Ghost Cat Anzu

化け猫あんずちゃん (2024)
7.5/10
39 801
—
no scores
6.9/10
58
6.6/10
1200
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Release date
Revenue
$658 739
Director
Photo Yoko Kuno
Yoko Kuno
Scenario
Composer
Photo Keiichi Suzuki
Keiichi Suzuki
Producer
Pierre Baussaron
Actors
Photo Mirai Moriyama
Mirai Moriyama
Anzu (voice)
Photo Noa Goto
Noa Goto
Karin (voice)
Photo Munetaka Aoki
Munetaka Aoki
Tetsuya (voice)
Photo Miwako Ichikawa
Miwako Ichikawa
Yuzuki (voice)
Photo Keiichi Suzuki
Keiichi Suzuki
Oshō (voice)
Photo Shingo Mizusawa
Shingo Mizusawa
God of Poverty (voice)
Photo Mutsuo Yoshioka
Mutsuo Yoshioka
Kaeru-chan (voice)
Wataru Sawabe
Tanuki (voice)
All actors and roles (10)

Short description

After being left by her father in rural Japan, a young girl named Karin goes to live with her grandfather at a local temple. She is placed under the care of Anzu, a large ghost cat known for being lazy. Initially distrustful of her guardian, Karin spends her time with forest spirits and disrupts Anzu's work for the community. The situation escalates when Anzu accidentally enters a pact with the devil while trying to improve his relationship with the girl.

This animated fantasy comedy was co-directed by Yoko Kuno and Nobuhiro Yamashita. For Kuno, it follows Crayon Shin-chan: The Tornado Legend of Ninja Mononoke. For Yamashita, it is the latest in a series of works including Linda Linda Linda and Let's Go Karaoke!. The film features voice acting from Mirai Moriyama as Anzu and Noa Goto as Karin. The production was a collaboration between companies from Japan, France, and the United States.

The movie received generally positive feedback from viewers and critics. It holds a rating of 6.6/10 on IMDb based on 1,200 votes and 6.9/10 on TMDB from 55 votes. These audience scores are slightly higher than the critics' rating of 6.5/10 from 23 reviews.

What's left behind the scenes

  • Rotoscoping technique was used in the making of the animated film. This is an animation technique where an animated or combined film segment is created by frame-by-frame redrawing of filmed footage with real actors and sets. Ralph Bakshi used this technique in his work on the animated films "The Lord of the Rings" (1978) and "Fire and Ice" (1983).

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