The Final Girls - crew, film crew
The entire team, the film crew of the film "The Final Girls"
The Final Girls (2015)
Timing:
1:31 (91 min)
6.389/10
1367
1367
5.901/10
13717
13717
6.5/10
57000
57000
Film crew
Director
Producer
Michael London
Producer
Janice Williams
Producer
Executive Producer
Darren M. Demetre
Executive Producer
M.A. Fortin
Executive Producer
Casting
Kerry Barden
Casting
Paul Schnee
Casting
Editor
Debbie Berman
Editor
Additional Second Assistant Director
Cristi Rickey
Additional Second Assistant Director
Art Direction
Alexi Gomez
Art Direction
Costume Design
Lynette Meyer
Costume Design
Production Design
Stunt Coordinator
William Scharpf
Stunt Coordinator
Set Decoration
Rachael Ferrara
Set Decoration
Makeup Artist
Lauren Thomas
Makeup Artist
Sound Re-Recording Mixer
Lewis Goldstein
Sound Re-Recording Mixer
Original Music Composer
Gregory James Jenkins
Original Music Composer
Unit Production Manager
Darren M. Demetre
Unit Production Manager
Production Supervisor
Syndey Huynh
Production Supervisor
Second Assistant Director
Michael Melamed
Second Assistant Director
Stunt Double
Brooklyn Proctor
Stunt Double
Jodi Lyn Brockton
Stunt Double
Holly O'Quin
Stunt Double
Meredith Richardson
Stunt Double
Brittany Romatowski
Stunt Double
Kari Shemwell
Stunt Double
Director of Photography
Elie Smolkin
Director of Photography
Costume Supervisor
Shareen Chehade
Costume Supervisor
Property Master
Rose Leiker
Property Master
Visual Effects Supervisor
David Lebensfeld
Visual Effects Supervisor
Grant Miller
Visual Effects Supervisor
Matthew Poliquin
Visual Effects Supervisor
Script Supervisor
Jennifer Carriere
Script Supervisor
Still Photographer
Hilary Bronwyn Gayle
Still Photographer
Sound Mixer
Mark LeBlanc
Sound Mixer
Visual Effects Producer
Michael Lebensfeld
Visual Effects Producer
Oliver Taylor
Visual Effects Producer
First Assistant Director
Rod Smith
First Assistant Director
Screenplay
M.A. Fortin
Screenplay
First Assistant Editor
Joshua Raymond Lee
First Assistant Editor
Foley Artist
Shaun Brennan
Foley Artist
Sound Designer
Lewis Goldstein
Sound Designer
Location Manager
Bonnie Marquette
Location Manager
Music Supervisor
Susan Jacobs
Music Supervisor
Special Effects Makeup Artist
Elvis Jones
Special Effects Makeup Artist
Assistant Makeup Artist
Amy C. Weinberg
Assistant Makeup Artist
April Melerine
Assistant Makeup Artist
Camera Production Assistant
Joe Kirkpatrick
Camera Production Assistant
Local Casting
Tracy Kilpatrick
Local Casting
ADR Editor
Cate Montana
ADR Editor
Studio Teacher
Lauri Mills
Studio Teacher
Title Designer
Teddy Blanks
Title Designer
What's left behind the scenes
- The film premiered on Friday the 13th, a title shared with a slasher film that the movie's plot largely parodies.
- The film's main sources of inspiration were the cult franchises "Friday the 13th" and "A Nightmare on Elm Street".
- The final girl (Russian: last, or remaining girl) is a classic female archetype in most slasher films, first appearing in the film Halloween.
- Joshua John Miller conceived of this film (he also became one of the screenwriters), trying to cope with the death of his father, Jason Miller, who played Father Karras’ father in William Friedkin’s horror film “The Exorcist” (1973).
- Angela Trimbur (who played Tina) herself came up with her dance in the corresponding scene. To get into character, she consumed several energy drinks and drove herself into a frenzy.
- In one episode, the characters were drawn into “Camp Bloodbath,” although the script stipulated that they would end up in the “Technicolor” world. The screenwriters were horrified to discover on set that the props and set design departments had not been informed of the script changes, and the forest was decorated with bright artificial flowers.
- Director Todd Strauss-Schulson wanted Alia Shawkat to play Gertie, but the actress's manager rejected the idea, so Strauss-Schulson obtained the actress's email address and contacted her directly.
- The camp, where almost the entire film was shot, did not have a room large enough to accommodate the operator's crane (it was needed to film the trap scene), so a room had to be specially constructed. Since it was known in advance that there would be no budgetary funds left for demolishing the structure, it was built with the intention of leaving the building on the camp's balance sheet after filming was completed.
- Initially, New Line Cinema became interested in the script, but its management demanded the removal of certain moments revealing the characters, as well as the entire storyline involving the mother and daughter. Eventually, Sony studio took over the project; they liked the script's emotional depth, but demanded that the filmmakers tone down the slasher elements to a 'PG-13' rating.
- The car accident at the beginning of the film was a product of computer technology, while the accident and explosion at the camp were practical stunts performed by stunt performers and pyrotechnicians.
- During filming, Billy Murphy's mask underwent some changes. The initial version, due to his thick eyebrows, was referred to by the entire crew as the 'Eugene Levy mask' (this is a Canadian director, actor, comedian, producer, and screenwriter). This version of the mask can be seen in the episode where Billy appears in the window behind Gertie.
- In the original version of the film, the slow-motion scene lasted for more than three minutes. Director Todd Strauss-Schulson insisted on leaving it as it was, but he was forced to shorten the scene.
- Director Todd Strauss-Schulson wanted to film a scene with Chris (played by Alexander Ludwig) shirtless, but was put off by Ludwig’s muscular physique. The director decided that Chris couldn’t possibly have a torso that looked so sculpted. At his request, Ludwig stopped working out and following a diet, but it was all in vain, as the scene was never filmed.
- While working on the script, Todd Strauss-Schulson was “on” Adderall (a combination medication containing four amphetamine salts; used, among other things, to treat attention deficit syndrome). This is how the drug ended up woven into the film’s plot.
- Director Todd Strauss-Schulson and screenwriter M.A. Fortin became friends while studying at the private university “Emerson College” in Boston. After settling in Los Angeles, Fortin began dating Joshua Miller, and Strauss-Schulson remained in touch with the couple. In 2007, Fortin and Miller shared an idea for a film, “The Last Girls,” with him. Strauss-Schulson liked the idea, and when the script was ready, he wanted to direct the film himself. Several more years went into refining the script and arguing with various film companies.
- The original ending showed Max (played by Taissa Farmiga) and Chris (Alexander Ludwig) as the only survivors. This ending was considered too depressing, and Todd Strauss-Schulson wrote a different ending in which their friends also survived. Audiences at preview screenings booed both endings, so the final montage combined fragments from both versions.
- During filming, Billy Murphy’s mask underwent some changes. The initial version, due to thick eyebrows, was nicknamed the “Eugene Levy mask” by the entire crew (referring to the Canadian director, actor, comedian, producer, and screenwriter). This version of the mask can be seen in the scene where Billy appears in the window behind Gertie.
- Director Todd Strauss-Schulson and screenwriter M.A. Fortin became friends while studying at the private university "Emerson College" in Boston. After settling in Los Angeles, Fortin began dating Joshua Miller, while Strauss-Schulson maintained contact with this couple. In 2007, Fortin and Miller shared the idea for "Last Girls" with him. Strauss-Schulson liked the idea, and when the script was ready, he wanted to direct the film himself. Several more years were spent refining the script and arguing with various film companies.
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