Titanic - crew, film crew

The entire team, the film crew of the film "Titanic"
Titanic (1997)
Timing: 3:14 (194 min)
Titanic - TMDB rating
7.902/10
26987
Titanic - Kinopoisk rating
8.389/10
940015
Titanic - IMDB rating
8/10
1400000

Film crew

Director

Producer

Executive Producer

Photo Rae Sanchini #12356
Rae Sanchini
Executive Producer

Writer

Casting

Photo Emily Schweber #12357
Emily Schweber
Casting

Editor

Richard A. Harris
Editor
Conrad Buff IV
Editor

Special Effects Supervisor

Donald Pennington
Special Effects Supervisor

Art Direction

Martin Laing
Art Direction
Bill Rea
Art Direction

Supervising Art Director

Charles Dwight Lee
Supervising Art Director

Costume Design

Stunts

Photo Vince Deadrick Jr. #12333
Vince Deadrick Jr.
Stunts
Photo Glenn Boswell #10279
Glenn Boswell
Stunts
Photo Joey Box #2203
Joey Box
Stunts
Photo Jim Palmer #12349
Jim Palmer
Stunts
David Cronnelly
Stunts
Eunice Huthart
Stunts
Photo Charlie Brewer #12350
Charlie Brewer
Stunts
Photo Erik Stabenau #1718
Erik Stabenau
Stunts
Photo Mark De Alessandro #11578
Mark De Alessandro
Stunts
Simone Boisseree
Stunts
Photo Gerardo Albarrán #12352
Gerardo Albarrán
Stunts
Gábor Piroch
Stunts
Jamie Edgell
Stunts
Lynn Salvatori
Stunts
Photo Ray Nicholas #12367
Ray Nicholas
Stunts
Photo Mario Roberts #12369
Mario Roberts
Stunts
Photo Tim Trella #4322
Tim Trella
Stunts
Marcia Holley
Stunts
Doc D. Charbonneau
Stunts
Photo Marc Cass #11648
Marc Cass
Stunts
Terry Jackson
Stunts
Photo Martin Hub #12279
Martin Hub
Stunts
Dusan Hyska
Stunts
Terry Forrestal
Stunts
Photo Bobby Burns #12376
Bobby Burns
Stunts
Photo John Casino #10553
John Casino
Stunts
Photo Kurt D. Lott #3667
Kurt D. Lott
Stunts
Clarke Coleman
Stunts
Photo Steve Griffin #12382
Steve Griffin
Stunts
Photo Andy Bennett #12384
Andy Bennett
Stunts
Balo Bucio
Stunts
Photo Mike Justus #12385
Mike Justus
Stunts
Photo Gary Powell #8948
Gary Powell
Stunts
Photo Pavel Cajzl #12389
Pavel Cajzl
Stunts
Paul Herbert
Stunts
Sy Holland
Stunts
Sean McCabe
Stunts
Photo Sandy Berumen #12394
Sandy Berumen
Stunts
Photo Lisa Dempsey #12395
Lisa Dempsey
Stunts
Chuck 'Chaz' Hosack
Stunts
Svetla Krasteva
Stunts
Jaroslav Peterka
Stunts
David Lištván
Stunts
Matt Johnston
Stunts
Dustin Meier
Stunts
Sarah Franzl
Stunts
Photo George Fisher #12401
George Fisher
Stunts
Photo Mauricio Martínez #12402
Mauricio Martínez
Stunts
Paul Eliopoulos
Stunts
Cris Thomas-Palomino
Stunts
Photo Josh Kemble #12405
Josh Kemble
Stunts
Janet Brady
Stunts
Photo Gary Guercio #12406
Gary Guercio
Stunts
Glen Yrigoyen
Stunts
Photo Richard Bradshaw #12407
Richard Bradshaw
Stunts
Lincoln Simonds
Stunts
Alejandro Avendano
Stunts
Kim Kahana Jr.
Stunts
Photo Noby Arden #12408
Noby Arden
Stunts
Terri Cadiente
Stunts
Jan Holíček
Stunts
Dimo Lipitkovský
Stunts
Rusty Hanson
Stunts
Danny Rogers
Stunts
Photo Mike Avery #65933
Mike Avery
Stunts
Jimmy Corona Rooney
Stunts
Debbie Lynn Ross
Stunts
Photo Mark Southworth #15278
Mark Southworth
Stunts

