Godzilla Minus One - crew, film crew
The entire team, the film crew of the film "Godzilla Minus One"
ゴジラ-1.0 (2023)
Timing:
2:5 (125 min)
7.574/10
3077
3077
6.885/10
25171
25171
7.6/10
201000
201000
Film crew
Director
Producer
Keiichiro Moriya
Producer
Kenji Yamada
Producer
Kazuaki Kishida
Producer
Go Abe
Producer
Keichiiro Moriya
Producer
Executive Producer
Hisashi Usui
Executive Producer
Casting
Tsuyoshi Sugino
Casting
Editor
Costume Design
Aiko Mizushima
Costume Design
Production Design
Anri Jojo
Production Design
Set Decoration
Tetsuji Tatsuta
Set Decoration
Makeup Artist
Michiyo Miyauchi
Makeup Artist
Sound Re-Recording Mixer
Natsuko Inoue
Sound Re-Recording Mixer
Hisafumi Takeuchi
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Taichi Ueda
Co-Producer
Akihiro Yamauchi
Co-Producer
Production Supervisor
Nozomu Aida
Production Supervisor
Director of Photography
Musician
Shinsuke Tomizuka
Musician
Takayuki Mogami
Musician
Keisuke Sumikawa
Musician
Hitoshi Imai
Musician
Hikaru Koga
Musician
Hidehito Naka
Musician
Kôichi Nonoshita
Musician
Ken'ichi Tsujimoto
Musician
Masami Iwasa
Musician
Masamichi Sasazaki
Musician
Shunji Yamaguchi
Musician
Yuto Kamei
Musician
Shinpei Tsugita
Musician
Yoshiyuki Uema
Musician
Kazuhiro Kajihara
Musician
Naoki Ishiyama
Musician
Tadayori Matsumoto
Musician
Shun Itô
Musician
Reo Yoshida
Musician
Koichiro Muroya
Musician
Jun'ichirô Taku
Musician
Toshitsugu Inoue
Musician
Mina Muranaka
Musician
Mizuki Ogura
Musician
Visual Effects Supervisor
Script Supervisor
Chikako Aho
Script Supervisor
Hairstylist
Michiyo Miyauchi
Hairstylist
Animation
Yûki Kawahara
Animation
Toshihiko Masaki
Animation
Production Manager
Yoshihito Yokoi
Production Manager
Screenplay
Foley Artist
Natsuko Inoue
Foley Artist
Sound Designer
Natsuko Inoue
Sound Designer
Dialogue Editor
Hisafumi Takeuchi
Dialogue Editor
Props
Tetsuji Tatsuta
Props
Sakurako Morita
Props
Key Grip
Satoru Okuda
Key Grip
3D Artist
Kaito Hasegawa
3D Artist
Shôichirô Satô
3D Artist
Gaffer
Nariyuki Ueda
Gaffer
Assistant Director
Kohei Adachi
Assistant Director
Music
Digital Compositor
Eisin Okubo
Digital Compositor
Other
Conductor
Atsushi Takahashi
Conductor
Colorist
Masahiro Ishiyama
Colorist
Music Coordinator
Sayoko Narukawa
Music Coordinator
VFX Artist
Katsumi Suzuki
VFX Artist
Junya Ando
VFX Artist
Makoto Kazamaki
VFX Artist
Tatsuya Hayasaki
VFX Artist
Tatsuji Nojima
VFX Artist
Shinji Miyake
VFX Artist
Masaaki Tokaji
VFX Artist
Visual Effects
Tatsuji Nojima
Visual Effects
Line Producer
Hiroshi Sakurai
Line Producer
CG Supervisor
Masaki Takahashi
CG Supervisor
CG Artist
Tatsuya Hayasaki
CG Artist
Takushi Yamaguchi
CG Artist
Takayuki Ueki
CG Artist
Sound Recordist
Hisafumi Takeuchi
Sound Recordist
Visual Effects Director
Modeling
Takafumi Iwata
Modeling
Kazutaka Sugiyama
Modeling
Kosuke Taguchi
Modeling
Motohiro Yamada
Modeling
Tomoyuki Miyake
Modeling
Takuya Uenishi
Modeling
Junpei Sakô
Modeling
Matte Painter
Sachiko Eba
Matte Painter
Takeyuki Shirahama
Matte Painter
Rotoscoping Artist
Khitish Shekhar Karua
Rotoscoping Artist
Sound Effects
Natsuko Inoue
Sound Effects
Music Producer
Kôzô Araki
Music Producer
Lighting Director
Nariyuki Ueda
Lighting Director
Creature Design
Kosuke Taguchi
Creature Design
Compositing Artist
Koji Busaka
Compositing Artist
Mika Emura
Compositing Artist
Tatsuji Nojima
Compositing Artist
Shinya Suzuki
Compositing Artist
Ryô Matsumoto
Compositing Artist
Yoshihito Odaka
Compositing Artist
Shôichirô Satô
Compositing Artist
Music Arranger
Original Film Writer
Takeo Murata
Original Film Writer
Music Programmer
Takumi Hasegawa
Music Programmer
Quality Control Supervisor
Fay Kanagy
Quality Control Supervisor
What's left behind the scenes
- Instead of creating the monster's roar from scratch, the film's creative team simply played the original Godzilla roar through speakers and recorded the resulting sound.
