Saw III - crew, film crew

The entire team, the film crew of the film "Saw III"
Saw III (2006)
Timing: 1:48 (108 min)
Saw III - TMDB rating
6.418/10
4890
Saw III - Kinopoisk rating
7.038/10
97137
Saw III - IMDB rating
6.2/10
227000

Film crew

Director

Producer

Executive Producer

Photo James Wan #524Photo James Wan #525Photo James Wan #297435Photo James Wan #326387

James Wan

James Wan
Executive Producer
Photo Leigh Whannell #526Photo Leigh Whannell #527

Leigh Whannell

Leigh Whannell
Executive Producer
Photo Daniel J. Heffner #533
Daniel J. Heffner
Executive Producer
Stacey Testro
Executive Producer
Photo Peter Block #26869
Peter Block
Executive Producer
Photo Jason Constantine #3340
Jason Constantine
Executive Producer

Casting

Stephanie Gorin
Casting

Editor

Art Direction

Anthony Ianni
Art Direction

Costume Design

Alex Kavanagh
Costume Design

Production Design

Photo David Hackl #71516

David Hackl

David Hackl
Production Design

Stunt Coordinator

Photo Alison Reid #68180

Alison Reid

Alison Reid
Stunt Coordinator

Second Unit Director

Photo David Hackl #71516

David Hackl

David Hackl
Second Unit Director

Set Decoration

Liesl Deslauriers
Set Decoration

Key Makeup Artist

Sarah Fairbairn
Key Makeup Artist

Sound Re-Recording Mixer

Andrew Tay
Sound Re-Recording Mixer
Keith Elliott
Sound Re-Recording Mixer
Mark Zsifkovits
Sound Re-Recording Mixer

Original Music Composer

Photo Charlie Clouser #530

Charlie Clouser

Charlie Clouser
Original Music Composer

Co-Producer

Greg Copeland
Co-Producer

Associate Producer

Troy Begnaud
Associate Producer

Stunt Double

Photo Bryan Renfro #30650
Bryan Renfro
Stunt Double
Photo C.J. Lusby #43618Photo C.J. Lusby #43619Photo C.J. Lusby #43620

C.J. Lusby

C.J. Lusby
Stunt Double
Cotton Mather
Stunt Double

Director of Photography

David A. Armstrong
Director of Photography

Camera Operator

Brian Gedge
Camera Operator
David Perkins
Camera Operator

Sound Effects Editor

Tom Bjelic
Sound Effects Editor

Visual Effects Supervisor

Jon Campfens
Visual Effects Supervisor

Supervising Sound Editor

Mark Gingras
Supervising Sound Editor
John Douglas Smith
Supervising Sound Editor

Script Supervisor

Lisa Burling
Script Supervisor

Electrician

Paul Dias
Electrician
Robert Dias
Electrician

Special Effects Coordinator

Tim Good
Special Effects Coordinator

Still Photographer

Steve Wilkie
Still Photographer

Visual Effects Producer

Peter Denomme
Visual Effects Producer

First Assistant Director

Elizabeth Scherberger
First Assistant Director

Yolanda Graci

Yolanda Graci
First Assistant Director

Assistant Costume Designer

Stephanie Lees
Assistant Costume Designer

Production Manager

Greg Copeland
Production Manager

Boom Operator

Jason Hopfner
Boom Operator

Screenplay

First Assistant Editor

Diane Brunjes
First Assistant Editor

Construction Coordinator

Ron Lightfoot
Construction Coordinator

Dialogue Editor

John Laing
Dialogue Editor
Allan Fung
Dialogue Editor

Key Grip

Christopher J. Toudy
Key Grip
Yuri Sandler
Key Grip

Dolly Grip

Craig Stewart
Dolly Grip

Key Hair Stylist

Stephanie Ingram
Key Hair Stylist

Story

Characters

Photo James Wan #524Photo James Wan #525Photo James Wan #297435Photo James Wan #326387

James Wan

James Wan
Characters

Music Supervisor

Jonathan McHugh
Music Supervisor
Jonathan Platt
Music Supervisor
Jonathan Scott Miller
Music Supervisor

Gaffer

Ramesh Yogendran
Gaffer
Ira Cohen
Gaffer

Prosthetic Makeup Artist

François Dagenais
Prosthetic Makeup Artist

Music Editor

Paul Intson
Music Editor

Costume Coordinator

Les Handrahan
Costume Coordinator

Techno Crane Operator

John Stubbings
Techno Crane Operator

Digital Intermediate

Nick Iannelli
Digital Intermediate
Chris Wallace
Digital Intermediate
Motassem Younes
Digital Intermediate

