Harakiri - crew, film crew
The entire team, the film crew of the film "Harakiri"
切腹 (1962)
Timing:
2:15 (135 min)
8.437/10
1224
1224
8.175/10
11165
11165
8.6/10
90000
90000
Film crew
Director
Producer
Tatsuo Hosoya
Producer
Tatsuyo Hosoya
Producer
Editor
Hisashi Sagara
Editor
Art Direction
Shigemasa Toda
Art Direction
Junpei Oosumi
Art Direction
Junichi Ôsumi
Art Direction
Costume Design
Mitsuzô Ueda
Costume Design
Set Decoration
Zenichi Tajiri
Set Decoration
Original Music Composer
Associate Producer
Gin'ichi Kishimoto
Associate Producer
Director of Photography
Yoshio Miyajima
Director of Photography
Hairstylist
Yoshiko Kimura
Hairstylist
Gyôuemon Kimura
Hairstylist
Screenplay
Novel
Yasuhiko Takiguchi
Novel
Assistant Director
Kôji Niwa
Assistant Director
Sound
Hideo Nishizaki
Sound
What's left behind the scenes
- During the filming of the action scenes, Tatsuya Nakadai (who played the ronin Hanshiro Tsugumo) was constantly afraid because the swords and spears were real—even though the use of real weapons is prohibited in Japanese cinema. He was not particularly comforted by the fact that all the fights were choreographed and the weapons were in the hands of professionals.
- The ronin in the film claim they served Masanori Fukushima until his exile, after which they were left without a master. Fukushima was exiled for unilaterally beginning repairs on a castle in Hiroshima, which contradicted the law. Fukushima and his son were stripped of all their property and banished to another prefecture.
- Tatsuya Nakadai and his co-star Rentaro Mikuni clashed during filming over their speaking styles. The former delivered his lines loudly and clearly, while the latter spoke considerably softer—both stood their ground, citing their own professional experiences to support their views. It ended with director Masaki Kobayashi halting production and informing the actors that filming would not resume until they finally reached an agreement. The hiatus lasted three days.
- The film is a vivid example of how Masaki Kobayashi opposed the practice of idealizing Japan's former feudal system. The samurai code of honor is repeatedly called into question throughout the movie. This kind of opposition was characteristic of the post-occupation movement in Japan, which was linked to protests against the presence of American military bases in the country.
- After Shima Iwashita's character married, she was depicted on screen exclusively with blackened teeth. In feudal Japan, black teeth were a sign that a lady was married. The tradition of teeth blackening was called 'ohaguro'.
- The bamboo swords shown in the film were called 'takemitsu,' and the film's composer was named Toru Takemitsu. A joke circulated among the crew: 'Harakiri via Takemitsu, music by Takemitsu'.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