- Gareth Edwards, director of the 2014 "Godzilla" film, attended a preview screening of the film. According to his own words, watching this film, he experienced feelings of envy and jealousy. Edwards stated that this is exactly what a Godzilla film should be like.
- Godzilla owes its appearance to computer technology.
- "Minus One" in the film's title refers to the fact that Japan had already suffered in World War II, i.e. was reduced to zero, and with the appearance of Godzilla it went even further into the negative, as reflected in the Japanese slogan of the film: "Post-war Japan. From zero to minus."
- In reality, Japanese fighters in World War II did not have an ejection system to save the pilot, as shown in the film. Considering that the propeller of the fighter was located at the rear, it first had to be shot off with directed explosions, and only then could the pilot jump with a parachute. Such systems were not in use in Japanese aviation until the end of the war.
- In one episode, the heroes measure the radiation level of a child's tricycle. It looks exactly like the bicycle of a boy named Shin, which is on display at the Hiroshima Peace Memorial Museum. Shin died in the atomic bomb explosion.
- The people of Tokyo are going to oppose Godzilla, but there is no army in the country to come to their aid. After the end of World War II, the victorious powers forced Japan to disarm and forbade it from having an army.
- "Yukikaze" and "Hibiki" are real destroyers that survived World War II. After the war, in 1947, the first was transferred to the Republic of China (present-day Taiwan), and the second to the USSR (present-day Russian Federation) as compensation.
- During the attack on the fictional Odo Island, Godzilla kills people but does not devour them. The filmmakers follow a rule established by Toho, the film company that made the earliest films in the franchise – not to show Godzilla devouring people.
- Japan suffered in World War II, that is, it was reduced to zero. 'Minus One' in the title means that with the appearance of Godzilla, the country went into the negative, which is reflected in the Japanese slogan of the film: 'Post-war Japan. From zero to minus.'
- In the opening scene, when Godzilla attacks Odo Island, he kills people but does not devour them. The filmmakers follow the rule of the first films in the franchise.
- After watching the film, Gareth Edwards, director of 'Godzilla,' admitted that he felt envy, as this is exactly what a Godzilla film should be like.
- Yukikaze and Hibiki are destroyers that survived World War II. At the end of the war, the first was transferred to the Republic of China as a military trophy, and the second – to the USSR.
- On the 63rd minute, they measure the radiation level of a child's tricycle. This is a reference to the bicycle of a child named Shin, which is displayed in the Hiroshima Peace Memorial Museum.
- Japanese fighters in World War II did not have an ejection system as depicted in the film. Considering the fighter's propeller was located in the rear, it would have needed to be jettisoned first.
- On the 41st minute, when the heroes on a boat are escaping Godzilla, they drop a mine. The water from the explosion saturates them from head to toe, but in the next shot, everyone is already dry.
- Japan suffered in World War II, that is, it was reduced to zero. "Minus One" in the title means that with the appearance of Godzilla, the country went into the negative, which is reflected in the Japanese slogan of the film: "Post-war Japan. From zero to minus."
- After viewing the painting, Gareth Edwards, director of "Godzilla," admitted he felt envious, as this is exactly what a Godzilla film should be.
- Yukikaze and Hibiki are destroyers that survived World War II. At the end of the war, the first was transferred to the Republic of China as a war trophy, and the second to the USSR.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