Foley

Steve Baine
Foley

Best Boy Electrician

John Couto
Best Boy Electrician

Original Film Writer

Photo James Wan #524Photo James Wan #525Photo James Wan #297435Photo James Wan #326387

James Wan

James Wan
Original Film Writer
Photo Leigh Whannell #526Photo Leigh Whannell #527

Leigh Whannell

Leigh Whannell
Original Film Writer

What's left behind the scenes

  • Lee Wannell wrote the film's screenplay in one week.
  • The screenplay is based on a plot by James Wan (one of the screenwriters and director of 'Saw' (2004)).
  • The producers of the film borrowed the toilet set from the creators of 'Scary Movie 4' (2006). The reason is that these sets exactly replicated the sets from 'Saw' (2004) and 'Saw II' (2005).
  • It was originally intended that Donnie Wahlberg reprise his role as Detective Eric Matthews. The character was supposed to appear in flashbacks, but Wahlberg left the project before filming began due to creative differences.
  • According to Darren Bousman, many plot points were borrowed from posts on the forum www.houseofjigsaw.com.
  • The film is dedicated to the memory of Gregg Hoffman, the producer of the first two films, who passed away in December 2005.
  • In 2006, the film was included in the list of works prohibited from distribution in the Republic of Belarus by resolution of the State Registration Committee No. 331.
  • The film was re-edited seven times to obtain an R rating.
  • Corbett is named after Lee Wanell Corbett's friend, Tak.
  • Initially, the trap Kerry was placed in was designed to tear off her limbs, but later this trap was modified.
  • Originally, a police officer was planned to be the victim for the freezer. When the decision was made to put Denika in the freezer, she was initially supposed to be wearing a t-shirt and underwear.
  • Several versions of the scene where Jeff kills John were filmed. The only difference between the scenes is the weapon he uses to take his revenge.
  • When Dr. Lynn examines a child with a pneumothorax and drainage, the nurse exclaims that the patient's condition is improving. However, at that moment the monitor shows ventricular fibrillation (VF) and severe arrhythmia, which is fatal if not immediately corrected with electricity. Then the monitor suddenly shows a stable heart rhythm. Such a situation is practically impossible to see in clinical practice.
  • Despite Jeff and the Judge being in a tank with a liquid mass of chopped pigs, they remained clean and dry throughout the film.
  • When the Constructor pulls out the tape recorder at the end of the film, his thumb is on the top cover, away from the play button. Nevertheless, a distinct click (as if the button has been pressed) is heard, and the tape starts to spin, even though the button hasn't been pressed.
  • When Dr. Lynn Denlon prepares for the Constructor's operation, her hair is sometimes tied back and sometimes loose.
  • When Lynn operates on John, she opens the top layer of skin down to the skull and clamps some parts of it. Then, after she asks Amanda to fill a syringe with alcohol and wipes blood from the operating area, the clamps are gone. In the next shot, when the alcohol is sprayed, they reappear.
  • When Jeff shoots Amanda in the neck, she falls to the floor near a white cabinet. As the scene continues, the cabinet is sometimes splattered with her blood and sometimes completely clean.
  • In "Angels" trap, Kerry dips her hand into acid and severely burns it, however, in all subsequent scenes, there are no burns on her hand.
  • At the 4-minute mark, Matthews takes off his sock to amputate his leg. Shortly after, the sock reappears on his leg, and when he decides to break his foot, the sock disappears.
  • At the 14-minute mark of the film, a key dissolves in a jar of acid next to Carrie. Throughout this scene, the intensity of the gas bubbles produced by the chemical reaction changes, disappears altogether, or reappears with each shot change.
  • At the 17th minute of the film, the acid in the jar becomes colored with Kerry's blood, and the degree of coloration changes with each frame change during this scene. After the trap is triggered, the liquid in the jar is clear again.
  • At the 29th minute of the film, Amanda cocks the hammers on a collar with shotgun shells worn by Lynn. It can be noticed that the collar poses no danger, as all the cartridges have damaged primers.
  • At the 31st minute of the film, Jeff kicks out two planks of a box with his foot, but in the next frame, it can be seen from the outside that he has only kicked out one plank.
  • At the 50th minute of the film, Lynn approaches a light-colored mannequin head with a snare trap attached to it. When Lynn reaches out to the head, it appears dark, and in the next frame change, the head becomes light again.
  • At the 79th minute of the film, Amanda tries to find Adam in the dark. When she illuminates him with a flashlight beam, it can be noticed for a moment that his legs are not chained.
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