The Front Page

It's the hottest story since the Chicago fire...and they're sitting on it.
The Front Page (1974)
Timing: 1:45 (105 min)
7.3/10
397
—
no scores
7.3/10
397
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Release date
Country
Production
Genre
Budget
$4 000 000
Revenue
$15 000 000
Website
Director
Scenario
Producer
Paul Monash, Jennings Lang
Composer
Artist
Audition
Editing
Ralph E. Winters
All team (36)

Short description

The Front Page is a comedy set in the Chicago newspaper world of the late 1920s. Star reporter Hildy Johnson is ready to leave the business behind, marry his fiancée Peggy and take a quieter job in another city. His editor, Walter Burns, has no intention of letting his best man go, and when a condemned prisoner escapes on the morning of his scheduled execution, Burns sees his chance. He pulls Hildy back into covering the story, using every trick he can to keep him on the paper.

Billy Wilder directed and wrote the screenplay with his longtime collaborator I. A. L. Diamond, adapting the classic stage comedy about the press. It was Wilder's twentieth film as director, coming between Avanti! and Fedora, and it reunited Jack Lemmon and Walter Matthau, who play Hildy Johnson and Walter Burns. Susan Sarandon appears as Peggy, with Vincent Gardenia, David Wayne and Allen Garfield among a credited cast of 25. The production, made by Universal Pictures on a budget of about 4 million dollars, returned roughly 15 million dollars worldwide.

On TMDB the film holds a rating of 7.3 from 394 votes, while critics' reviews give it 6 out of 10 across 31 notices. That gap suggests audiences have stayed warmer to the film than reviewers did, which is notable for a late entry in Wilder's filmography.

What's left behind the scenes

  • The idea proposed by Walter Matthau (born Walter John Matthow, 1920-2000) to secretly take a picture of a person sentenced to death at the moment of execution had a historical basis. On January 12, 1928, at the Sing Sing prison in New York, Ruth Brown Snyder and her lover Henry Judd Gray ended their lives for the murder of Ruth’s husband, Albert Snyder, a year earlier. Chicago Tribune reporter Tom Howard (1894-1961) used a hidden camera to photograph Snyder at the moment of her death. This photograph became an example of what reporters are capable of and willing to do for exclusive material. The disposable camera used by Howard is now on display at the National Museum of American History of the Smithsonian Institution.

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