Sing Sing

Trust the process.
Sing Sing (2024)
Timing: 1:47 (107 min)
7.5/10
34 182
—
no scores
7.4/10
402
7.6/10
29000
Rate the movie:
Release date
Country
Genre
Budget
$2 000 000
Revenue
$4 591 838
Director
Actors
Colman Domingo, Clarence Maclin, Sean San Jose, Paul Raci, David "Dap" Giraudy, Patrick "Preme" Griffin, Mosi Eagle, James "Big E" Williams, Sean Dino Johnson, Johnny Simmons
All actors and roles (10)
Scenario
Producer
Monique Walton, Clint Bentley, Greg Kwedar, Raul Domingo, Colman Domingo, Teddy Schwarzman, Michael Heimler, Clarence Maclin, John "Divine G" Whitfield, Larry Kalas
Operator
Patrick Scola
Composer
Artist
Ruta Kiskyte, Omar Egas, Michael Harbeck
Audition

Short description

Sing Sing is a drama set inside the Sing Sing Correctional Facility, where John Whitfield, known as Divine G, is serving time for a crime he did not commit. He has found a purpose within a theatre workshop run by incarcerated men, writing and performing alongside them under the guidance of director Brent Buell. The group's balance shifts with the arrival of Clarence Maclin, called Divine Eye, a volatile newcomer with his own ideas about what the troupe should stage. The film follows the men as they work together on an original production, drawn from the real theatre programme at the prison.

Greg Kwedar directed and co-wrote the screenplay with Clint Bentley; the two had previously collaborated on Transpecos in 2016, making this his second feature as director. Colman Domingo leads the cast as Whitfield, with Clarence Maclin playing a version of himself alongside Paul Raci, Sean San Jose, and several other men who appear as themselves.

Made for about two million dollars, the film returned roughly three million worldwide, a modest theatrical result for a release of this scale. On IMDb it holds a rating of 7.6 from around 29,000 votes, and on TMDB 7.4 from roughly 400 votes, while a critics' rating of 8.6 from 215 reviews places it clearly above those audience scores.

What's left behind the scenes

  • Most of the actors in the film are former prisoners and members of a real-life prison theater group.
  • Everyone involved in the making of the film received the same fee. Together, they are the collective owners of the film.

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