Bring Me the Head of Alfredo Garcia

Why is his head worth one million dollars and the lives of 21 people?
Bring Me the Head of Alfredo Garcia (1974)
7.4/10
26 051
—
no scores
7.1/10
444
7.4/10
23000
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Release date
Budget
$1 500 000
Revenue
$700 000
Director
Scenario
Composer
Jerry Fielding
Producer
Martin Baum

Short description

A wealthy Mexican landowner known as El Jefe learns that his daughter is pregnant and demands the name of the man responsible. When she names Alfredo Garcia, her father puts a large bounty on Garcia's head, drawing bounty hunters from across the country. Among those who see a chance at the reward is Bennie, an American bar pianist scraping by in a small Mexican town. Two gunmen, Quill and Sappensly, tell him about the offer, and Bennie realizes that Garcia, who was once involved with his girlfriend Elita, has already died in a car crash. He sets out with Elita to find the grave, hoping to claim the money by delivering the head, while other parties pursue the same prize.

Sam Peckinpah directed and co-wrote the screenplay with Gordon T. Dawson, and Martin Baum produced. The film followed Pat Garrett & Billy the Kid in Peckinpah's filmography and starred Warren Oates as Bennie, alongside Isela Vega, Robert Webber, Gig Young, Helmut Dantine and Emilio Fernández. Made for about two million dollars, it drew modest audiences at the time.

Later assessments have been warmer: on IMDb it holds 7.4 from roughly 23,000 votes and on TMDB 7.1 from around 440 votes. A critics' rating of 7.2 from 31 reviews places it broadly in line with those audience scores, suggesting a film that has found a more appreciative view decades after its release.

What's left behind the scenes

  • Work on the film began in mid-August 1973 in Mexico City. With a few exceptions, the crew was entirely Mexican.
  • Filming began at the end of September 1973 and ended three days before Christmas.
  • In the October issue of Variety magazine, Peckinpah was quoted as saying: “For me, Hollywood no longer exists. It has become history. I decided to stay in Mexico, as I believe I can make my films with more freedom here.” The unions of film and television workers openly condemned this statement at the National Conference in Detroit and threatened to boycott the film. In his defense, Peckinpah stated that he had been misquoted.

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