Return to Oz - crew, film crew

The entire team, the film crew of the film "Return to Oz"
Return to Oz (1985)
Timing: 1:49 (109 min)
Return to Oz - TMDB rating
6.7/10
982
Return to Oz - Kinopoisk rating
7.091/10
1408
Return to Oz - IMDB rating
6.7/10
29706

Film crew

Director

Producer

Paul Maslansky
Producer

Executive Producer

Photo Gary Kurtz #1887

Gary Kurtz

Gary Kurtz
Executive Producer

Casting

Jane Feinberg
Casting
Photo Marci Liroff #67368
Marci Liroff
Casting
Photo Susie Figgis #3631
Susie Figgis
Casting

Editor

Leslie Hodgson
Editor

Art Direction

Fred Hole
Art Direction

Supervising Art Director

Charles Bishop
Supervising Art Director

Costume Design

Raymond Hughes
Costume Design

Stunts

Photo Andy Bradford #44319
Andy Bradford
Stunts
Gareth Milne
Stunts
Elaine Ford
Stunts

Production Design

Norman Reynolds
Production Design

Stunt Coordinator

Photo Colin Skeaping #69685
Colin Skeaping
Stunt Coordinator

Set Decoration

Michael Ford
Set Decoration

Makeup Artist

Magdalen Gaffney
Makeup Artist
Beryl Lerman
Makeup Artist

Sound Re-Recording Mixer

Bill Rowe
Sound Re-Recording Mixer

Original Music Composer

David Shire
Original Music Composer

Associate Producer

Photo Colin Michael Kitchens #1857
Colin Michael Kitchens
Associate Producer

Orchestrator

Herbert W. Spencer
Orchestrator

Second Assistant Director

Ian Hickinbotham
Second Assistant Director
Kieron Phipps
Second Assistant Director

Stunt Double

Cheryl Brown
Stunt Double
Alison Lynn
Stunt Double
Nicola Roche
Stunt Double
Sarah White
Stunt Double

Director of Photography

Photo David Watkin #101723
David Watkin
Director of Photography

Camera Operator

John Palmer
Camera Operator
Gordon Hayman
Camera Operator
Ken Worringham
Camera Operator

Property Master

Peter Hancock
Property Master

Hair Department Head

Patricia McDermott
Hair Department Head

Still Photographer

Richard Blanshard
Still Photographer
Barry Peake
Still Photographer

Assistant Costume Designer

William McPhail
Assistant Costume Designer

Thanks

Screenplay

Photo Gill Dennis #97119
Gill Dennis
Screenplay

Assistant Editor

Dan Farrell
Assistant Editor

Book

Location Manager

Grania O'Shannon
Location Manager

Makeup Supervisor

Robin Grantham
Makeup Supervisor

Gaffer

Maurice Gillett
Gaffer
Jim Dawes
Gaffer

Assistant Director

Ray Corbett
Assistant Director
Michael Murray
Assistant Director

Music Editor

Stan Witt
Music Editor

Animation Director

Photo Will Vinton #86070

Will Vinton

Will Vinton
Animation Director

Wardrobe Supervisor

Paul Vachon
Wardrobe Supervisor

Assistant Sound Editor

Geoff R. Brown
Assistant Sound Editor
Walter Nelson
Assistant Sound Editor
Tony Morris
Assistant Sound Editor

Unit Manager

Philip Kohler
Unit Manager

Executive In Charge Of Production

Bruce Sharman
Executive In Charge Of Production

Sound Editor

Martin Evans
Sound Editor
Peter Musgrave
Sound Editor
Michael Hopkins
Sound Editor

Draughtsman

Richard Holland
Draughtsman
Reg Bream
Draughtsman

Creature Design

Photo Lyle Conway #51030

Lyle Conway

Lyle Conway
Creature Design

Continuity

Sally Jones
Continuity

Storyboard

Mike Ploog
Storyboard
Denis Rich
Storyboard

Mechanical Designer

John Stephenson
Mechanical Designer

What's left behind the scenes

  • Fairuza Balk performed all the stunts herself.
  • The first film with the new Walt Disney Pictures logo featuring the rainbow and castle.
  • To move his legs, Michael Sandin (1961-1989) stood inside the Tick-Tock costume upside down and facing backwards.
  • The actress Fairuza Balk’s slippers were handmade with imitation rubies, and their magical appearance was enhanced by the use of rotoscoping during post-production. Glass beads imported from Austria and glued on with a special spray were used as rubies. This later caused problems, as the heat from the set lights melted the adhesive, and the beads began to fall off the slippers during the actress's movements. Eventually, the slippers were only put on immediately before filming. The actress later kept one pair of the slippers for herself.
  • Disney fired director Walter Murch approximately a week after filming began due to financial concerns. Furthermore, it turned out that the filming was behind schedule. Murch turned to friends Francis Ford Coppola, Steven Spielberg, and George Lucas for help, and they persuaded Disney to rehire Murch. Lucas even promised to become the director himself if Murch fell behind schedule again. Murch stayed on schedule, but the studio leadership changed during post-production. The new leadership showed no interest in the project, resulting in minimal advertising before its release and a limited theatrical run.
  • To feature the ruby slippers in the film, Disney had to pay royalties to MGM, the studio that released Victor Fleming’s (1889-1949) “The Wizard of Oz” in 1939. The ruby slippers are not mentioned in the original book by L. Frank Baum (1856-1919). They were invented in 1939 specifically for the newly invented “Technicolor” technology. In the book “The Wonderful Wizard of Oz” (1900), Dorothy wears magical silver shoes and loses them upon returning to Kansas. In the book “Ozma of Oz” (1907), one of the source materials for this film, Dorothy and her friends meet King Nom, who possesses a magical belt with properties similar to those of the silver shoes. This was also mentioned in one of the early drafts of the screenplay for “Return to Oz,” according to which King Nom cut up the ruby slippers and made himself a magical belt.
  • Once, Walter Murch invited his friend George Lucas to visit the set. Lucas came, and at one point began walking around the soundstage, where he met Rick McCallum, who was working on a project of his own. Lucas and McCallum became friends and later even worked together on the Star Wars prequels.
  • While working on this film, Walter Murch did not intend to shoot a sequel to Victor Fleming's "The Wizard of Oz" (1939) as such.
  • Initially, the characters who became the Scarecrow, the Tin Woodman, and the Cowardly Lion in the Russian adaptation were intended to play more significant roles, but due to budget constraints, their roles had to be reduced to episodic ones.
  • During post-production, Emma Ridley (who played Ozma) was re-voiced by the director's daughter, Beatrice Murch. It was decided that Ridley's own voice sounded too British.
  • During the filming of one of the scenes at the end of the film, actress Fairuza Balk became ill from the heat. The temperature in the pavilion exceeded 43 degrees Celsius, and the actress fainted.
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