Independence Day - crew, film crew
The entire team, the film crew of the film "Independence Day"
Independence Day (1996)
Timing:
2:25 (145 min)
6.901/10
10288
10288
7.605/10
206497
206497
7/10
644000
644000
Film crew
Director
Producer
Executive Producer
Ute Emmerich
Executive Producer
William Fay
Executive Producer
Casting
Wendy Kurtzman
Casting
Editor
Art Direction
Costume Design
Joseph A. Porro
Costume Design
Stunts
Dan Bradley
Stunts
Gilbert B. Combs
Stunts
Chris Howell
Stunts
Frank Lloyd
Stunts
Eliza Coleman
Stunts
Lane Leavitt
Stunts
Jennifer Lamb
Stunts
Francine Morris
Stunts
Tom Morga
Stunts
Frank Ferrara
Stunts
Peter Bucossi
Stunts
Production Design
Stunt Coordinator
Dan Bradley
Stunt Coordinator
Second Unit Director
Kevin LaRosa
Second Unit Director
Bac DeLorme
Second Unit Director
Set Decoration
Jim Erickson
Set Decoration
Stunt Driver
Sound Re-Recording Mixer
Bill W. Benton
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Kelly Van Horn
Unit Production Manager
Production Supervisor
Jane Nerlinger Evans
Production Supervisor
Associate Producer
Peter Winther
Associate Producer
Second Assistant Director
Kim H. Winther
Second Assistant Director
Glen Trotiner
Second Assistant Director
Director of Photography
Karl Walter Lindenlaub
Director of Photography
Camera Operator
Tony C. Jannelli
Camera Operator
Peter Krause
Camera Operator
Bruce MacCallum
Camera Operator
Steadicam Operator
Rick Raphael
Steadicam Operator
Randy Nolen
Steadicam Operator
Costume Supervisor
Michael Adkins
Costume Supervisor
Riki Lin Sabusawa
Costume Supervisor
Heidi Shulman
Costume Supervisor
Assistant Art Director
Lauren E. Polizzi
Assistant Art Director
Property Master
Wally Adee
Property Master
Doug Harlocker
Property Master
Visual Effects Supervisor
Douglas Smith
Visual Effects Supervisor
Supervising Sound Editor
Val Kuklowsky
Supervising Sound Editor
Sandy Gendler
Supervising Sound Editor
Script Supervisor
Susan Bierbaum
Script Supervisor
Annie Welles
Script Supervisor
Marvel Wakefield
Script Supervisor
Set Costumer
Christi K. Work
Set Costumer
Still Photographer
Claudette Barius
Still Photographer
Myles Aronowitz
Still Photographer
Visual Effects Producer
Terry Clotiaux
Visual Effects Producer
First Assistant Director
Michael Viglietta
First Assistant Director
Boom Operator
Don Coufal
Boom Operator
Screenplay
Set Designer
Sean Haworth
Set Designer
Lauren E. Polizzi
Set Designer
Pamela Klamer
Set Designer
Mick Cukurs
Set Designer
Julia K. Levine
Set Designer
Sound Designer
John P. Fasal
Sound Designer
Construction Coordinator
Gary A. Krakoff
Construction Coordinator
Art Department Coordinator
Oana Bogdan Miller
Art Department Coordinator
Transportation Coordinator
Maxwell R. Johnson II
Transportation Coordinator
Skip Wilson
Transportation Coordinator
Location Manager
Jacob F. Conrad
Location Manager
Peggy Pridemore
Location Manager
Leadman
Victor J. Zolfo
Leadman
Second Second Assistant Director
Dean Garvin
Second Second Assistant Director
Shari Nicotero
Second Second Assistant Director
Special Effects
Gino Acevedo
Special Effects
Gaffer
Michael J. Delaney
Gaffer
Neil Holcomb
Gaffer
Assistant Hairstylist
Candace Neal
Assistant Hairstylist
Visual Effects Coordinator
Glenn Kleczkowski
Visual Effects Coordinator
Visual Effects
Victor Abbene
Visual Effects
Local Casting
Bernard Telsey
Local Casting
Will Cantler
Local Casting
ADR Voice Casting
Richard Epcar
ADR Voice Casting
Sound Recordist
Robert Renga
Sound Recordist
Choreographer
Anita Dawn Camp
Choreographer
Creature Design
Foley
Hilda Hodges
Foley
Systems Administrators & Support
Joe Davenport
Systems Administrators & Support
Storyboard Designer
Rick Newsome
Storyboard Designer
Documentation & Support
Gabreal Franklin
Documentation & Support
What's left behind the scenes
- Based on the film, Fox Interactive created a computer game of the same name in 1997.
