Nights of Cabiria - crew, film crew

The entire team, the film crew of the film "Nights of Cabiria"
Le notti di Cabiria (1957)
Timing: 1:50 (110 min)
Nights of Cabiria - TMDB rating
7.991/10
849
Nights of Cabiria - Kinopoisk rating
8.025/10
21496
Nights of Cabiria - IMDB rating
8.1/10
51327

Film crew

Director

Producer

Writer

Brunello Rondi
Writer

Editor

Photo Leo Catozzo #112943
Leo Catozzo
Editor

Costume Design

Production Design

Piero Gherardi

Piero Gherardi
Production Design

Makeup Artist

Eligio Trani
Makeup Artist

Original Music Composer

Photo Nino Rota #11810

Nino Rota

Nino Rota
Original Music Composer

Second Assistant Director

Photo Dominique Delouche #117187
Dominique Delouche
Second Assistant Director
Paolo Nuzzi
Second Assistant Director

Director of Photography

Photo Aldo Tonti #113533

Aldo Tonti

Aldo Tonti
Director of Photography

Camera Operator

Goffredo Bellisario
Camera Operator

Script Supervisor

Narciso Vicario
Script Supervisor

First Assistant Director

Moraldo Rossi
First Assistant Director

Production Manager

Luigi De Laurentiis
Production Manager

Screenplay

Assistant Editor

Adriana Olasio
Assistant Editor

Story

Conductor

Franco Ferrara
Conductor

Sound

Oscar Di Santo
Sound
Rocco Roy Mangano
Sound

Production Secretary

Manolo Bolognini
Production Secretary

Unit Manager

Emimmo Salvi
Unit Manager

What's left behind the scenes

  • According to Dominique Deloche, assistant to Federico Fellini (1920-1993), actor François Périer was cast as Oscar to secure additional funding for the film as a co-production with France.
  • The film's screenplay served as the basis for the plot of the musical "Sweet Charity" (Bob Fosse, 1969).
  • Director Federico Fellini (1920-1993) filmed producer Leo Cattuzzo as the “man with the backpack” and wanted to leave these shots in the film, but producer Dino De Laurentiis (1919-2010) objected. He believed that the scene slowed down the overall rhythm of the film and eventually simply stole the film reel with that scene from the editing room. According to De Laurentiis, about 5-7 years after the film's release, Fellini called him and began to plead with him to return the reel so he could reinsert it into the film. By this time, the film was already considered a classic, and De Laurentiis agreed.
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