Production Design

Photo Peter Lamont #12334

Peter Lamont

Peter Lamont
Production Design

Stunt Coordinator

Photo Simon Crane #12301Photo Simon Crane #12302

Simon Crane

Simon Crane
Stunt Coordinator

Second Unit Director

Photo Steven Quale #12329Photo Steven Quale #12330

Steven Quale

Steven Quale
Second Unit Director

Set Decoration

Michael Ford
Set Decoration

Makeup Artist

Michael Mosher
Makeup Artist
Rebecca Lafford
Makeup Artist
Sian Grigg
Makeup Artist
Vincenzo Mastrantonio
Makeup Artist
Polly Earnshaw
Makeup Artist
Lisa McDevitt
Makeup Artist
Giulio Pezza
Makeup Artist

Key Makeup Artist

Tina Earnshaw
Key Makeup Artist
Laura Borselli
Key Makeup Artist

Sound Re-Recording Mixer

Photo Christopher Boyes #326931

Christopher Boyes

Christopher Boyes
Sound Re-Recording Mixer
Photo Gary Rydstrom #2035

Gary Rydstrom

Gary Rydstrom
Sound Re-Recording Mixer
Photo Tom Johnson #6600

Tom Johnson

Tom Johnson
Sound Re-Recording Mixer
Photo Lora Hirschberg #8239
Lora Hirschberg
Sound Re-Recording Mixer

Gary Summers

Gary Summers
Sound Re-Recording Mixer

Original Music Composer

Photo James Horner #66707

James Horner

James Horner
Original Music Composer

Unit Production Manager

Photo Grant Hill #12343Photo Grant Hill #12344Photo Grant Hill #12345

Grant Hill

Grant Hill
Unit Production Manager
Photo Jon Landau #65890Photo Jon Landau #326940

Jon Landau

Jon Landau
Unit Production Manager
Sharon Mann
Unit Production Manager
Anna Roth
Unit Production Manager

Co-Producer

Photo Grant Hill #12343Photo Grant Hill #12344Photo Grant Hill #12345

Grant Hill

Grant Hill
Co-Producer
Al Giddings
Co-Producer

Production Supervisor

Giedra Rackauskas
Production Supervisor

Associate Producer

Pamela Easley
Associate Producer

Set Dresser

John Bratton
Set Dresser

Additional Photography

Photo Caleb Deschanel #12346Photo Caleb Deschanel #12347Photo Caleb Deschanel #12348

Caleb Deschanel

Caleb Deschanel
Additional Photography
John Paszkiewicz
Additional Photography

Director of Photography

Photo Russell Carpenter #65888

Russell Carpenter

Russell Carpenter
Director of Photography

Pilot

Musician

Camera Operator

Guillermo Rosas
Camera Operator
Guy Norman Bee
Camera Operator
Kurt E. Soderling
Camera Operator
Steve Koster
Camera Operator
John Trapman
Camera Operator
Harald Ortenburger
Camera Operator

Steadicam Operator

J. Michael Muro

J. Michael Muro
Steadicam Operator
Marcis Cole
Steadicam Operator

Costume Supervisor

Sarah Touaibi
Costume Supervisor
Adolfo Ramírez
Costume Supervisor
Tom Numbers
Costume Supervisor

Sound Effects Editor

David C. Hughes
Sound Effects Editor
Photo Chris Scarabosio #12387Photo Chris Scarabosio #12388

Chris Scarabosio

Chris Scarabosio
Sound Effects Editor
Scott Guitteau
Sound Effects Editor

Assistant Art Director

Héctor Romero
Assistant Art Director

Visual Effects Supervisor

Mat Beck
Visual Effects Supervisor
Van Ling
Visual Effects Supervisor
Robert Skotak
Visual Effects Supervisor
Richard E. Hollander
Visual Effects Supervisor
Photo Craig Barron #12386
Craig Barron
Visual Effects Supervisor
Robert Legato
Visual Effects Supervisor
Dave Carson
Visual Effects Supervisor
Ken Jones
Visual Effects Supervisor