- The abbreviation “ID4,” which the film was originally named, was created after legal issues arose regarding the rights to the title “Independence Day.”
- The special version of the film has a runtime of 153 minutes.
- According to screenwriter and producer Dean Devlin, the US Army initially agreed to help the filmmakers with permission to shoot on military bases, consultations for actors playing military personnel, and so on, but upon learning that the film would contain references to Area 51, they withdrew their permission.
- The scene in which Will Smith's character drags an unconscious alien across the desert was filmed near the Great Salt Lake in Utah. The line “What’s that smell?” was not in the script. The Great Salt Lake is inhabited by tiny Artemia (planktonic organisms). As they die, they sink to the bottom of the lake (which is not very deep) where they decompose. When the wind picks up, it stirs the lake, and the smell of decaying Artemia spreads around. The actor was simply not warned about this.
- The film holds the record for the number of models created for it. Given the progress in computer technology achieved since the film's release, this record may well remain unbroken. The number of models that the props department built for the shoot more than doubled the number of models made for the film that held the previous record. Models of numerous buildings, city streets, historical buildings, and monuments were created, not to mention the spaceships shown in the films, including a nine-meter model of a destroyer and a three-meter model of an alien mothership.
- The film's artist, Patrick Tatopoulos, proposed two concepts for depicting the alien invaders to director Roland Emmerich. Emmerich liked them so much that he used both – one to show the aliens as such, and the other to show them in biomechanical suits.
- Dean Devlin and Roland Emmerich wrote the screenplay in 4 weeks. On Thursday, they sent the script for approval and began looking for actors, and by Monday, the pre-production process had begun.
- Over 70 news broadcasts were created for the film. Real news anchors read the text and appeared on screen, as the filmmakers believed that actors would not look authentic or convincing in this situation.
- The idea for the plot of this film came to Roland Emmerich when he and Dean Devlin discussed the existence of extraterrestrial life in 1994 while working on the film 'Stargate'. A journalist then asked Emmerich why he had made such a film if he himself did not believe in the existence of alien life. Emmerich replied that he was still fascinated by the idea of aliens arriving on Earth, and then asked that journalist what he would feel if he woke up one morning and learned that giant (over 24 kilometers in size) alien ships were hovering over all the major cities of the planet. After that, Emmerich turned to Devlin and said that he seemed to have come up with an idea for their next film.
- Dean Devlin and Roland Emmerich had always intended to cast an African American actor as journalist Steven Hiller and really wanted to cast Will Smith, after seeing him in Fred Schepisi’s detective comedy 'Six Degrees of Separation' (1993). Until then, Smith was mainly known for his participation in comedy television series (in particular, the series 'The Fresh Prince of Bel-Air', which aired from 1990 to 1996). Emmerich later recounted that their decision was met with mixed reactions at the studio (there were attempts to dissuade them, and even some racist remarks were made), but they stood their ground. Starting with this role, Smith’s career took off dramatically, and he instantly became a major star.
- At the beginning of the film, a live broadcast from Novosibirsk (Russia) begins on television, followed by a map showing the cities of Moscow, Petrograd, and Novosyoyrsk (the creators meant Novosibirsk).
- The scene in which the character played by Adam Baldwin finishes off a wounded alien with a close-range shot to the head was not initially in the script. It was added at the last minute after audiences at previews began to complain that the film did not show enough of the aliens’ suffering.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
