Counterpoint

For every move... a counter move - for every attack... a counter attack!
Counterpoint (1967)
6.4/10
1 224
—
no scores
6.2/10
24
6.4/10
1200
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Production
Release date
Director
Scenario
Alan Sillitoe
Author
Composer
Producer
Richard Berg
Actors
Photo Charlton Heston
Charlton Heston
Lionel Evans
Photo Maximilian Schell
Maximilian Schell
Gen. Schiller
Photo Kathryn Hays
Kathryn Hays
Annabelle Rice
Photo Leslie Nielsen
Leslie Nielsen
Victor Rice
Photo Anton Diffring
Anton Diffring
Col. Arndt
Photo Linden Chiles
Linden Chiles
Lt. Long
Photo Peter Masterson
Peter Masterson
Sgt. Calloway
Photo Curt Lowens
Curt Lowens
Capt. Klingerman
All actors and roles (10)

Short description

Counterpoint is a Second World War drama set in December 1944. Lionel Evans, a celebrated American conductor, is touring Belgium with his seventy-piece symphony orchestra to entertain Allied troops. When a German counterattack forces them to flee, the musicians are captured and taken to a chateau serving as a German headquarters. A general named Schiller, who is fond of music and admires Evans, wants a private concert instead of an execution, while a colonel presses for the prisoners to be shot. How Evans responds puts the whole orchestra at risk.

Ralph Nelson directed the film, which came out in 1967 and runs 106 minutes. It followed Duel at Diablo in his filmography and preceded Soldier Blue. Joel Oliansky and James Lee wrote the screenplay, and Richard Berg produced it for Universal Pictures. Charlton Heston plays Evans, Maximilian Schell plays General Schiller, and the cast also includes Kathryn Hays, Leslie Nielsen, Anton Diffring and Linden Chiles.

On TMDB the film holds a rating of 6.2 out of 10 from 23 votes, a small sample that points to modest and mixed attention rather than wide acclaim. It sits among the director's late-1960s studio productions, a period piece built around the confrontation between two strong-willed men.

What's left behind the scenes

  • The film was shot using the Techniscope system, which produced relatively low image quality, for which it was criticized by the renowned American film critic Roger Ebert.
  • Charlton Heston spent five hours a day perfecting the conductor's movements for the performance of Beethoven's Symphony No. 5.

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