Supervising Sound Editor

Tom Bellfort
Supervising Sound Editor
Photo Christopher Boyes #326931

Christopher Boyes

Christopher Boyes
Supervising Sound Editor

Script Supervisor

Shelley Crawford
Script Supervisor

Supervising ADR Editor

Hugh Waddell
Supervising ADR Editor

Special Effects Coordinator

Scott R. Fisher
Special Effects Coordinator

Still Photographer

Merie Weismiller Wallace
Still Photographer

Sound Mixer

Photo Mark Ulano #68319

Mark Ulano

Mark Ulano
Sound Mixer

Visual Effects Producer

Krystyna Demkowicz
Visual Effects Producer
Joyce Cox
Visual Effects Producer
Andrea D'Amico
Visual Effects Producer
John Kilkenny
Visual Effects Producer
Casey Cannon
Visual Effects Producer
Crystal Dowd
Visual Effects Producer
Camille Cellucci
Visual Effects Producer
Tom Kennedy
Visual Effects Producer

First Assistant Director

Photo Josh McLaglen #12342
Josh McLaglen
First Assistant Director

Assistant Costume Designer

Lahly Poore
Assistant Costume Designer
David Le Vey
Assistant Costume Designer

Driver

Brian Best
Driver

Boom Operator

Reynald Trudel
Boom Operator

Set Designer

Marco Niro
Set Designer
Peter Francis
Set Designer
Dominic Masters
Set Designer

Sound Designer

David Abrahamsen
Sound Designer

Construction Coordinator

Tony Graysmark
Construction Coordinator
William Les Collins
Construction Coordinator
Scott MacFarlane
Construction Coordinator

Art Department Coordinator

Charlotte Harper
Art Department Coordinator
Amanda Sallybanks
Art Department Coordinator

Dialogue Editor

John H. Arrufat
Dialogue Editor
Richard Quinn
Dialogue Editor
Claire Sanfilippo
Dialogue Editor

Assistant Editor

Foley Editor

Scott Curtis
Foley Editor
Tammy Fearing
Foley Editor
David L. Horton Jr.
Foley Editor

Rigging Grip

Frank Detone Jr.
Rigging Grip

Key Hair Stylist

Kay Georgiou
Key Hair Stylist
Simon Thompson
Key Hair Stylist
Annie Townsend
Key Hair Stylist

Seamstress

Fabiola Perez Luna
Seamstress

Music Supervisor

Photo Randy Gerston #12396Photo Randy Gerston #12397
Randy Gerston
Music Supervisor

Casting Associate

Photo Emily Schweber #12357
Emily Schweber
Casting Associate
Rudy Joffroy
Casting Associate
Magui Jimenez
Casting Associate
Magui Jimenez
Casting Associate
Gemma Joffroy
Casting Associate
Jesus Ignacio Santana
Casting Associate

Gaffer

John Buckley
Gaffer
Scotty Allan
Gaffer
Mark Goodwin
Gaffer
Jim MacCammon
Gaffer

Music

Will Jennings
Music

Music Editor

Joe E. Rand
Music Editor

Second Unit Director of Photography

Photo Aaron Schneider #12363

Aaron Schneider

Aaron Schneider
Second Unit Director of Photography
John M. Stephens
Second Unit Director of Photography
Roy Unger
Second Unit Director of Photography

First Assistant Camera

Mark R. Jackson
First Assistant Camera

Other

Post Production Supervisor

Lisa Dennis
Post Production Supervisor

Assistant Hairstylist

Esperanza Gómez
Assistant Hairstylist

Visual Effects Editor

Chris O'Connell
Visual Effects Editor

Visual Effects

Photo John Bruno #12358Photo John Bruno #12359Photo John Bruno #12360Photo John Bruno #12361

John Bruno

John Bruno
Visual Effects
Jamie Dixon
Visual Effects
Rebecca Marie
Visual Effects
Thad Beier
Visual Effects
Fred Simon
Visual Effects
Michael Kanfer
Visual Effects

ADR Editor

Cindy Marty
ADR Editor
Sue Fox
ADR Editor
Richard Corwin
ADR Editor
Lee Lemont
ADR Editor
Harriet Fidlow
ADR Editor

Rigging Gaffer

Mike Amorelli
Rigging Gaffer
Todd Murchie
Rigging Gaffer

Sound Recordist

Darren McQuade
Sound Recordist
Ann Hadsell
Sound Recordist
Joan Chamberlain
Sound Recordist
Cary Stratton
Sound Recordist
Scott Levy
Sound Recordist

Key Set Costumer

Leigh Leverett
Key Set Costumer
Ismael Jardon
Key Set Costumer
Murray Lantz
Key Set Costumer
Amy Arnold
Key Set Costumer

