/10
32289
32289
7.5/10
82190
82190
Film crew
Director
Producer
Marissa McMahon
Producer
Ashley Schlaifer
Producer
Michael Heimler
Producer
Executive Producer
Scott Hinckley
Executive Producer
John Friedberg
Executive Producer
Casting
Avy Kaufman
Casting
Editor
Parker Laramie
Editor
Art Direction
Erin O. Kay
Art Direction
Supervising Art Director
John Lavin
Supervising Art Director
Costume Design
Malgosia Turzanska
Costume Design
Stunts
Jorge Castro
Stunts
Keith Cox
Stunts
Oleg Podobin
Stunts
Erin Downhour
Stunts
Art Hickman
Stunts
Alex Terzieff
Stunts
Kent W. Luttrell
Stunts
Chuck Tucker
Stunts
Jeff McKracken
Stunts
Thomas Vu
Stunts
David Paul Olsen
Stunts
Production Design
Alexandra Schaller
Production Design
Stunt Coordinator
Alex Terzieff
Stunt Coordinator
Set Decoration
Melisa Jusufi
Set Decoration
Makeup Artist
Kate Dixson
Makeup Artist
Natasha Shallbetter
Makeup Artist
Ricardo Martínez
Makeup Artist
Key Makeup Artist
Jennifer Chavez
Key Makeup Artist
Sound Re-Recording Mixer
Lee Salevan
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Parker Laramie
Co-Producer
Ginny Liberto
Co-Producer
Production Supervisor
Marc Dahlstrom
Production Supervisor
Associate Producer
Emma Whitmore
Associate Producer
Orchestrator
Oliver Howlett
Orchestrator
Set Dresser
Curtis Taylor
Set Dresser
Shefskie P. Sienkiewicz
Set Dresser
Christina Burubeltz
Set Dresser
Adam Whitley
Set Dresser
Rob Chalk
Set Dresser
Thomas A. Gilbert
Set Dresser
Edgar Polkat
Set Dresser
Mia Yoshida
Set Dresser
Second Assistant Director
Cameron H. Price
Second Assistant Director
Stunt Double
Diz Sharpe
Stunt Double
Duncan Vezain
Stunt Double
Utility Stunts
Jhon Goodwin
Utility Stunts
Director of Photography
Musician
Sam Amidon
Musician
Timo Andres
Musician
Clarice Jensen
Musician
Steadicam Operator
Daniel Mimura
Steadicam Operator
Tim Spencer
Steadicam Operator
Timothy Robin Spencer
Steadicam Operator
Costumer
Robyn Urhausen
Costumer
Costume Supervisor
Lisa Caryl-Vukas
Costume Supervisor
Makeup Department Head
Leo Corey Castellano
Makeup Department Head
Property Master
Andrew Wert
Property Master
Visual Effects Supervisor
Ilia Mokhtareizadeh
Visual Effects Supervisor
Jason McKee
Visual Effects Supervisor
Supervising Sound Editor
Lee Salevan
Supervising Sound Editor
Script Supervisor
Molly Hans
Script Supervisor
Hair Department Head
Kaleena Jordan
Hair Department Head
Electrician
Mia Yoshida
Electrician
Set Costumer
Meg Schmitt
Set Costumer
Taylor Williams
Set Costumer
Hairstylist
Douglas Decker
Hairstylist
Luce Cousineau
Hairstylist
Juliette Lewis
Hairstylist
Alexi Sage
Hairstylist
Akemi Hart
Hairstylist
Special Effects Coordinator
Ryan Roundy
Special Effects Coordinator
Still Photographer
D.S. Schaefer
Still Photographer
Sound Mixer
Tom Taylor
Sound Mixer
Kelsey Wood
Sound Mixer
Adam McCollom
Sound Mixer
Nathan Whitcomb
Sound Mixer
Visual Effects Producer
Travis Berry
Visual Effects Producer
First Assistant Director
Cédric Chabloz
First Assistant Director
Assistant Costume Designer
Dakota Keller
Assistant Costume Designer
Thanks
Chief Lighting Technician
Kevin Cook
Chief Lighting Technician
Boom Operator
Vincent Gates
Boom Operator
Graphic Designer
Matthew Vidalis
Graphic Designer
Costume Designer
