Foe - crew, film crew
The entire team, the film crew of the film "Foe"
Foe (2023)
Timing:
1:51 (111 min)
5.744/10
287
287
5.927/10
1856
1856
5.4/10
13000
13000
Film crew
Director
Producer
Emile Sherman
Producer
Iain Canning
Producer
Kerry Kohansky-Roberts
Producer
Executive Producer
Dawn Olmstead
Executive Producer
Robert Walak
Executive Producer
David Levine
Executive Producer
Casting
Kirsty McGregor
Casting
Editor
Peter Sciberras
Editor
Special Effects Supervisor
Arlo Markantonatos
Special Effects Supervisor
Art Direction
Andrew Kattie
Art Direction
Supervising Art Director
Janie Parker
Supervising Art Director
Costume Design
Alice Babidge
Costume Design
Stunts
Hayden Stewart
Stunts
Matthew Campbell
Stunts
Jake Bennett
Stunts
Production Design
Stunt Coordinator
Philli Anderson
Stunt Coordinator
Second Unit Director
Bonnie Moir
Second Unit Director
Set Decoration
Vanessa Cerne
Set Decoration
Leigh Welsh
Set Decoration
Sound Re-Recording Mixer
Robert Mackenzie
Sound Re-Recording Mixer
Original Music Composer
Park Jiha
Original Music Composer
Additional Editing
Scott Gray
Additional Editing
Co-Producer
Libby Sharpe
Co-Producer
Kate Glover
Co-Producer
Jonathan Schwartz
Co-Producer
Second Assistant Director
Jane Griffin
Second Assistant Director
Fight Choreographer
Chris Weir
Fight Choreographer
Director of Photography
Camera Operator
Rob Stagg
Camera Operator
Steadicam Operator
Marty Smith
Steadicam Operator
Martin Smith
Steadicam Operator
Costume Supervisor
Rachel Nott
Costume Supervisor
Sound Effects Editor
Jessica Meier
Sound Effects Editor
Visual Effects Supervisor
Jason Hawkins
Visual Effects Supervisor
Supervising Sound Editor
Robert Mackenzie
Supervising Sound Editor
Script Supervisor
Guy Strachan
Script Supervisor
Still Photographer
Elise Lockwood
Still Photographer
Visual Effects Producer
Octavia Mansfield Schweitzer
Visual Effects Producer
First Assistant Director
Eddie Thorne
First Assistant Director
Boom Operator
Cam Eason
Boom Operator
Timothy Smith
Boom Operator
Screenplay
Set Designer
Michael Bell
Set Designer
Róbert Taller
Set Designer
Karijus Schlogl
Set Designer
First Assistant Editor
John Erasmus
First Assistant Editor
Sound Designer
Robert Mackenzie
Sound Designer
Art Department Assistant
Ginny Salmon
Art Department Assistant
Foley Editor
Duncan Campbell
Foley Editor
Duncan Campbell
Foley Editor
Book
Music Supervisor
Jemma Burns
Music Supervisor
Makeup Supervisor
Selena Pertzel
Makeup Supervisor
Foley Supervisor
Adrian Medhurst
Foley Supervisor
Foley Mixer
Duncan Campbell
Foley Mixer
Duncan Campbell
Foley Mixer
Third Assistant Director
Catherine Bridekirk
Third Assistant Director
Casting Associate
Will Pearce
Casting Associate
Music Editor
Graeme Stewart
Music Editor
Makeup & Hair
Peta Dunstall
Makeup & Hair
Helen Magelaki
Makeup & Hair
"B" Camera Operator
Marty Smith
"B" Camera Operator
Martin Smith
"B" Camera Operator
Concept Artist
Deak Ferrand
Concept Artist
Aaron Morrison
Concept Artist
Benjamin Donnelly
Concept Artist
Paul Chadeisson
Concept Artist
In Memory Of
Post Production Supervisor
Colleen Clarke
Post Production Supervisor
Sound Assistant
Matthew Lee
Sound Assistant
VFX Artist
Christophe Pacaud
VFX Artist
Rui Li
VFX Artist
Production Coordinator
Nick McFarlane
Production Coordinator
Visual Effects Editor
John Erasmus
Visual Effects Editor
ADR Editor
James Ashton
ADR Editor
ADR Supervisor
Glenn Newnham
ADR Supervisor
Sound Recordist
Roger Van Wensveen
Sound Recordist
Foley Recordist
Adrian Medhurst
Foley Recordist
Olivia Aquilina
Foley Recordist
What's left behind the scenes
- The house shown in the film was built “from scratch” to be indistinguishable from a real house near Westport in the Canadian province of Ontario. Originally, filming was planned in Canada, but due to difficulties with the schedules of the actors involved, it would have had to be filmed in winter, which would have contradicted the plot. An exact replica of the house was built in Australia.
- According to cinematographer Mátyás Erdély, he and director and screenwriter Garth Davis intended to shoot the film on 35mm film, but due to insufficient budget and problems with developing in Australia, they had to shoot on digital equipment.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