Foley

Robin Harlan
Foley
Sarah Monat
Foley

Stereoscopic Coordinator

Abo Biglarpour

Abo Biglarpour
Stereoscopic Coordinator

Theme Song Performance

Photo Céline Dion #12335Photo Céline Dion #12336Photo Céline Dion #12337Photo Céline Dion #12338

Céline Dion

Céline Dion
Theme Song Performance

Makeup Effects

Greg Cannom
Makeup Effects

Best Boy Electrician

Paul Bolton
Best Boy Electrician

Marine Coordinator

Lance Julian
Marine Coordinator
Richard Fraser
Marine Coordinator

Compositors

Brian N. Bentley
Compositors

Storyboard Designer

Rick Newsome
Storyboard Designer

Underwater Gaffer

J.P. Gabriel
Underwater Gaffer

What's left behind the scenes

  • Creating a 3D version of 'Titanic' cost $18 million and took 60 weeks – longer than the actual filming of the movie.
  • Matthew McConaughey was considered for the lead role, but James Cameron insisted on Leonardo DiCaprio. Gwyneth Paltrow was offered the role of Rose.
  • The deep-sea footage that made it into the final version of the film totals just 12 minutes in runtime. In reality, each dive took several hours. To improve resource efficiency, James Cameron ordered the preparation of a 33-times-reduced scale model of the Titanic's wreckage. Every actual dive was rehearsed using this model and models of Russian submarines. A total of 12 dives took place. During the last two, the image was transmitted by a special device installed inside the Titanic's wreckage. Some footage was computer-generated.
  • The paintings used during the filming of the movie are authentic. One such painting was Pablo Picasso’s 'The Guitarist' from 1903, kindly provided for the filming by the Paris Museum of Art. Many of the decorations – from carpets to chandeliers – were recreated from archival sketches of the companies involved in creating the ambiance of the 'Titanic'.
  • The drawing of Rose was made by James Cameron himself – those are his hands in the shot. However, since the director is left-handed, the footage was mirrored during editing. All other drawings in Jack’s album are also the work of James.
  • Initially, 40,000 gallons of water were planned for the scene where water first enters the ship. However, this proved insufficient, and Cameron asked for the amount to be tripled. After that, part of the set had to be rebuilt as it couldn’t withstand the additional weight.
  • Cameron was firmly against using any songs in the film. So, composer James Horner decided to be cunning. In secret from James, he, along with Will Jennings (the lyricist) and singer Celine Dion, recorded the song “My Heart Will Go On”.
  • The film topped the American box office for 15 weeks, from December 19, 1997, to April 2, 1998.
  • James Cameron originally planned to invite Enya to record the soundtrack. When she refused, James enlisted his old acquaintance James Horner (they had previously worked together on the film “Aliens”) to work on the score. This wasn't easy, as the composer had less than pleasant memories of working with Cameron, who had exacting demands of his staff.
  • A full-scale mock-up of the ship was constructed in the waters of a large pool on the Mexican beach of Rosarito. Construction began on the 85th anniversary of the Titanic's launch – May 31, 1996. To reduce costs, the number of repeating ship components (such as windows) was reduced, and some details were modeled to only 90%.
  • The stern of the ship mock-up was placed on a special platform that allowed it to quickly assume a vertical position. A total of 10 takes were made for filming this scene, each of which required the participation of about a hundred falling stunt performers.
  • Instead of using expensive helicopters during the filming process, it was decided to use a 50-meter crane placed on rails.
  • Gloria Stuart plays the aged Rose, whose age in the script was 101 years old. Gloria herself was 86 years old at the time of filming, and according to the actress herself, she found applying the age makeup extremely unpleasant.
  • On the last night of filming, some pranksters mixed phencyclidine (”angel dust”) into the food for the film crew. This drug has a hallucinogenic effect and impairs coordination of movement and thought. 80 people became seriously ill, many were hospitalized with acute hallucinations. Following the incident, actor Bill Paxton was depressed for two weeks.
  • After filming was completed, the full-scale Titanic model was dismantled and sold for scrap metal.
  • Elderly Rose acquired a Pomeranian dog. During the disaster, the Pomeranian became one of three surviving dogs. Cameron filmed an episode of the dogs being rescued, but decided not to include it in the final version of the film.
  • James Cameron lost an $8 million fee and a percentage of the total box office revenue after producers discovered that the budget had been significantly exceeded (200 million instead of the planned 135).
