Viking - crew, film crew

The entire team, the film crew of the film "Viking"
Викинг (2016)
Timing: 2:13 (133 min)
Viking - TMDB rating
4.8/10
153
Viking - Kinopoisk rating
4.653/10
153740
Viking - IMDB rating
4.6/10
5400

Film crew

Director

Producer

Photo Anatoliy Maksimov #231278Photo Anatoliy Maksimov #231279Photo Anatoliy Maksimov #231280Photo Anatoliy Maksimov #231281
Anatoliy Maksimov
Producer

Writer

Photo Andrey Rubanov #243173
Andrey Rubanov
Writer

Editor

Photo Anna Kruty #245249
Anna Kruty
Editor
Ilya Lebedev
Editor
Aleksey Kumashkin
Editor

Stunts

Natalya Kondrateva
Stunts

Production Design

Photo Sergey Agin #245251
Sergey Agin
Production Design

Stunt Coordinator

Photo Zhaidarbek Kunguzhinov #40085
Zhaidarbek Kunguzhinov
Stunt Coordinator
Dmitriy Tarasenko
Stunt Coordinator

Makeup Artist

Pyotr Gorshenin
Makeup Artist
Tatyana Vavilova
Makeup Artist

Sound Re-Recording Mixer

Vincent Arnardi

Vincent Arnardi
Sound Re-Recording Mixer
Benjamin Lecuyer
Sound Re-Recording Mixer

Director of Photography

Igor Grinyakin
Director of Photography

Camera Operator

Nikita Semenov
Camera Operator
Sergey Kirichenko
Camera Operator

Sound Effects Editor

Andrey Kireev
Sound Effects Editor

Visual Effects Supervisor

Photo Viktor Lakisov #119139
Viktor Lakisov
Visual Effects Supervisor
Evgeniy Gittsigrat
Visual Effects Supervisor

Supervising Sound Editor

Pavel Doreuli
Supervising Sound Editor
Vladimir Litrovnik
Supervising Sound Editor

Animation Supervisor

Photo Gianluca Fratellini #328210
Gianluca Fratellini
Animation Supervisor

Sound Mixer

Dmitry Boyarintsev
Sound Mixer

Visual Effects Producer

Andrey Emelyanov
Visual Effects Producer
Egor Borschevsky
Visual Effects Producer

Additional Director of Photography

Maxim Zhukov
Additional Director of Photography

Assistant Director

Photo Maxim Malinin #332838
Maxim Malinin
Assistant Director
Mariya Shklyarevskaya
Assistant Director

Music

Photo Igor Matvienko #245250
Igor Matvienko
Music
Dean Valentine
Music

Casting Director

Natalya Krimenskaya
Casting Director
Olga Dubovitskaya
Casting Director
Anna Kevorkova
Casting Director

Sound

Pavel Stasenko
Sound
Pavel Shuvalov
Sound

CG Supervisor

Alexey Andreev
CG Supervisor

VFX Supervisor

Denis Alymov
VFX Supervisor
Aleksandr Prigorniy
VFX Supervisor
Alexei Slinkin
VFX Supervisor
Denis Kharitonov
VFX Supervisor

Sound Recordist

Alexander Volodin
Sound Recordist
Stanislav Krechkov
Sound Recordist

Matte Painter

Дмитрий Дубинский
Matte Painter

Sound Effects

Yaroslav Sapozhnikov
Sound Effects
Dmitry Boyarintsev
Sound Effects
Dmitry Vasilyev
Sound Effects
Alexandr Khokhlov
Sound Effects
Vladimir Derevyanko
Sound Effects

Sound Director

Pavel Yaroshenko
Sound Director

Digital Intermediate

Andrey Mesnyankin
Digital Intermediate

Foley

Photo Andrey Dergachev #117609Photo Andrey Dergachev #117610
Andrey Dergachev
Foley
Yuliya Glukhova
Foley
Ludmila Danilova
Foley
Anastasiya Anosova
Foley
Valentina Mordashova
Foley

