Late Spring - crew, film crew
The entire team, the film crew of the film "Late Spring"
晩春 (1949)
Timing:
1:48 (108 min)
8.011/10
467
467
0/10
19
19
0/10
0
0
Film crew
Director
Producer
Takeshi Yamamoto
Producer
Editor
Yoshiyasu Hamamura
Editor
Art Direction
Tatsuo Hamada
Art Direction
Set Decoration
Mototsugu Komaki
Set Decoration
Original Music Composer
Senji Itô
Original Music Composer
Second Assistant Director
Kôzô Tashiro
Second Assistant Director
Director of Photography
Yûharu Atsuta
Director of Photography
Camera Operator
Seiji Inoue
Camera Operator
Yoshitsugu Tonegawa
Camera Operator
Takeo Matsuda
Camera Operator
Motoshige Oikawa
Camera Operator
Sound Effects Editor
Rokusaburô Saitô
Sound Effects Editor
Assistant Art Director
Masao Kumagai
Assistant Art Director
Hairstylist
Kingorô Yoshizawa
Hairstylist
Hisae Kakizawa
Hairstylist
Sound Mixer
Yoshisaburo Seno
Sound Mixer
First Assistant Director
Costume Designer
Bunjiro Suzuki
Costume Designer
Screenplay
Novel
Kazuo Hirotsu
Novel
Set Designer
Kintarô Yamamoto
Set Designer
Assistant Editor
Michiyo Haneta
Assistant Editor
Lighting Technician
Akira Aomatsu
Lighting Technician
Shigeo Suzuki
Lighting Technician
Assistant Property Master
Tetsuji Yamazaki
Assistant Property Master
Makoto Aihara
Assistant Property Master
Key Hair Stylist
Toku Sakuma
Key Hair Stylist
Third Assistant Director
Shôkichi Tsukamoto
Third Assistant Director
Gaffer
Haruo Isono
Gaffer
Sound
Hidetaka Sasaki
Sound
Sound Recordist
Hirofumi Satô
Sound Recordist
Yoshiomi Hori
Sound Recordist
Kôjirô Suematsu
Sound Recordist
Ryô Ôfuji
Sound Recordist
Second Unit First Assistant Director
Kôzô Yamamoto
Second Unit First Assistant Director
Assistant Set Designer
Kakuzô Sasu
Assistant Set Designer
What's left behind the scenes
- Yasujiro Ozu's 42nd film was shot from May to September 1949 and is the first film in the so-called «Noriko Trilogy», which also includes «Early Summer» (1951) and «Tokyo Story» (1953).
- The film «Late Spring» is considered one of Ozu's best and most important works, largely determining his future creativity: from this point on, the main motif for him becomes the separation of parents and children, and the focus shifts from son to father. Another important aspect of the film is the conflict between traditional values and modernization (Westernization), reflecting the processes in post-war Japanese society; this conflict is expressed in the social pressure experienced by the main character regarding marriage issues, to which she is unable to resist. Since Ozu does not offer a simple way to resolve this conflict, the film allows for a wide range of interpretations – from expressing conservative views to a radical rejection of traditions.
- The film is based on Katsuo Hirotsu's novel «Father and Daughter».
- The film received the Kinema Jumpo award for Best Film, as well as four Mainichi Film Awards: for Best Film, Best Director, Best Screenplay, and Best Actress (Setsuko Hara).
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