  • While working on the script, James Cameron insisted that the main characters, Jack and Rose, be fictional. Only after the script was finished did James learn that a passenger named J. Dawson was aboard the Titanic.
  • The role of Cal Hockley was almost secured by Michael Biehn, but ultimately went to Billy Zane.
  • Kate Winslet was one of the few actors who refused to wear a wetsuit during the filming of the water scenes. The actress contracted pneumonia.
  • The film set a record for the length of its run. It premiered on December 19, 1997, and the last screening took place on September 25, 1998. Thus, the film was in theaters for 281 days.
  • Leonardo DiCaprio and Kate Winslet agreed to participate in the film long before the final version of the script appeared, based on James Cameron's sketches.
  • Christian Bale also auditioned for the role of Jack Dawson, but Cameron rejected his candidacy early on, as the script stipulated that the main characters were to be American. Cameron decided that he had enough with one non-American, Kate Winslet.
  • Actor Macaulay Culkin could also have played the role of Jack Dawson.
  • At the moment when the ship is in a vertical position, a person in white drinking from a flask can be seen in the frame. Rumor has it that one of the stokers managed to survive thanks to alcohol. He stayed in the water for several hours and managed not to freeze.
  • The character of Rose was partially based on the Californian actress Beatrice Wood.
  • Caledon Hockley got his name from two small towns (Caledon and Hockley) located in the province of Ontario, Canada, where James Cameron's aunt and uncle lived.
  • When one of the ship's officers says "Full speed ahead!", someone picks up "Full speed ahead!" in the background. This is the voice of director James Cameron.
  • The filming of the Titanic's departure from Southampton port was done "in reverse": due to budgetary constraints, the full-scale Titanic model was covered with metal only on the port side (the weather forecast predicted a southerly wind, so it was decided to position the model with its bow facing south, so that the wind would carry the smoke from the funnels to the stern, creating an additional illusion of the ship's movement). However, in Southampton, the real Titanic was moored on the starboard side, and to avoid historical inaccuracies, James Cameron decided to shoot "in reverse." For this, some of the equipment, props, and costumes were ordered mirrored. During editing, the image was flipped back, making everything correct.
  • The full-scale model of the 'Titanic' lacked a bow. It was added digitally each time. When James Cameron saw how much these special effects cost, he exclaimed, 'We should have just built it!'
  • The film had the longest run in a cinema anywhere on the planet at the 'Salut' cinema in Yekaterinburg, a fact recorded in the Guinness Book of Records.
  • During the filming of the scene depicting the 'Titanic' colliding with the iceberg, a green screen was placed behind the deck where Leonardo DiCaprio and Kate Winslet were standing, which was later replaced with a computer-generated image of the iceberg during editing. To make the scene look more realistic, pieces of real ice were sprinkled onto the deck from above.
  • The effect of frost on the clothes and hair of the 'Titanic' passengers in the water was achieved by coating their hair and clothing with wax, as well as a special powder that turned into crystals upon contact with water. And the steam from their mouths was added digitally.
  • During the film's editing, Cameron taped a blade to the editing computer with the instruction, 'To be used only in emergencies!'
  • The shooting schedule was exceeded by 22 days.
  • During pre-production, the director hired the 'Mir' deep-sea submersibles, conducted underwater filming of a ship, and engaged art historians and artists to restore the ship's interior. Underwater filming of the sunken 'Titanic' was carried out in collaboration with specialists from the Deep-Water Apparatus Laboratory of the P.P. Shirshov Institute of Oceanology of the Russian Academy of Sciences.
  • Claire Danes was the main candidate for the role of Rose, but she declined because she had recently filmed with DiCaprio in 'Romeo + Juliet'.
  • The first film to gross over $1 billion.
  • In 2012, the film was re-released in 3D without changing the footage, even with plot inconsistencies, except for the scene where Rose lies on a piece of debris looking at the stars – the sky did not match the one from 1912. American astrophysicist Neil deGrasse Tyson repeatedly pointed out this error to the director. Eventually, Cameron asked the scientist to send him the exact star positions, and the sky was corrected in the re-release.
  • Before starting to paint Rose on canvas, Jack says to her: "Over there, on the bed, mmm... on the couch." This was actually a mistake by DiCaprio, who mispronounced the line from the script. However, Cameron liked the slip of the tongue.