Dakota Keller
Costume Designer
Screenplay
Novel
Additional Editor
Karl Stieg
Additional Editor
Foley Artist
Tornike Dzidzikashvili
Foley Artist
Construction Coordinator
Brent Lamb
Construction Coordinator
David Lewis
Construction Coordinator
Ben Menzel
Construction Coordinator
Location Scout
Debbie Dahlstrom
Location Scout
D.S. Schaefer
Location Scout
Art Department Coordinator
Madison E. Cattle
Art Department Coordinator
Dialogue Editor
Kate Bilinski
Dialogue Editor
Lighting Technician
Morgan Hendrickson
Lighting Technician
Foley Editor
Dachi Abesalashvili
Foley Editor
Props
Mia Yoshida
Props
Transportation Coordinator
Herman Esau
Transportation Coordinator
Marc Dahlstrom
Transportation Coordinator
Key Grip
Ryan Fritz
Key Grip
Location Manager
Case Barden
Location Manager
Grip
Morgan Hendrickson
Grip
Mia Yoshida
Grip
Dolly Grip
Niall James
Dolly Grip
Key Hair Stylist
Kaija Mistral
Key Hair Stylist
Danyale Cook
Key Hair Stylist
Leadman
Aaron Fink
Leadman
Sarah Spiegelberg
Leadman
Key Rigging Grip
Jon LaFollette
Key Rigging Grip
Assistant Location Manager
Phil Andrade
Assistant Location Manager
Doug Daulton
Assistant Location Manager
Pete Moroz
Assistant Location Manager
Raymond Power
Assistant Location Manager
Second Second Assistant Director
Devante Smith
Second Second Assistant Director
Carpenter
Andrew Imanaka
Carpenter
Brent Lamb
Carpenter
Oscar Lofgren
Carpenter
Matthew Siltala
Carpenter
Assistant Set Decoration
Dan Beyer
Assistant Set Decoration
3D Artist
Stoil Vatev
3D Artist
Casting Assistant
Monika Holm
Casting Assistant
Addison Landsburg
Casting Assistant
Foley Supervisor
Alexander Sanikidze
Foley Supervisor
Special Effects Technician
Michael Roundy
Special Effects Technician
Foley Mixer
Salome Maisuradze
Foley Mixer
Production Accountant
Casey Cowan
Production Accountant
Songs
Wig Designer
Gemma Hoff
Wig Designer
Casting Associate
Brigitte Whitmire
Casting Associate
Music Editor
Oliver Howlett
Music Editor
Production Sound Mixer
Tom Taylor
Production Sound Mixer
ADR Mixer
Mehrnaz Mohabati
ADR Mixer
ADR Recordist
Nathan Wozney
ADR Recordist
Beau Emory
ADR Recordist
First Assistant Camera
Nick Kelling
First Assistant Camera
Concept Artist
Júlia Sebök
Concept Artist
Conductor
Oleg Kondratenko
Conductor
Colorist
Sergio Pasqualino
Colorist
Tashi Trieu
Colorist
Post Production Supervisor
Parker Laramie
Post Production Supervisor
Production Assistant
Gideon Buchleiter
Production Assistant
Greensman
Matt Lask
Greensman
Nathan Pacyna
Greensman
VFX Artist
Casey Sargent
VFX Artist
Jared Potter
VFX Artist
Martin Naydenski
VFX Artist
Production Coordinator
Jennifer Gatts
Production Coordinator
Truck Costumer
Kimberlee Iblings
Truck Costumer
Lindsay Zgonina
Truck Costumer
Visual Effects Coordinator
Russell Sadeghpour
Visual Effects Coordinator
Scenic Artist
Bree Judah
Scenic Artist
Payroll Accountant
Rebecca Cook
Payroll Accountant
Local Casting
Nike Imoru
Local Casting
ADR Editor
Kate Bilinski
ADR Editor
Extras Casting
D.S. Schaefer
Extras Casting
Jennifer Simmons
Extras Casting
Netsanet Tjirongo
Extras Casting
Rigging Gaffer
Mike Vukas
Rigging Gaffer
Sound Mix Technician
Nina Leitenberg
Sound Mix Technician
Assistant Accountant
Angela Boulet
Assistant Accountant
