Tomorrow Never Dies - crew, film crew

The entire team, the film crew of the film "Tomorrow Never Dies"
Tomorrow Never Dies (1997)
Timing: 1:59 (119 min)
Tomorrow Never Dies - TMDB rating
6.377/10
3397
Tomorrow Never Dies - Kinopoisk rating
7.095/10
30937
Tomorrow Never Dies - IMDB rating
6.5/10
214000

Film crew

Director

Producer

Casting

Photo Debbie McWilliams #13756
Debbie McWilliams
Casting

Editor

Michel Arcand
Editor
Dominique Fortin
Editor

Special Effects Supervisor

Photo Chris Corbould #10921
Chris Corbould
Special Effects Supervisor

Art Direction

Ken Court
Art Direction
Tony Reading
Art Direction
Giles Masters
Art Direction
Jonathan Lee
Art Direction
Stephen Scott
Art Direction

Costume Design

Lindy Hemming
Costume Design

Stunts

David Cronnelly
Stunts
Photo Mark Southworth #15278
Mark Southworth
Stunts
Photo Neil Finnighan #70954Photo Neil Finnighan #70955
Neil Finnighan
Stunts
Lee Sheward
Stunts
Photo David Forman #22540Photo David Forman #22541
David Forman
Stunts
Julian Spencer
Stunts
Photo Theo Kypri #17806
Theo Kypri
Stunts
Jordi Casares
Stunts
Ray De-Haan
Stunts
Photo Gary Powell #8948
Gary Powell
Stunts
Jim Dowdall
Stunts
Photo Tony Lucken #70962
Tony Lucken
Stunts
Photo Romo Gorrara #39370
Romo Gorrara
Stunts
Wayne Michaels
Stunts
Photo Dickey Beer #22546
Dickey Beer
Stunts
Tom Delmar
Stunts
Phil Lonergan
Stunts
Terry Cade
Stunts
Photo Richard Bradshaw #12407
Richard Bradshaw
Stunts
Wendy Leech
Stunts
Jean-Pierre Goy
Stunts
Jonathan Cohen
Stunts

Production Design

Allan Cameron
Production Design

Stunt Coordinator

Photo Vic Armstrong #22957

Vic Armstrong

Vic Armstrong
Stunt Coordinator

Set Decoration

Peter Young
Set Decoration

Stunt Driver

Photo Steve Griffin #12382
Steve Griffin
Stunt Driver

Makeup Artist

Amanda Knight
Makeup Artist
Bron Roylance
Makeup Artist

Original Music Composer

Photo David Arnold #71098

David Arnold

David Arnold
Original Music Composer

Unit Production Manager

Photo Callum McDougall #11646
Callum McDougall
Unit Production Manager

Stunt Double

Director of Photography

Photo Robert Elswit #70742Photo Robert Elswit #70743

Robert Elswit

Robert Elswit
Director of Photography

Camera Operator

Peter Field
Camera Operator

Hairstylist

Colin Jamison
Hairstylist
Lisa Tomblin
Hairstylist
Betty Glasow
Hairstylist

Production Manager

Tim Lewis
Production Manager
Janine Modder
Production Manager

Screenplay

Bruce Feirstein
Screenplay

Art Department Assistant

James Foster
Art Department Assistant

Characters

Makeup Supervisor

Norma Webb
Makeup Supervisor

Hair Supervisor

Eithné Fennel
Hair Supervisor

Additional Still Photographer

Jay Maidment
Additional Still Photographer

Camera Trainee

Derrick Peters
Camera Trainee

Digital Compositor

Ed Hawkins
Digital Compositor
Charles Tait
Digital Compositor

Other

John Gamble
Other

Production Assistant

Ron Quelch
Production Assistant

Line Producer

Photo Anthony Waye #1899
Anthony Waye
Line Producer

Publicist

Gordon Arnell
Publicist

Draughtsman

Mike Stallion
Draughtsman

Wardrobe Assistant

Dan Grace
Wardrobe Assistant

Dressing Prop

Les Benson
Dressing Prop

Theme Song Performance

Photo Sheryl Crow #57226

Sheryl Crow

Sheryl Crow
Theme Song Performance

Main Title Designer

Daniel Kleinman
Main Title Designer

What's left behind the scenes

  • For the filming of the fight scene in the store, Michelle Yeoh's character had to rely on Jackie Chan's stunt doubles, as no one wanted to play opponents against Yeoh's character due to her full-contact fighting style that she developed while she herself was a member of Chan's stunt team.
  • Initially, Anthony Hopkins was cast for the role of the main antagonist, which was eventually played by Jonathan Pryce. However, three days after filming began, he left the project: a finished script, as such, did not exist, it was constantly being updated and rewritten, and the actors received the latest version every morning. Instead, Hopkins chose to star with Martin Campbell in the adventure film "The Mask of Zorro" (1998).
  • Immediately before filming the motorcycle scene, director Roger Spottiswoode pulled Pierce Brosnan and Michelle Yeoh aside individually and ordered each of them not to let the other take the driver's seat. As a result, before getting on the motorcycle, Brosnan and Yeoh's characters argue about who will be driving.
  • The parking lot scene had to be reshot, and a trip to Germany for this purpose would have cost a pretty penny, so the scene was filmed in a shopping mall in London. Posters were hung in the stores inside the mall to reassure shoppers who might hear explosions. The reshoot took 10 days and 17 BMW cars.
  • Ricky Jay (1946-2018) was also a famous magician, holding the world record for throwing playing cards. Initially, he even played in a scene where his character throws cards at James Bond, but this scene did not make the final cut of the film and only survives on DVD editions. From time to time, Jay worked for the CIA, teaching agents sleight of hand (such as picking pockets, discreetly passing objects to someone, and the like).
  • The stealth technology vessel is not fictional. Lockheed secretly built one and demonstrated it in the early 1980s, but the US Navy declined to purchase them. The Lockheed prototype was called Sea Shadow, it was almost 49 meters long, and visually resembled the vessel shown in the film.
  • During filming, Pierce Brosnan suffered an injury – a blow to the face from a stuntman's helmet. The wound had to be stitched, and the remaining scenes were filmed so that the scar was not visible on screen.
  • The film was originally going to be titled "Tomorrow Never Lies," which makes sense considering how the main antagonist first invents headlines and then orchestrates corresponding events. However, a typo crept into one of the early script drafts ("lie" – to lie, "die" – to die), it stuck, and the film ended up being called "Tomorrow Never Dies."
  • In the scene where the helicopter crashes into the building, after Bond has thrown a metal drill into the rotor, it's visible that mannequins, not live people, are sitting in the helicopter.
  • The film was originally going to be titled “Tomorrow Never Lies,” which makes sense considering how the main antagonist first invents headlines and then orchestrates corresponding events. However, a typo crept into an early script (“lie” vs. “die”), it stuck, and the film was titled “Tomorrow Never Dies.”
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