Script Editor

What's left behind the scenes

  • Preparation for the film took six years, starting in 2009.
  • The role of Princess Rogneda of the Principality of Polotsk was played by Aleksandra Bortich, who is of Belarusian ethnicity. Ekaterina Vilkova was also considered for this role.
  • Viktor Verzhbitsky, Sergey Bezrukov, Maxim Matveyev, Mikhail Eliseev, and Sergey Puskepalis also auditioned for the leading roles.
  • On-location shooting took place in Crimea: at the Taygan Reservoir (Belogorsky District), in the Genoese Fortress (Sudak), in the village of Shkolnoye (Simferopol District), in Bakhchisarai, and at Cape Fiolent (Sevastopol).
  • The film's sets were used in the construction of the first film park in Crimea and all of Russia, “Viking”. Construction of the facility began in October 2015 on the left bank of the Kizilkobinka mountain river at the beginning of the ascent to the Red Caves (Kyzyl-Koba grove). The “Viking” film park opened in May 2016.
  • The historical drama has two versions with different age ratings: «12+» and «18+». «This is the first time we’ve done this, and since the film is being made in collaboration with Channel One, we hope to explain to viewers that both families and those who prefer something more intense can watch it», said the film’s producer, Anatoly Maksimov.
  • According to producer Anatoly Maksimov, work on the film began in the fall of 2008. More than 3000 people were involved in the filming: «directors, actors, artists, cinematographers, administrators, stunt performers, financiers, builders, and representatives of many, many other professions».
  • The main historical consultants for the film were Doctor of Historical Sciences Vladimir Petrukhin and Doctor of Philological Sciences Fyodor Uspensky.
  • The film was financed by CJSC “Film Directorate,” and also received investments from the Cinema Fund and the KIT studio (part of the Gazprom-Media holding). The filmmakers also received 232 million rubles from the Federal Fund for Social and Economic Support of Domestic Cinema, and requested another 190 million. The newspaper «Izvestia» reported that approximately 700 million rubles from the film’s budget were allocated by the state on refundable and non-refundable terms.
  • The music for the film was written by Russian composer and producer Igor Matvienko. The soundtrack was created over two years. The composer initially studied music from the 9th-10th centuries, familiarizing himself with the era of Prince Vladimir. Specialists from the Gnesin Academy were involved in the recording, and replicas of antique instruments from that time were commissioned (wheel lyres, gudok, tambourines, gusli). Tracks were recorded on these instruments, then mixed with synthesizers. A special studio was equipped for recording the music. Producer Igor Polonsky, arrangers Artem Vasiliev, Alexander Kamensky, Rafael Safin, vocalist Aya from the band «Gorod 312», and many others participated in the work.
  • On October 1, 2016, the Russian blockbuster “Viking” was presented at Comic Con Russia 2016. The filmmakers showed the public exclusive materials prepared specifically for the convention, including a “live” trailer – a stunt show at a booth built like an ancient Russian outpost. Visitors to the event were also able to participate in contests testing their knowledge of Russian history, try on costumes of the film's characters, and take photos with props.
  • The film was the first in the history of Russian cinema to be released with the support of the “Tiflokommentator” application, which allows visually impaired people to watch the film in theaters with audio description.
  • The historical drama has two versions with different age ratings: “12+” and “18+”. “This is the first time we’ve done this, and since the film is being made in collaboration with Channel One, we hope to explain to viewers that both families and those who prefer something more intense can watch it,” said the film’s producer, Anatoly Maksimov.
  • According to producer Anatoly Maksimov, work on the film began in the fall of 2008. More than 3,000 people were involved in the filming: “directors, actors, artists, cinematographers, administrators, stunt performers, financiers, builders, and representatives of many, many other professions.”
  • The film was financed by ‘Direktion Kino’ CJSC, and also received investment from the Cinema Fund and the KIT studio (part of the Gazprom-Media media holding). The creators of the film also received 232 million rubles from the Federal Fund for Social and Economic Support of Domestic Cinema, and requested another 190 million. The newspaper ‘Izvestia’ reported that approximately 700 million rubles from the film’s budget were allocated by the state on a refundable and non-refundable basis.
  • The music for the film was composed by Russian composer and producer Igor Matvienko. The soundtrack took two years to create. The composer initially studied the music of the 9th-10th centuries, familiarizing himself with the era of Prince Vladimir. Specialists from the Gnesin Academy were involved in the recording, and replicas of antique instruments of that time (wheel lyres, gudok, tambourines, gusli) were commissioned. Tracks were recorded on these instruments, then the phonograms were mixed with a synthesizer. A special studio was equipped for recording the music. Producer Igor Polonsky, arrangers Artem Vasiliev, Alexander Kamensky, Rafael Safin, vocalist Aia from the group “Gorod 312,” and many others participated in the work.
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