Cabaret - crew, film crew

The entire team, the film crew of the film "Cabaret"
Cabaret (1972)
Timing: 2:4 (124 min)
Cabaret - TMDB rating
7.4/10
945
Cabaret - Kinopoisk rating
0/10
24
Cabaret - IMDB rating
0/10
0

Film crew

Director

Producer

Cy Feuer
Producer

Writer

Editor

David Bretherton
Editor

Art Direction

Hans Jürgen Kiebach
Art Direction

Costume Design

Charlotte Flemming
Costume Design

Production Design

Original Music Composer

Photo John Kander #101438
John Kander
Original Music Composer

Associate Producer

Harold Nebenzal
Associate Producer

Set Dresser

Second Assistant Director

Stefan Zürcher
Second Assistant Director

Director of Photography

Photo Geoffrey Unsworth #73809

Geoffrey Unsworth

Geoffrey Unsworth
Director of Photography

Camera Operator

Property Master

Richard Eglseder
Property Master

Script Supervisor

Trudy von Trotha
Script Supervisor

Still Photographer

Lars Looschen
Still Photographer

Production Manager

Pia Arnold
Production Manager

Screenplay

John Van Druten
Screenplay
Joe Masteroff
Screenplay

Novel

Joe Masteroff
Novel

Assistant Editor

David Ramirez
Assistant Editor

Songs

Photo John Kander #101438
John Kander
Songs

Gaffer

Herbert fischer
Gaffer

Assistant Director

Wolfgang Glattes
Assistant Director
Douglas Green
Assistant Director

Music Editor

Karola Storr
Music Editor
Robert Tracy
Music Editor
Illo Endrulat
Music Editor

Makeup & Hair

Susi Krause
Makeup & Hair
Raimund Stangl
Makeup & Hair

Casting Director

Renate Neuchl
Casting Director

Choreographer

Photo Bob Fosse #114709Photo Bob Fosse #114710

Bob Fosse

Bob Fosse
Choreographer

Unit Manager

Wolfram Kohtz
Unit Manager

Production Designer

Photo Rolf Zehetbauer #76816

Rolf Zehetbauer

Rolf Zehetbauer
Production Designer

Wardrobe Master

Ille Sievers
Wardrobe Master

Theatre Play

John Van Druten
Theatre Play

Lyricist

What's left behind the scenes

  • The initial screenplay, written by renowned author and playwright Jay Presson Allen, did not satisfy Fosse, so he hired Hugh Wheeler to revise it. However, Wheeler was credited in the film only as a consultant, while Jay Presson Allen herself was listed as the screenwriter. The film is more heavily based on Christopher Isherwood's cycle of stories "Goodbye to Berlin" and John van Druten’s play "I Am a Camera" than on Joe Masteroff’s stage version.
  • Prominent theatrical manager Cy Feuer was realizing the project through "ABC Pictures" and "Allied Artists" studios. Bob Fosse was eager to take the director's chair and offered his candidacy to Feuer. However, the studio executives preferred Joseph Leo Mankiewicz or Gene Kelly, as Fosse’s previous film musical, "Sweet Charity," based on Federico Fellini’s "Nights of Cabiria," had flopped at the box office. Feuer eventually persuaded the bosses to hire Bob Fosse, arguing that the film adaptation of "Cabaret" would focus not on plot twists, but on dance numbers.
  • Cy Feuer and Bob Fosse traveled to Germany to recruit the missing part of the film crew. Fosse strongly recommended to Feuer that they hire American cinematographer Robert Surtees. But Feuer, dissatisfied with how Surtees had filmed "Sweet Charity," invited British cinematographer Geoffrey Unsworth to work on the film.
  • Liza Minnelli and Joel Grey were cast in the roles long before Bob Fosse joined the project. Minnelli had previously been turned down for the role of Sally Bowles in the theatrical production, unlike Joel Grey, who played the same role in the film as he had on Broadway. Michael York was personally invited by the director. The actors for the minor roles, as well as the dancers, were decided to be recruited in Germany.
  • The film differs significantly from the stage production. For example, the main character was renamed from American Cliff Bradshaw to Englishman Brian Roberts, however, the character’s bisexuality remained in the film. Fritz, Natalia, and Max were not in the Broadway musical, although the play featured a secondary character named Max – the owner of the "Kit Kat" club – who is absent from the film. Fosse did not use many of the songs from the musical, except those performed directly on the stage of the club. The exception is "Tomorrow Belongs to Me," which the characters listen to in an open-air restaurant and which carries important semantic weight. Specifically for the film, composer John Kander and lyricist Fred Ebb wrote the songs "Money, Money" and "Mein Herr," which proved so popular that they were subsequently decided to be included in the theatrical version.
  • “Cabaret” was first released on DVD in 1998. Later re-releases followed in 2003 and 2008.
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