Bound - crew, film crew
The entire team, the film crew of the film "Bound"
Bound (1996)
Timing:
1:45 (105 min)
7.209/10
1081
1081
7.321/10
16053
16053
7.3/10
67000
67000
Film crew
Director
Producer
Stuart Boros
Producer
Executive Producer
Casting
Nancy Foy
Casting
Editor
Zach Staenberg
Editor
Special Effects Supervisor
Lou Carlucci
Special Effects Supervisor
Art Direction
Robert C. Goldstein
Art Direction
Andrea Dopaso
Art Direction
Stunts
Tony Jefferson
Stunts
Production Design
Eve Cauley
Production Design
Stunt Coordinator
Cliff Cudney
Stunt Coordinator
Set Decoration
Kristen Toscano Messina
Set Decoration
Makeup Artist
Richard Rodier
Makeup Artist
Key Makeup Artist
Suzanne Rodier
Key Makeup Artist
Sound Re-Recording Mixer
Ezra Dweck
Sound Re-Recording Mixer
Dan Wallin
Sound Re-Recording Mixer
Robert W. Glass Jr.
Sound Re-Recording Mixer
Grover B. Helsley
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Jeffrey Sudzin
Co-Producer
Production Supervisor
Pearl A. Lucero
Production Supervisor
Set Dresser
Emma Fairley
Set Dresser
Kevin Considine
Set Dresser
William Stahl
Set Dresser
Second Assistant Director
Toni Whiteman
Second Assistant Director
Director of Photography
Steadicam Operator
Peter Jensen
Steadicam Operator
Key Costumer
Nancy Rhodes
Key Costumer
Sound Effects Editor
Assistant Art Director
Monica Fedrick
Assistant Art Director
Property Master
Jonathan R. Hodges
Property Master
Script Supervisor
Cheryl Starbuck
Script Supervisor
Electrician
Walter Bithell
Electrician
Darryl Cowherd
Electrician
Scott Edelstein
Electrician
James Frederick
Electrician
Dwayne Lyon
Electrician
John A. Locke
Electrician
Hairstylist
Andre Blaise
Hairstylist
Sound Mixer
Felipe Borrero
Sound Mixer
Frank Wolf
Sound Mixer
First Assistant Director
Rip Murray
First Assistant Director
Boom Operator
Douglas Shamburger
Boom Operator
Costume Designer
Lizzy Gardiner
Costume Designer
Screenplay
Set Designer
Harry E. Otto
Set Designer
First Assistant Editor
Dan Gutman
First Assistant Editor
Foley Artist
Michael J. Broomberg
Foley Artist
Joan Rowe
Foley Artist
Katie Rowe
Foley Artist
Sean Rowe
Foley Artist
Sound Designer
Dane A. Davis
Sound Designer
Dialogue Editor
John Kwiatkowski
Dialogue Editor
Charles W. Ritter
Dialogue Editor
Best Boy Grip
Shawn Whelan
Best Boy Grip
Foley Editor
Stan Ginsel
Foley Editor
Tom Hammond
Foley Editor
First Assistant "B" Camera
Christopher Ishii
First Assistant "B" Camera
Transportation Coordinator
J.D. Orlebeck
Transportation Coordinator
Key Grip
Tony Mazzucchi
Key Grip
Location Manager
Jack R. Tate
Location Manager
Grip
Rocky Andrus
Grip
Tony Sepian
Grip
Randolph J. Verdigo
Grip
Dolly Grip
Byron McCulloch
Dolly Grip
Assistant Property Master
Tamara Murphy
Assistant Property Master
Leadman
Samuel J. Tell
Leadman
Second Second Assistant Director
Wayne Gee
Second Second Assistant Director
Carpenter
Ernie Andrasik
Carpenter
Lance C. Guiles
Carpenter
Kenneth Halverson
Carpenter
Ernest Hernandez
Carpenter
Richard Jerebicz
Carpenter
Christian E. Lemer
Carpenter
Louis A. Perez
Carpenter
Jonathan Martin Spirk
Carpenter
Scot T. Waldon
Carpenter
Construction Foreman
Michael A. Capps
Construction Foreman
Christopher P. Garr
Construction Foreman
Assistant Set Decoration
Caitlin Blue
Assistant Set Decoration
Painter
Irene Adamczyk
Painter
Sharon Harvey
Painter
Steve Ross
Painter
Foley Mixer
Marty Church
Foley Mixer
Casting Associate
Suzy Sharp-Kane
Casting Associate
Gaffer
Joel Unangst
Gaffer
Prosthetic Makeup Artist
David P. Barton
Prosthetic Makeup Artist
Music Editor
Stan Jones
Music Editor
ADR Mixer
Robert Deschaine
ADR Mixer
ADR Recordist
Dana Porter
ADR Recordist
"B" Camera Operator
Tony Cucchiari
"B" Camera Operator
First Assistant Camera
James Fitzgerald
First Assistant Camera
Steve Peterson
First Assistant Camera
Post Production Supervisor
Teresa Kelly
Post Production Supervisor
On Set Dresser
Scott Burch
On Set Dresser
Unit Publicist
Cid Swank
Unit Publicist
Scenic Artist
Steve Buckner
Scenic Artist
ADR Editor
Jim Borgardt
ADR Editor
Camera Loader
Cheli Clayton
Camera Loader
Second Assistant Camera
Ron Peterson
Second Assistant Camera
Kari Romeo
Second Assistant Camera
Assistant Sound Editor
Frank Long
Assistant Sound Editor
David McRell
Assistant Sound Editor
Wigmaker
Roland Eggler
Wigmaker
Title Designer
Patti Podesta
Title Designer
Foley Recordist
David Mancini
Foley Recordist
Color Timer
Michael Stanwick
Color Timer
Apprentice Sound Editor
Andy Brisson
Apprentice Sound Editor
Al Wolovitch
Apprentice Sound Editor
Allen Yeung
Apprentice Sound Editor
Additional Set Dresser
Janine Burke
Additional Set Dresser
What's left behind the scenes
- The film received funding on the condition that Jennifer Tilly would play Corky. Shortly before filming began, the actress cast as Violet left the project, and Gina Gershon was cast in her place. It soon became clear that Gershon was better suited for the role of Corky, so she and Tilly switched roles.
- John P. Ryan's (1936-2007) final appearance on screen.
- The central love scene in Corky's apartment was filmed in one take. The Wachowski brothers decided that this would look more realistic than editing together multiple takes. Such scenes are filmed on a closed set, meaning only a minimal number of personnel are present, however, “minimal” is still quite a crowd. Panels serving as walls need to be moved around the location to allow the operator to shoot from the desired angle, and that requires staff.
- Gina Gershon and Jennifer Tilly performed the lesbian love scene completely nude, and themselves, i.e. without the use of body doubles.
- Several actors sustained injuries during the film's action scenes. In the scene where Barry Kivell's character is hit in the head with a toilet, the actor suffered a head injury. And after filming the scene where Gina Gershon's character knocks a gun out of the hand of the character played by Joe Pantoliano, the actress had to get stitches on her hand – the impact was that strong.
- The central love scene in Corky's apartment was filmed in one take. The Wachowski brothers, the directors, decided that this would look more realistic than a cut from several takes. Such scenes are filmed on a closed set, meaning a minimal number of personnel are present, however, “minimal number” is still quite crowded. Panels serving as walls need to be moved around the action area to allow the operator to shoot from the desired angle, and this requires personnel.
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