  • The scene where Rose thanks Jack for saving her is an improvisation by the actors.
  • After the ship breaks into two parts, the bow of the ship begins to sink quite quickly. The model was initially divided into two parts, but due to buoyancy, this full-weight structure still could not sink rapidly. Then Cameron suggested filling the airspace between the two compartments with water, lifting the structure, and quickly flooding it before the water could escape. This idea worked.
  • The scene of Rose's portrait being painted was filmed on the first day of shooting for Kate Winslet and Leonardo DiCaprio. After filming, Leo asked Cameron: "How did I do?" To which the director seriously replied: "Well, you know, today is your first day of shooting, so you can still be replaced."
  • In one of the deleted scenes, Caledon Hockley sends Lovejoy to kill Jack and Rose, promising him the treasure. Unable to resist the temptation, Lovejoy agrees. Jack and Rose try to hide from him, but he finds Rose. Jack fights Lovejoy and wins. As they escape, Lovejoy manages to get up and aim a gun at them, but they manage to hide. During the fight, Jack breaks Lovejoy’s face – this is why, in the scene where the viewer sees Lovejoy for the last time (he is standing on the upper deck at the very place where the liner begins to break in two), his face is smeared with blood. The fight scene with Lovejoy also explains why Jack has wet hair after running from the dining room, even though the water was chest-deep for him and Rose there – they fell into the water several times during the fight with Lovejoy.
  • Young Rose has green eyes, while the older heroine's eyes take on either a blue or an undefined shade.
  • The hymn performed in the ship's chapel was written 25 years after the events depicted in the film.
  • The captain's bridge was submerged 4 times and resurfaced 4 times during a 14-minute segment of the film.
  • Rose pays Jack for the portrait with a 10-cent coin featuring Roosevelt. Such a coin only appeared in 1946.
  • James Cameron deliberately allowed a historical inaccuracy when filming the scenes in the lifeboats. The night of April 15, 1912, was moonless, the stars provided too little light, and the director needed to illuminate the sets somehow. Therefore, Cameron gave some officers electric flashlights, which their 1912 counterparts did not have.
  • Cameron was categorically against using any songs in the film. Then, composer James Horner decided to be cunning. Secretly from James, he, along with Will Jennings (the lyricist) and singer Celine Dion, recorded the song 'My Heart Will Go On'.
  • To record the soundtrack, James Cameron planned to invite Enya. When she refused, James enlisted his old acquaintance James Horner to work on the score (they had previously collaborated on 'Aliens'). It wasn't easy to do, as the composer hadn't retained the fondest memories of working with Cameron, who made strict demands on his staff.
  • Gloria Stuart plays the older Rose, whose age in the script was 101 years old. Gloria herself was 86 at the time of filming, and according to the actress herself, she found applying the age makeup extremely unpleasant.
  • On the last night of filming, some pranksters mixed phencyclidine ('angel dust') into the food for the film crew. This drug has a hallucinogenic effect and impairs coordination and thought. 80 people became seriously ill, many were hospitalized with acute hallucinations. After the incident, actor Bill Paxton was depressed for two weeks.
  • An elderly Rosa acquired a Pomeranian dog. During the disaster, the Pomeranian became one of three surviving dogs. Cameron filmed an episode of the dogs' rescue, but decided not to include it in the final version of the film.
  • Christian Bale auditioned for the role of Jack Dawson, but Cameron rejected his candidacy as one of the first, as the script stipulated that the main characters were to be Americans. Cameron decided that he had enough with just one non-American, Kate Winslet.
  • When one of the ship's officers says “Full speed ahead!”, someone picks up “Full speed ahead!” in the background. This is the voice of director James Cameron.
  • The filming of the Titanic's departure from Southampton port was done 'in reverse': due to budget constraints, the full-scale Titanic model was covered with metal only on the left side (the weather forecast predicted a southerly wind, so it was decided to position the model nose-south, so that the wind would carry the smoke from the funnels to the stern, creating an additional illusion of the ship's movement). However, in Southampton, the real Titanic was moored on the right side, and to avoid historical inaccuracies, James Cameron decided to film 'in reverse'. For this, a portion of the equipment, props, and costumes were ordered mirrored. During editing, the image was flipped, and everything was correct.
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