Second Assistant Camera
Angela Bernardoni
Second Assistant Camera
Joe Reding
Second Assistant Camera
Choreographer
Bonni Dichone
Choreographer
Nike Imoru
Choreographer
Dialect Coach
Elizabeth Himelstein
Dialect Coach
Tanera Marshall
Dialect Coach
Matchmove Supervisor
Rajesh Murthy
Matchmove Supervisor
Swing
Oscar Lofgren
Swing
Vocals
Music Producer
Luis Almau
Music Producer
Digital Intermediate Producer
Alex Exline
Digital Intermediate Producer
Foley
Tina Babakishvili
Foley
Special Effects Manager
James Pendleton
Special Effects Manager
Additional Camera
Bryan Gosline
Additional Camera
Doug Hostetter
Additional Camera
Assistant Chief Lighting Technician
Marc Dewey
Assistant Chief Lighting Technician
Rachel Weinkauf
Assistant Chief Lighting Technician
Animal Wrangler
Duncan Vezain
Animal Wrangler
Main Title Designer
Andrew Ryan Shepherd
Main Title Designer
Pyrotechnician
Chuck Roundy
Pyrotechnician
Additional Set Dresser
Adrian Rasmussen
Additional Set Dresser
Carrie Stacey
Additional Set Dresser
First Company Grip
Matthew Semchee
First Company Grip
2D Artist
Mike Smith
2D Artist
Location Casting
Nike Imoru
Location Casting
Executive In Charge Of Post Production
Nancy Valle
Executive In Charge Of Post Production
Key Scenic Artist
Vincent DeFelice
Key Scenic Artist
Locale Casting Director
Nike Imoru
Locale Casting Director
What's left behind the scenes
- According to director and screenwriter Clint Bentley, only a few trees were actually felled during the filming of the movie. Scenes depicting the characters felling trees were shot using props made of wood and fiberglass, and with the use of special effects.
- The film owes some of its details – such as the use of a third-person narrative – to the dramas of François Truffaut, 'Jules and Jim' (1962), and Alfonso Cuarón, 'Y Tu Mamá También' (2001).
- Initially, director and screenwriter Clint Bentley and cinematographer Adolfo Veloso considered shooting the film on film, but ultimately shot it digitally.
- According to cinematographer Adolfo Veloso, he and the film's director, Clint Bentley, chose the unconventional aspect ratio of 3:2 because it was widely used for photographs at the beginning of the 20th century and is still used in smartphones. With this decision, Adolfo and Clint aimed to simulate the feeling of real memories captured in photographs and reflecting the lives of real people. The 3:2 aspect ratio also works better for filming tall trees.
- According to cinematographer Adolfo Veloso, ARRI ALEXA 35 cameras were used during the filming of the movie. Daytime scenes were shot using Kowa Prominar Spherical lenses, and Adolfo noted that he chose these lenses because of their unique texture and beautiful flares. Zeiss Super Speed MKII lenses, which offer higher light sensitivity, were used for shooting nighttime scenes, as the filmmakers did not want to change the camera's sensitivity settings for low-light shooting.
- According to operator Adolfo Veloso, 99% of the scenes in the film were shot using natural lighting.
- At the 56th minute of the film, when Robert approaches the playing puppies, a contrail can be noticed in the sky in the upper left corner of the frame.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
