Metropolis
There can be no understanding between the hands and the brain unless the heart acts as mediator.
Country
Production
Genre
Budget
$6 000 000
Revenue
$527 918
Director
Actors
Gustav Fröhlich, Brigitte Helm, Alfred Abel, Rudolf Klein-Rogge, Theodor Loos, Fritz Rasp, Erwin Biswanger, Heinrich George, Fritz Alberti, Grete Berger
All actors and roles (10)
All actors and roles (10)
Scenario
Producer
Operator
Composer
Gottfried Huppertz
Artist
Audition
Editing
Short description
Metropolis is set in a future city divided into two sharply separated worlds. Above ground, wealthy residents live among tall buildings, offices and pleasure gardens; below, workers spend their lives tending the machines that keep the city running. The city is controlled by the industrialist Johann Fredersen. His son Freder becomes aware of the hardship endured by the workers and descends into the machine halls, where he is horrified by what he sees. He also meets Maria, a young woman from the lower city who speaks to the workers of change and reconciliation. Meanwhile, the inventor Rotwang is ordered to give a robot Maria's appearance, and the double is used to stir up the workers. Freder and Maria try to prevent the growing conflict from destroying the city.
Fritz Lang directed from a screenplay he wrote with Thea von Harbou, with Erich Pommer producing for UFA. Made at great expense in 1926, it was the fourth of the twenty-four films Lang directed, following Die Nibelungen: Siegfried and preceding Woman in the Moon. Gustav Fröhlich plays Freder, Brigitte Helm plays Maria and the Machine Man, Alfred Abel plays Johann Fredersen, and Rudolf Klein-Rogge plays Rotwang.
The film's reputation rests on unusually strong agreement across sources: on IMDb it holds 8.2 out of 10 from around 200,000 votes and on TMDB 8.1 from over 3,000, while critics give it 9.6 from 141 reviews. The audience scores, high in themselves, are lower than the near-uniform critical rating, suggesting a film valued by critics even more than by general viewers.
What's left behind the scenes
- This film greatly influenced the creators of Superman, Jerry Siegel and Joe Shuster. The character's city was named in its honor.
- More than 37,000 extras participated in the film, including: 25,000 men (over a thousand of whom agreed to shave their heads), 11,000 women, 750 children, 100 African Americans, and 25 Asians. A total of 310 shooting days were required for the film.
- To Fritz Lang's disappointment, Adolf Hitler and Joseph Goebbels turned out to be great admirers of the film. Goebbels met with the director and told him that he could become an honorary Aryan, despite his Jewish origin. Goebbels also told him that they decide who is Jewish and who is not. Lang left Paris that same night and moved to America.
- In 2001, under the auspices of the Friedrich Wilhelm Murnau Foundation, a compromise version lasting 117 minutes was created based on various surviving versions, providing a fairly complete representation of the film's plot.
- Fritz Lang directed the film based on the novel by his wife and co-author, Thea von Harbou.
- In 2008, a duplicate negative of the complete version of the film on 16mm film stock was discovered at the Film Museum in Buenos Aires, printed in the mid-1970s from the original nitrate copy, which was subsequently destroyed. The missing scenes were restored and inserted into the 2001 version. Thus, this complete restored version has a duration of 150 minutes.
- The best German architects of the time were invited to recreate models of the skyscrapers of the utopian city: Otto Haentzschel, Erich Kettelhut, and Karl Vollbrecht.
- The film poster was created by Heinz Schulz-Neudamm.
- The original length of the film was 153 minutes. For release in the USA by 'Paramount' in 1927, the film was cut almost in half, losing many essential plot lines, and with them, important motivations for the characters' actions. In particular, the main conflict between Freder and Rotwang – rivalry over the deceased Hel – was completely removed from the film; thus, the motivation for creating the robot-human disappeared, and ultimately the destruction of Metropolis as well. Scenes of Frederick being pursued by Hudie and lengthy chase episodes at the end of the film were also completely removed. To make the film remain understandable after all these cuts, the intertitles had to be largely rewritten and the surviving episodes remounted in some places.
- The nightmare in which the workers were sent as fodder to Moloch was filmed in mid-winter. Despite floodlights and heaters, the studio was extremely cold. This particularly affected the extras, most of whom were unemployed. They had to enter the god’s mouth naked. Fritz Lang spent so many days and takes filming this scene that his assistants feared the extras would revolt. Finally, producer Erich Pommer arrived on set and informed Lang that they already had more than enough material for this scene and he should stop.
- In 1984, Giorgio Moroder assembled a new restored version of "Metropolis" lasting 88 minutes, wrote the music, and involved famous performers in the musical design – Freddie Mercury, John Anderson, Bonnie Tyler.
- Shooting the scene of the flooding of the workers' homes, which lasts less than 10 minutes in the film, required more than six weeks of filming.
- The band "Aria" also used footage from the film for their music video "Otshyelnik" (The Hermit).
- "Metropolis" was one of Adolf Hitler's favorite films.
- The film premiered in Berlin on January 10, 1927. There, after several weeks of unsuccessful screenings in a single cinema, "Metropolis" was removed from the screen. After that, a decision was made to shorten it for release in Germany, with the cuts largely based on the American version. On August 5, 1927, a shortened version, modeled after the American one and equipped with altered intertitles, was compiled – a new German version of "Metropolis". Fritz Lang was not involved in the work on the second German version of the film.
- The film was the most expensive project in the history of German silent cinema. Despite critical acclaim and reasonably good box office receipts, it failed to recoup its production costs and nearly led to the studio's bankruptcy.
- The band Queen used footage from the film for their retrofuturistic music video for the song "Radio Ga Ga."
- The film's plot was borrowed for one of the episodes of the series “Stargate SG-1”.
- Filming lasted 2 years.
- Throughout the 20th century, only the shortened versions were known, which led to misunderstandings and incorrect interpretations of the author's intent. Starting in the 1960s, a number of attempts were made to restore the film.
- Among the journalists covering the film's shooting for the press was Kurt Siodmak, who later became known as a science fiction writer, and then as a producer and screenwriter of many famous Hollywood trash films.
- Zlatan Dudov infiltrated the film set under the guise of a correspondent for a Bulgarian newspaper, and Fritz Lang took him on as an intern. Dudov later became a director himself; his most famous film is "Kule Vampe, or Who Owns the World?" (1932).
- To film what was then the most expensive German film in 1926, the largest studio pavilion in Europe was specially built in Babelsberg.
- The film is set in 2026.
- The robot from this film inspired the creators of "Star Wars: Episode 4 – A New Hope" (1977) with the character C-3PO many years later.
- The film's special effects were largely achieved through stop-motion animation. In particular, this is how the movement of cars along elevated highways was filmed (assistants moved each miniature model). To depict the rays of light crawling along the walls of the New Babylonian Tower, artist Erich Kettelhut drew about a thousand paintings measuring 40x60 cm – a separate image for each frame.
- The robot costume (False Maria) was made by architect Walter Schulze-Mittendorf from a special plastic that hardened quickly in the air; before hardening, it could be molded into anything, welded, bent, and straightened. Actress Brigitte Helm had to lie in a plaster cast for some time so that the 'mechanical man' costume would accurately follow the contours of her body. The costume was detachable, much like knightly armor.
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Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
